St. Michael III
View Similar Items
Robert MotherwellSt. Michael III1979
1979
About the Item
- Creator:Robert Motherwell (1915-1991, American)
- Creation Year:1979
- Dimensions:Height: 41.5 in (105.41 cm)Width: 31.5 in (80.01 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent condition with no issues.
- Gallery Location:Austin, TX
- Reference Number:1stDibs: LU58035410312
Robert Motherwell
The name of painter, printmaker and writer Robert Motherwell (1915–91) is often taken as synonymous with the New York School, whose name he coined. Motherwell was the youngest of this group of Abstract Expressionists working in art, dance, poetry and music in 1950s and '60s New York City, which included Jackson Pollock, Willem de Kooning, Philip Guston, Helen Frankenthaler and Mark Rothko.
Born in Aberdeen, Washington, in 1915, Motherwell had perhaps the broadest and best education of any of the New York School coterie, with an extensive background in philosophy, literature and art history. He earned a BA in philosophy in 1937 from Stanford University and was working toward a PhD in the subject at Harvard when he interrupted his studies for a yearlong trip to Europe, where he fell in love with European modernism.
After returning, in 1940 he enrolled Columbia to study art history. It was there that he met a group of exiled Parisian Surrealists, and encounter that proved influential on his style. Motherwell began to integrate the idea of “automatism” — unmediated gestures that reflect deeper psychological impulses — into his work, pioneering a new form of Abstract Expressionism that came to characterize the New York School.
Works like the 1967 Beside the Sea no. 45, an acrylic on canvas, and the 1966 lithograph New York International epitomize Motherwell’s use of simple shapes in boldly contrasting colors, executed in quick, gestural strokes that occasionally evoke figures, suggesting a latent narrative despite their obvious abstraction.
Throughout his career, Motherwell taught painting at Hunter College, in New York, and at Black Mountain College, in North Carolina, where his work influenced the likes of Cy Twombly, Robert Rauschenberg and Kenneth Noland. His influence as one of the founding fathers of American Abstract Expressionism remains profound.
- Art 6 '75By Antoni TàpiesLocated in Austin, TXArtist: Antoni Tapies Title: Art 6 '75 Year: 1975 Medium: Lithograph Signed and numbered 114/150 bottom left with publisher's blindstamp In excellent condition. Dimensions: 35.25 x ...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Untitled 148By Gino ScarpaLocated in Austin, TXArtist: Gino Scarpa, Italian/Norwegian (1924 - ) Title: Untitled 148 Year: circa 1970 Medium: Aquatint Etching and Carborundum Intaglio print Signed and numbered in pencil, Numbe...Category
1970s Abstract Expressionist Abstract Prints
MaterialsEtching, Aquatint, Intaglio
$385 Sale Price65% Off - PapooseBy Alexander CalderLocated in Austin, TXArtist: Alexander Calder Title: Papoose Medium: Color Lithograph Year: 1969 Dimensions: 28 x 43 in Signed "Calder" lower right. Numbered 9/75 Published by Maeght, Paris Condition: Ex...Category
1960s Abstract Abstract Prints
MaterialsLithograph
- Derriere Le Miroir No. 141 CoverBy Alexander CalderLocated in Austin, TXArtist: Alexander Calder Title: Derriere Le Miroir No. 141, Cover Year: 1963 Dimensions: 15" x 11" Published by Maeght Editeur Excellent conditionCategory
1950s Abstract Abstract Prints
MaterialsLithograph
$195 Sale Price70% Off - Derriere Le Miroir No. 141 Stabile 2By Alexander CalderLocated in Austin, TXArtist: Alexander Calder Title: Derriere Le Miroir No. 141, Stabile 2 A double page lithograph from the Derriere le Miroir No. 141 publication. With vertical fold in the middle, as ...Category
1950s Abstract Abstract Prints
MaterialsLithograph
$400 Sale Price50% Off - Homage to Ben ShahnBy Alexander CalderLocated in Austin, TXAlexander Calder Homage to Ben Shahn Color lithograph on Arches, 1971. 995x625 mm; 39 1/2x24 1/2 inches (sheet), full margins. Signed and numbered 100/100 in pencil, lower margin. ...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- "Untitled" Robert Motherwell from the Portfolio of NineBy Robert MotherwellLocated in Hinsdale, ILRobert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- "The Star Thief" by James RosenquistBy James RosenquistLocated in Hinsdale, ILJames Rosenquist (1933-2017) Star Thief Color lithograph on white wove paper, 1978-1986 Image size: 31.75” x 32”, full margins. Impression 8 of edition of 25 Signed, titled, da...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Lincoln Center's Mostly Mozart Festival - 25th AnniversaryBy Robert MotherwellLocated in Aramits, Nouvelle-AquitaineRobert Motherwell, American (1915 - 1991) Lincoln Center's Mostly Mozart Festival, 25th Anniversary. Lithograph, Edition of 800, unsigned and unnumber...Category
1990s Abstract Expressionist Abstract Prints
MaterialsLithograph, Screen
- Untitled from "Vingt-deux poèmes" by Mark Tobey, Lithography, Cassou, Black, RedBy Mark TobeyLocated in Köln, DEColor lithograph by Mark Tobey (Centerville, Wisconsin 1890 - 1976 Basel) from "Vingt-deux poèmes" (Portfolio with artworks by several artists and 22 poems by Jean Cassou...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Quatre LithographiesBy Willem de KooningLocated in New York, NYWillem De Kooning Quatre Lithographies, 1986 Signed De Kooning 86' Lithograph in colors on arches 72 x 63 cm 92/100Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
Price Upon Request - Horse Ride-Green, Violet, BrownBy Joan MiróLocated in Ljubljana, SIHorse Ride-Green, Violet, Brown. Original color lithograph, 1969. Edition of 75 signed and numbered impressions on Arches paper. Joan Miró was a famous Spanish Catalan surreal painter, sculptor and ceramicist, but he also created graphics, large installations and murals. His radical style for that time was a contribution to the early-20th-century avant-garde and complete abstraction later. Early fauvistic works showed the influence of Cézanne, in cubist compositions, but also a reference to the avant-garde interests of the painter. Few years later he started to change his artistic approach over the magic realism to surrealism. His surfaces become abstract and stayed like that until the rest of his career. Miró’s mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. The artworks are reflections of his subconscious mind, filled with pictorial signs, biomorphic forms, geometric shapes, and abstract and semi-abstract objects. He worked extensively in lithography and produced numerous murals, tapestries, and sculptures for public spaces. Miro’s composition...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
Price Upon Request