Satish SHARMA

Abstract Composition For Vence - Original etching, Handsigned - Numbered /60

1995

Luis FEITO (1929-) Balance Original etching and aquatint Handsigned in pencil Numbered / 75 On BFK Rives vellum 91.5 x 62.5 cm (c. 36.5 x 25 inch) Very good condition, light defect...

LIONEL Red Original Etching Handsigned Numbered /20 copies On vellum 47.5 x 58 cm ( c. 18.7 x 22.8 Inches ) Excellent condition

Camille BRYEN Abstract Landscape, 1956 Original Etching Signed in pencil On paper Van Gelder Zonen 22 x 16.5 cm (c. 8.5 x 6.5 in) INFORMATION : Printed in the ateliers Priester Frè...

Isidore ISOU (1925-2007) Lettrism: Codex of the Unknown, c. 1980 Original etching Signed in pencil Numbered / 20 copies On Arches vellum, 53 x 38.5 cm Very good condition, minor wa...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure

Abstract Composition is a little mixed media etching realized by an artist of late 20th century. In good conditions the artwork is mounted on a white cardboard (24x30). No signatur...