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Howard Hodgkin
Sand Howard Hodgkin abstract sepia black and white earth tone painting print

1983

$8,500
£6,362.12
€7,351.51
CA$11,786.67
A$13,202.58
CHF 6,863.87
MX$163,025.30
NOK 87,440.36
SEK 82,661.25
DKK 54,860.99
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About the Item

Abstract, large scale earth toned red, black, taupe and grey scene with dynamic lines, shapes and hand painted brushstroke texture. This dramatic Howard Hodgkin work is ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. The rectangular core of this elemental composition explodes with movement: frenetic marks of red striated with grey brushstrokes. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Dark grey hand painted watercolor frames this work, as if the viewer were looking into a house through its window. 31 x 40 in. / 79 x 102 cm Lithograph from two aluminum plates with hand colouring in watercolor (two black wash borders). Edition 50; this impression 44/50. Signed by the artist with initials and numbered 44/50 lower center in white pencil. Printed from two of the same plates as Blood, 1983. Sand evinces the increase in emotional content and intensity in Hodgkin’s work after the late 1970s. His marks are more fluid and lush due to an increased looseness of handling. These later works show a richness and a surface texture previously lacking – mainly due to the application of gouache or watercolor by hand. Catalogue reference: Elizabeth Knowles, Howard Hodgkin: Prints 1977 to 1983, Tate Gallery, London 1985, no. 40, illustrated p. 36
  • Creator:
    Howard Hodgkin (1932, British)
  • Creation Year:
    1983
  • Dimensions:
    Height: 79 in (200.66 cm)Width: 101.8 in (258.58 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    This print is not previously owned and has been stored in the publisher's archives since its publication. There are thin strips of archival tape along the edges of the verso as documented, otherwise in excellent condition.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU121125721482

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Howard Hodgkin hand-colored Early Evening in the Museum of Modern Art
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Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique. Part of a series of four prints reflecting on a visit to...
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Thinking Aloud in the Museum of Modern Art, Hodgkin, abstract black and white
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Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Paper: 30 x 40 in. / 76.2 x 101.5 cm. Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on yellowish grey Hodgkinson hand made paper. Signed by the artist, dated 70, and numbered 21/100 lower center in red crayon. Printed from the same plates as 'All Alone in the Museum of Modern Art'. While All Alone features dark pools of hand coloring, the lighter image field of Thinking Aloud reveals how Hodgkin used his entire hand to create lines and textures. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive brush marks and fingerprints in this print are an example of the artist’s movement in the late 70s towards pronounced gestures. Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...
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Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract. Paper 45 x 55 in. / 114.3 x 139.7 cm. Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left. This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle. Catalogue reference: Elizabeth Knowles...
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