Richard Crist

Pool at Sully's, Geometric Abstract Woodcut by Richard Crist

circa 1960

Artist: Robert Zakanitch, American (1935 - ) Title: Untitled (Yellow Feather) Year: 1983 Medium: Screenprint, signed, dated, and numbered in pencil Edi...

Artist: David Leverett, British (1932 - ) Title: Greenfields: Sacred Garden Series Year: 1990 Medium: Lithograph, Signed and Numbered in Pencil Edition: 44/250 Image Size: 22.75 x 30.75 inches Sheet: 27 x 35 inches Provenance: Merrill Chase Galleries...

Skyscrapers by Martha Diamond, American (1944) Date: 1987 Aquatint, signed and numbered in pencil Edition of 45 Size: 28.5 in. x 36 in. (72.39 cm x 91.4...

Artist: John Urbain, Belgian/American (1920 - 2009) Title: Windmill Year: circa 1980 Medium: Silkscreen with Collage, signed and numbered in pencil Edition: AP Size: 36.5 x 26 in. (9...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: Amsterdam Year: 1973 Medium: Silkscreen on BFK Rives, Signed, titled and numbered in pencil Edition: 250, AP 20 Size: 30 in. x 22 i...

Artist: Keisuke Serizawa, Japanese (1895-1984) Title: Metamorphosis of Zan Biell Year: circa 1970 Medium: Woodcut on Rice Paper, signed and numbered in pencil Edition: AP Size: 29 x...

Face with a Mustache - Abstracted Lithograph by Cathleen Panttaja Hip Woodcut Print done at the height of the Flower Power 60s, of a man with a large Moustache. Cathleen Panttaja (Am...

Bird on a Tree is an original signed limited edition ( 24/60 ) woodblock print by the Italian artist Alessandro Nastasio. It is in very good condition. Paper size 16.25 x 13.75 image 7 x 6.75 Nastasio was born in Milan in 1934. In 1952 he followed the “free school of the nude” led by Aldo Salvatori. In 1960 he attended the Atelier of Giorgio Upilio where Giacometti, Lam, Fontana, De Chirico worked and where he had the opportunity to study the themes of the inspiring myths. He worked at the MAF foundry with the master Tullio Figini who shared the secrets of the lost wax Renaissance fusion and where he met the masters Crocetti, Manfrini, Manzu , Minguzzi, Fabbri,. He then moved on to Quinto de Stampi at the De Andreis foundry where Marino Marini, Pomodoro, Rudy Wach, Strebelle, Negri and Rosental operated. A regular reader of the great sapienzal texts of antiquity, he trained in particular on the Bible which he illustrated with woodcuts, aquatints, etchings and linocuts, especially the Song of Songs, the book of Ecclesiastes and several pages of the Gospels He also drew his inspiration from the philosophical-religious tradition of the Eastern world through the reading of Rig-Veda, Upanisad and the Matnavi of Rumi. In 1966-67 he obtained the chair at the Academy of Fine Arts of Brera and for thirty years he devoted himself to the teaching of Art Education in various schools. Nastasio created works both pictorial and plastic in collaboration with famous architects such as: Figini and Pollini, De Carli, Gardella, Faranda, Selleri, Ponti. His great talent soon came to the attention of various art dealers: first Max G...

John Hubbard (1931-2017) American. 'Marrakech. Morroco coloured lithograph print on paper. Number 48 of 50 made by the artist. Signed lower right. Original glazed frame . John Hub...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface" ETERNAL FLAME III, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed) From edition of 5 Series: Southern Song Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style. Larger dimensions available from limited edition of 5 also available and made upon order. The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...

John Altoon's work crosses a hybrid between abstract and figurative, influenced by Abstract Impressionism. He used color and line to connect sociopolitical messages with the viewer.

The painting captures the major spring tree in the artist’s garden, painted plein-air in the garden. The language of Cherry Prunus blooms in early Spring when the weather is still ve...