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Ross Bleckner
Throbbing Hearts

1997

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  • Senza Titolo 10 (Lynton G.68)
    By Victor Pasmore
    Located in Missouri, MO
    Senza Titolo 10 (Lynton G.68), 1989 By. Victor Pasmore (1908-1998) Etching and Aquatint Signed Bottom Right Edition 47/90 Bottom Left Site Size: approx. 30 x 80" Framed Size: approx...
    Category

    20th Century Abstract Abstract Prints

    Materials

    Etching, Aquatint

  • Abstract (Edition 24/75)
    By Bram Van Velde
    Located in Missouri, MO
    Abstract (Edition 24/75) By Bram van Velde (1895-1981) Signed and Numbered Bottom Center Without Frame: 37" x 24" With Frame: 37.75" x 24.75" Bram (Abraham Gerardus) van Velde was a Dutch painter known for an intensely colored and geometric semi-representational painting style related to Tachisme*, and Lyrical Abstraction*. He is often seen as member of the School of Paris* but his work resides somewhere between expressionism* and surrealism*, and evolved in the 1960s into an expressive abstract art. His paintings from the 1950s are similar to the contemporary work of Matisse, Picasso and the abstract expressionist Adolph Gottlieb. He was championed by a number of French-speaking writers, including Samuel Beckett and the poet André du...
    Category

    20th Century Abstract Abstract Prints

    Materials

    Lithograph

  • Observador de Pajaros
    By Rufino Tamayo
    Located in Missouri, MO
    "Observador de Pajaros" 1950 By. Rufino Tamayo (Mexican, 1899-1991) Edition 83/210 Lower Right Signed Lower Left Unframed: 15.5" x 22.5" Framed: 21.75" x 28.25" Rufino Tamayo (August 26, 1899- June 24, 1991) A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria...
    Category

    20th Century Abstract Abstract Prints

    Materials

    Lithograph

  • Framed
    By Sam Francis
    Located in Missouri, MO
    Framed Sam Francis (American, 1923-1994) Edition 58/100 in pencil Lower Left Signed in pencil Lower Right 17 x 22 inches 25.5 x 30.5 inches An Abstract Expressionist* painter known ...
    Category

    1960s Abstract Abstract Prints

    Materials

    Color, Lithograph

    Framed
    Price Upon Request
  • Red and Blue Spirals
    By Alexander Calder
    Located in Missouri, MO
    Red and Blue Spirals Alexander Calder (American, 1898-1976) Signed in Pencil Lower Right Numbered 59/150 in Pencil Lower Left 26 x 37 inches 35.5 x 46 inches with frame One of Amer...
    Category

    1970s Abstract Abstract Prints

    Materials

    Color, Lithograph

  • Red and Green Bubbles
    By Victor Vasarely
    Located in Missouri, MO
    Victor Vasarely "Red and Green Bubbles" c. 1970 Color Serigraph Signed and Numbered Ed. 125 Framed Size: 34 x 29.5 inches Image: approx 18 x 18 inches
    Category

    1970s Abstract Geometric Abstract Prints

    Materials

    Lithograph

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  • Variant - P1, F17, I1, Abstract Geometric Screenprint by Josef Albers
    By Josef Albers
    Located in Long Island City, NY
    From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...
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    1970s Abstract Geometric Abstract Prints

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  • untitled, Abstract Etching by Henri Goetz
    By Henri Goetz
    Located in Long Island City, NY
    Artist: Henri Goetz, French/American (1909 - 1989) Title: Untitled I Medium: Aquatint Etching, Signed and numbered in pencil Edition: 24/40 Image Size: 13.5 x 18.5 inches Size: 20.5 ...
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    1970s Abstract Abstract Prints

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  • Lament for Lorca
    By Robert Motherwell
    Located in London, GB
    Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper 44x61 in (111.8x154.9cm) Edition of 52
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    1980s Abstract Expressionist Abstract Prints

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  • Seeing Voice Welsh Heart
    By Paul Jenkins
    Located in New York, NY
    A very good impression of this color lithograph on Rives BFK. Signed and numbered 30/40 in pencil. Printed by Mourlot, Paris. Published by Galerie Karl Flinker, Paris. From the same-...
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  • interStella / Quad 1 pt1
    By Chuck Elliott
    Located in Bristol, GB
    interStella / Quad 1 pt1 is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I ...
    Category

    21st Century and Contemporary Abstract Geometric Abstract Prints

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  • Fade-Out: White & Black Diptych
    Located in New York, NY
    Breakout artist Chris Chandler is enjoying his second life as a fine artist after retiring from a successful career as a touring agent for popular music...
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