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Robert MangoldA Square with Four Squares Cut Away, Rubber Stamp Portfolio, Robert Mangold1977
1977
$956
$1,19520% Off
£734.17
£917.7120% Off
€841.35
€1,051.6820% Off
CA$1,345.81
CA$1,682.2620% Off
A$1,507.61
A$1,884.5120% Off
CHF 784.14
CHF 980.1820% Off
MX$18,389.69
MX$22,987.1120% Off
NOK 9,983.18
NOK 12,478.9820% Off
SEK 9,413.43
SEK 11,766.7920% Off
DKK 6,279.58
DKK 7,849.4720% Off
About the Item
Printer’s ink from rubber stamp on Cambersand paper, mounted on vélin paper, as issued. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by Parasol Press, Ltd., New York; distributed by Museum of Modern Art (MoMA), New York; rubber stamp engraved by Unity Engraving Company Inc, Englewood; printed by Parasol Press, Ltd., New York, under the direction of Aaron Arnow, New York, from an edition of M, 1977.
ROBERT MANGOLD (1937) is an American minimalist artist. His son is the film director, producer and screenwriter James Mangold. “Robert Mangold’s paintings,” wrote Michael Kimmelman in The New York Times in 1997, “are more complicated to describe than they seem, which is partly what’s good about them: the way they invite intense scrutiny, which, in the nature of good art, is its own reward.” His works are comprised often of simple elements which are put together through complex means. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling of an architect's hands. He almost always works in extensive series, often carried through both paintings and works on paper.
- Creator:Robert Mangold (1937, American)
- Creation Year:1977
- Dimensions:Height: 8 in (20.32 cm)Width: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216143282
Robert Mangold
Robert Mangold (born October 12, 1937) is an American minimalist artist. “Robert Mangold’s paintings,” wrote Michael Kimmelman in the New York Times in 1997, “are more complicated to describe than they seem, which is partly what’s good about them: the way they invite intense scrutiny, which, in the nature of good art, is its own reward.” His works are comprised often of simple elements which are put together through complex means. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling of an architect's hands. He almost always works in extensive series, often carried through both paintings and works on paper.
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