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Sean Scully
Durango II

1991

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Untitled #2
By Thomas Nozkowski
Located in New York, NY
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...
Category

2010s Abstract Abstract Prints

Materials

Aquatint

Untitled I, II, III
By Robert Mangold
Located in New York, NY
numbered and signed lower margin S&S Cat. no. 2007.01 edition 6/30 Published by Simmelink/Sukimoto Editions, Kingston, New York Associated with the Minimalist art movement of the 1...
Category

Early 2000s Abstract Geometric Abstract Prints

Materials

Etching, Aquatint

Untitled (A)
By Thomas Nozkowski
Located in New York, NY
Thomas Nozkowski (b. 1944, Teaneck, New Jersey; d. 2019, New York) was recognized for his richly colored and intimately scaled abstract paintings, drawings, and prints that push the...
Category

Early 2000s Abstract Abstract Prints

Materials

Color, Aquatint

Untitled #5
By Thomas Nozkowski
Located in New York, NY
2012, 4-plate aquatint with 22 colors, 21 7/8 x 29 3/8 inches, edition of 25 For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a si...
Category

21st Century and Contemporary Prints and Multiples

Materials

Aquatint

Two Open Squares Within a Red Area
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

2010s Minimalist Abstract Prints

Materials

Paper, Etching, Aquatint

Untitled (Tondo) C
By Leon Polk Smith
Located in New York, NY
Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...
Category

Mid-20th Century Abstract Geometric Abstract Prints

Materials

Paper, Screen

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Jean Miotte - Constant Eye I - Original Signed Lithograph
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Untitled (SFE-092) - American Abstract Expressionism
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Abstract Skyscrapers, Aquatint Etching by Martha Diamond
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Red Sea III
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