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Robert Kelly1985 Abstract Geometric Monoprint Painting Chine Colle Collage Robert Kelly1985
1985
$1,800
£1,344.32
€1,559.88
CA$2,493.01
A$2,794.65
CHF 1,457.35
MX$34,255.55
NOK 18,467.01
SEK 17,557.17
DKK 11,638.73
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About the Item
Robert Kelly (American, 1956-)
Abstract Monoprint
1985
Pencil titled Donja XI and dated 1985 lower left
Hand signed lower right
Provenance: from the collection of a prominent US corporation.
Dimensions:
Sheet: 33.5" X 28"
Image: 26" X 22"
Robert Kelly (born 1956) is an American artist. He is based in New York City.
Kelly was born in Santa Fe, New Mexico, and studied at Harvard University, Cambridge, Massachusetts (B.A. 1978). His paintings have been acquired by public and private collections in Europe and the United States, including The Whitney Museum of American Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Museum of Fine Arts, Santa Fe, NM; Milwaukee Art Museum, Milwaukee, WI; Smith College Art Museum, Northampton MA; Jane Voorhees Zimmerli Art Museum, Rutger’s University, NJ; Montgomery Museum of Fine Arts, Montgomery; The Fogg Museum, Cambridge, MA; The Margulies Collection, Miami, FL; and the McNay Art Museum, San Antonio, TX.
Kelly has traveled throughout the United States, Europe, North Africa, the Near East, and Nepal. His work often incorporates unusual materials from his journeys, among them vintage posters and printed antique paper, obscured and layered in saturated pigments on a canvas faintly scored with irregular grids. Kelly’s paintings have been likened to palimpsests and his method described as one of building “meticulously on inhabited ground, layering materials, documents, and signs, covering them, wiping out their beauty, nearly, but allowing something of the labor and their languages to persist.”
Kelly worked as a commercial photographer for Polaroid in Cambridge, Massachusetts, and completed residencies at The MacDowell Colony and The Karolyi Foundation, Vence, France, before devoting himself entirely to painting in 1982. His work has been the subject of more than forty-five solo shows at venues in North America and Europe, including Spazio Bianco/AR Contemporary Art, Milan, Italy; Leslie Feely Fine Art, New York; and The John Berggruen Gallery, San Francisco, California. He has participated in more than one hundred group shows in the United States and abroad. including the Projects Inaugural Exhibition at Bentley Gallery Featuring works by Jim Dine, Jennifer Bartlett, Donald Sultan, Frank Stella, John Chamberlain, Julian Schnabel and, Dominique Blain. Kelly’s influences include the De Stijl movement, Malevich and Mondrian and modernists like Bauhaus, Joaquin Torres-Garcia, Philip Guston, Richard Diebenkorn, Kurt Schwitters, Blinky Palermo and Brazilian Neo-Concretists Lygia Clark and Helio Oiticica. Kelly himself cites Hans Arp, Myron Stout, Tony Smith, Brancusi, Calder, Bill Traylor, Louise Bourgeois, and Ellsworth Kelly.
Primary Abstraction, Process-Oriented, Hard-Edged, New York School Artists, Line, Form, and Color, Curvilinear Forms. “Kelly compares his work method to the practice of a stonemason building a wall, setting the components in place as they rise with an astuteness and precision found in the process of composing formal puzzles. Addressing the full expanse of a canvas covered entirely with paper, he masterfully builds up his surface with the pared down tools of line, form and color. Given their remarkable elegance, sheen and tactile qualities, the paintings invite drop-dead awe.” Edward Leffingwell, Robert Kelly: Paper Trails
“In these works the sophisticated play between translucency and opacity, representation and abstraction conflates past and present—be it the history of art or of a psyche.” Hilarie M. Sheets, Art in America
“[His] process yields the self-sustaining and harmonious ‘rightness’ of so much of Kelly’s work, a sense that each form could never be other than it is; were it sharper, more obtuse, or thicker, each angle, curve, or horizontal band would collapse into formlessness. Kelly’s compositions are held in such perfect moments of balance...” João Ribas, Robert Kelly: Praxis and Poesis
“The works are paradoxical: by disassembling and then reassembling the pieces, Kelly seems to undermine visual ‘completeness’ by a fragmented presentation. Yet it nonetheless feels as though the image is a cohesive whole.” Melissa Kuntz, Art in America
“Confronted as all artists are now with the exhaustion of subjectivity, Robert Kelly insists on the capacity of painting to mediate subjective apprehension through symbolic forms and sensual experience. Nothing less.” Lyle Rexer, Robert Kelly: Painting’s Place
“Robert Kelly’s art is exemplary. It reveals an intelligence that is as alert and modern as one could wish but is at the same time saturated in the knowledge of other times and places.” John Ash, Robert Kelly: Painting History
- Creator:Robert Kelly (1956, American)
- Creation Year:1985
- Dimensions:Height: 33.5 in (85.09 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Please refer to photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38215090212
Robert Kelly
Drawing on his extensive travels, Robert Kelly’s painted collages contain found print and material from around the world. Kelly has included antique botanical drawings, handwritten notes, small sketches, vintage posters, and signs in his work. To create the ground for his paintings, he lays the re-appropriated paper in long strips to form irregular grids, small squares, and triangles. The repeated application often obscures the printed content beyond recognition. His play of edges, angles, and cuts creates a tension and an intuitive logic to the placement of line and form. These explorations, communicated through a skilled technique, refined over a 20-year career, achieve a mature balance that is both formally rigorous and visually exciting. Robert W. Kelly was born in Santa Fe, New Mexico and graduated from Harvard University, Cambridge with a MA in 1978. Throughout his career he has received positive reviews in many prestigious publications including Art in America, ARTnews and the Los Angeles Times. He is represented in both private and public collections including the Dallas Museum of Fine Art, IBM, New York and the Museum of Fine Art, Santa Fe. Although frequently returning to the Southwest, Kelly resides in New York City.
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