Robert MotherwellGreenwich Arts Council Poster /// Abstract Expressionist Robert Motherwell NY 1976
1976
About the Item
- Creator:Robert Motherwell (1915-1991, American)
- Creation Year:1976
- Dimensions:Height: 37.25 in (94.62 cm)Width: 23 in (58.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12122061793
Robert Motherwell
The name of painter, printmaker and writer Robert Motherwell (1915–91) is often taken as synonymous with the New York School, whose name he coined. Motherwell was the youngest of this group of Abstract Expressionists working in art, dance, poetry and music in 1950s and '60s New York City, which included Jackson Pollock, Willem de Kooning, Philip Guston, Helen Frankenthaler and Mark Rothko.
Born in Aberdeen, Washington, in 1915, Motherwell had perhaps the broadest and best education of any of the New York School coterie, with an extensive background in philosophy, literature and art history. He earned a BA in philosophy in 1937 from Stanford University and was working toward a PhD in the subject at Harvard when he interrupted his studies for a yearlong trip to Europe, where he fell in love with European modernism.
After returning, in 1940 he enrolled Columbia to study art history. It was there that he met a group of exiled Parisian Surrealists, and encounter that proved influential on his style. Motherwell began to integrate the idea of “automatism” — unmediated gestures that reflect deeper psychological impulses — into his work, pioneering a new form of Abstract Expressionism that came to characterize the New York School.
Works like the 1967 Beside the Sea no. 45, an acrylic on canvas, and the 1966 lithograph New York International epitomize Motherwell’s use of simple shapes in boldly contrasting colors, executed in quick, gestural strokes that occasionally evoke figures, suggesting a latent narrative despite their obvious abstraction.
Throughout his career, Motherwell taught painting at Hunter College, in New York, and at Black Mountain College, in North Carolina, where his work influenced the likes of Cy Twombly, Robert Rauschenberg and Kenneth Noland. His influence as one of the founding fathers of American Abstract Expressionism remains profound.
- ShippingRetrieving quote...Ships From: Saint Augustine, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Red and Black II /// Abstract Expressionist Lynn Chadwick British Minimalism ArtBy Lynn ChadwickLocated in Saint Augustine, FLArtist: Lynn Chadwick (English, 1914-2003) Title: "Red and Black II" Series: Red and Black *Signed and dated by Chadwick in pencil lower right Year: 1963 Medium: Original Lithograph ...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph, Handmade Paper
- City Art Gallery (Bird Talk) Poster /// Lee Krasner Female Woman Abstract ArtistBy Lee KrasnerLocated in Saint Augustine, FLArtist: (after) Lee Krasner (American, 1908-1984) Title: "City Art Gallery (Bird Talk)" *Signed and dated by Krasner in the plate (printed signature) lower left Year: 1966 Medium: Or...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Casino Knokke Poster (Signed) /// Contemporary Abstract Sculpture Frank StellaBy Frank StellaLocated in Saint Augustine, FLArtist: (after) Frank Stella (American, 1936-) Title: "Casino Knokke" Series: Casino Knokke Posters *Signed by Stella in black marker lower center Year: 1991 Medium: Original Offset-Lithograph, Exhibition Poster on glossy wove paper Limited edition: Unknown Printer: Unknown Publisher: Casino Knokke, Knokke, Belgium Sheet size: 24.5" x 16.63" Condition: Some minor handling creases. In excellent condition Very rare Notes: Provenance: private collection - Paris, France; acquired directly from the exhibition at Casino Knokke, Knokke, Belgium. Poster produced for a special exhibition of Stella's work at Casino Knokke, Knokke, Belgium from June 23 - September 1, 1991. The artwork featured on this poster is Stella's 1991, 133" x 87" x 75" stainless steel, bronze, copper, aluminum and carbon steel sculpture "Raft of the Medusa, Part IV". Comes with its rare 56 page softcover exhibition catalogue "Frank Stella: Casino Knokke" featuring 18 artworks. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Frank Stella (1936-) is an American artist best known for his use of geometric patterns and shapes in creating both paintings and sculptures. Arguably one of the most influential living American artists, Stella’s works utilize the formal properties of shape, color, and composition to explore non-literary narratives, as seen in his work Harrar II (1967) from the Protractor series. “Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes,” he explained. “It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity.” Born on May 12, 1936 in Malden, MA, Stella went on to study history at Princeton University before moving to New York in 1958. Having moved to the city, Stella was immersed in the heyday Abstract Expressionism, but it was the work of Jasper Johns that inspired Stella’s Black...Category
1990s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset, Permanent Marker
