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Robert MangoldUntitled I, II, III2007
2007
About the Item
numbered and signed lower margin
S&S Cat. no. 2007.01
edition 6/30
Published by Simmelink/Sukimoto Editions, Kingston, New York
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of the painted picture plane. Within this seemingly austere repertoire, his work has evolved over time to a heightened complexity and lyricism through the use of innovatively shaped asymmetric and multiple-panel canvases, curvilinear lines that connect and unify geometric shapes, and ineffable and surprising color combinations. Printmaking, which Mangold began professionally in 1968, was a natural fit for an artist drawn to working in series and experimenting with variations on a theme. Prints became, in fact, an area where Mangold often first developed visual ideas that later appeared in his paintings, and he has to date completed over two hundred print editions, many in serial portfolios.
Mangold’s work is held in numerous public collections including Art Institute of Chicago, IL; Cleveland Museum of Art, OH; Brooklyn Museum, NY; Solomon R. Guggenheim Museum, NY; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington. D.C.; Los Angeles County Museum of Art, CA; Metropolitan Museum of Art, NY; Museum of Fine Arts, Boston, MA; Museum of Modern Art, NY; and Tate, London; among many others worldwide.
- Creator:Robert Mangold (1937, American)
- Creation Year:2007
- Dimensions:Height: 34 in (86.36 cm)Width: 23.5 in (59.69 cm)
- More Editions & Sizes:edition of 30Price: $15,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU4615637632
Robert Mangold
Robert Mangold (born October 12, 1937) is an American minimalist artist. “Robert Mangold’s paintings,” wrote Michael Kimmelman in the New York Times in 1997, “are more complicated to describe than they seem, which is partly what’s good about them: the way they invite intense scrutiny, which, in the nature of good art, is its own reward.” His works are comprised often of simple elements which are put together through complex means. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling of an architect's hands. He almost always works in extensive series, often carried through both paintings and works on paper.
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