- Untitled (SF-348) (Fresh Air School) /// Abstract Expressionist Sam Francis ArtBy Sam FrancisLocated in Saint Augustine, FLArtist: Sam Francis (American, 1923-1994) Title: "Untitled (SF-348) (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Altitudes /// Abstract Expressionism Helen Frankenthaler Female Post-War ModernBy Helen FrankenthalerLocated in Saint Augustine, FLArtist: Helen Frankenthaler (American, 1928-2011) Title: "Altitudes" *Signed, dated, and numbered by Frankenthaler in pencil lower right Year: 1978 Medium: Original Lithograph on light yellow-pink J.B. Green Hayle Mill Bodleian handmade paper Limited edition: 29/42 Printer: Bill Goldston and John A. Lund of Universal Limited Art Editions, West Islip, NY Publisher: Universal Limited Art Editions, West Islip, NY Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 72, page 264, 268-270; "ULAE" - Sparks No. 33, page 88, 323; Clark No. 67; Williams No. 67 Sheet size (irregular margins): 22.25" x 30.88" Condition: Remnants of previous mounting tape on verso. In excellent condition with strong colors Very rare Notes: Provenance: private collection - New York, NY; private collection - notable fashion illustrator Jay Hyde, Crawford, New York, NY; acquired from an art gallery in New York, NY; likely acquired directly from the publisher Universal Limited Art Editions, West Islip, NY. Lithograph drawn with tusche wash. Printed in two colors from two stones: red and green. Universal Limited Art Editions chop mark/blind stamp lower right. "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison - "Frankenthaler carefully chose a European handmade paper that would add another color and texture to the print" ... "By contrast, in "Altitudes", the artist created a bleed image so that the sheet of paper is smaller than the stone's image and the large red tusche wash sweeps across the surface of the yellow-pink J.B. Green Hayle Mill Bodleian paper, becoming warmed and enhanced by its color and texture." "Universal Limited Art Editions - A History and Catalogue: The First Twenty-Five Years" - Sparks - "In "Bronze Smoke" (cat. no. 32), "Altitudes" (cat. no. 33), and "Door" (cat. no. 34), minimal compositions were replaced by fields of drifting, multilayered color, as rich and satisfying as her work on a much grander scale." Biography: Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting...Category
1970s Abstract Expressionist Abstract Prints
MaterialsHandmade Paper, Lithograph
- Untitled (Fresh Air School) /// Abstract Expressionist Female Joan Mitchell ArtBy Joan MitchellLocated in Saint Augustine, FLArtist: Joan Mitchell (American, 1925-1992) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Medium: Orig...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Lincoln Center's Mostly Mozart Festival - 25th AnniversaryBy Robert MotherwellLocated in Aramits, Nouvelle-AquitaineRobert Motherwell, American (1915 - 1991) Lincoln Center's Mostly Mozart Festival, 25th Anniversary. Lithograph, Edition of 800, unsigned and unnumber...Category
1990s Abstract Expressionist Abstract Prints
MaterialsLithograph, Screen
- Horse Ride-Green, Violet, BrownBy Joan MiróLocated in Ljubljana, SIHorse Ride-Green, Violet, Brown. Original color lithograph, 1969. Edition of 75 signed and numbered impressions on Arches paper. Joan Miró was a famous Spanish Catalan surreal painter, sculptor and ceramicist, but he also created graphics, large installations and murals. His radical style for that time was a contribution to the early-20th-century avant-garde and complete abstraction later. Early fauvistic works showed the influence of Cézanne, in cubist compositions, but also a reference to the avant-garde interests of the painter. Few years later he started to change his artistic approach over the magic realism to surrealism. His surfaces become abstract and stayed like that until the rest of his career. Miró’s mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. The artworks are reflections of his subconscious mind, filled with pictorial signs, biomorphic forms, geometric shapes, and abstract and semi-abstract objects. He worked extensively in lithography and produced numerous murals, tapestries, and sculptures for public spaces. Miro’s composition...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Untitled from the portfolio “Poems dans le ciel”By Sam FrancisLocated in Ljubljana, SIPoems dans le ciel (eng. Poems in the sky). Original lithograph, 1986. Edition of 100 signed and numbered impressions on Arches paper. Samuel Lewis Francis was an American artist, we...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Three FiguresLocated in Belgrade, MTThis lithograph is part of my private collection. It is limited in edition ,artist signed lower right and is in very good condition. Walter Becker was a German artist. Another impres...Category
Mid-20th Century Abstract Expressionist Abstract Prints
MaterialsLithograph
- Serigraphie Fernand LegerBy Fernand LégerLocated in Belgrade, MTThis print is part of my private collection. They were published in a numbered unsigned edition of 1000, and a signed edition of 200, printed by Serifraphie Fernand Leger, Paris and ...Category
Mid-20th Century Abstract Expressionist Abstract Prints
MaterialsLithograph
- Sans titreBy Jean SignovertLocated in Belgrade, MTThis black and white Carborundum is part of my private collection. It is in very good condition , signed by the artist and numbered. Guilde de la GravureCategory
Mid-20th Century Abstract Expressionist Abstract Prints
MaterialsLithograph