Items Similar to Delaunay, Planche No. 37, Compositions, couleurs, idées: Sonia Delaunay (after)
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Delaunay, Planche No. 37, Compositions, couleurs, idées: Sonia Delaunay (after)1930
1930
About the Item
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or matted. Reference: Delaunay, Sonia. Sonia Delaunay Patterns and Designs in Full Color. Dover Publications, Inc., 1989, page 1. Callu, Florence, et al. Sonia et Robert Delaunay: BibliothèQue Nationale, [Paris, 15 déCembre 1977-29 Janvier 1978]. Bibliothèque nationale, 1977, illustration number 456. Notes: From the folio, Compositions, couleurs, idées: Sonia Delaunay, 1930. Compositions conceived and created 1926-28 and issued as an album of separate loose sheets. Published and printed by Éditions d'Art, Charles Moreau, Éditeur, Paris, 1930. Excerpted from the volume, Sonia Delaunay Patterns and Designs in Full Color, Sonia Delaunay: Ses Peintures, Ses Objets, Ses Tissus Simultanés, Ses Modes (pp. 1-20), was published by Librairie des Arts Décoratifs, Paris [1925]). In addition to the plates by Delaunay, it contained poems by Joseph Delteil, Blaise Cendrars, Tristan Tzara and Philippe Soupault. In a preface, the painter and writer Andre Lhote makes the point that, with a few exceptions, the designs use no florals or other identifiable motif, the representation of nature being replaced by an interplay of abstract elements in a pure state, Forms are organized according to an casily perceived thythm. (The Delaunays frequently thought of their art in musical terms.) In this treatment, according to Lhote, everyday objects offer the artist the greatest challenge. In fact, Sonia Delaunay devoted her talents to all sorts of designs, from furniture and pottery to bookbindings and clothing. Her fashions were much in demand, not so much for originality of silhouette or construction as for inventive-ness of patterning and use of fabric. Lhote says of these designs: "In an epoch when fashion sometimes so indiscrectly unveils the form, it is necessary that the bit of fabric used to cover it be decorated in the most abstract manner, so that the eye is for an instant attracted by the figures different from those born in intimacy." (Translation by H. C. Perleberg:) Compositions, Couleurs, Idées (pp. 21-60) was published by Editions d'Art Charles Moreau, Paris [1930]. The plates reveal Sonia Delaunay's further explorations with abstraction, playing color against color and form against form.
SONIA DELAUNAY (1885-1979) was a French artist born to Jewish parents, who spent most of her working life in Paris. She was born in the Russian Empire, now Ukraine, and was formally trained in Russia and Germany, before moving to France and expanding her practice to include textile, fashion, and set design. She was part of the School of Paris and co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes, with her husband Robert Delaunay and others. She was the first living female artist to have a retrospective exhibition at the Louvre in 1964, and in 1975 was named an officer of the French Legion of Honor. She was in the milieu of Picasso, Braque, and Matisse.
About the Seller
4.9
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2002
1stDibs seller since 2021
857 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Auburn Hills, MI
- Return PolicyA return for this item may be initiated within 1 day of delivery.
Auctions on 1stDibs
Our timed auctions are an opportunity to bid on extraordinary design. We do not charge a Buyer's Premium and shipping is facilitated by 1stDibs and/or the seller. Plus, all auction purchases are covered by our comprehensive Buyer Protection. Learn More
More From This SellerView All
- Delaunay, Planche No. 39, Compositions, couleurs, idées: Sonia Delaunay (after)By Sonia DelaunayLocated in Auburn Hills, MIColour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...Category
1930s Modern Abstract Prints
MaterialsStencil
- Delaunay, Planche No. 40, Compositions, couleurs, idées: Sonia Delaunay (after)By Sonia DelaunayLocated in Auburn Hills, MIColour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...Category
1930s Modern Abstract Prints
MaterialsStencil
- Delaunay, Planche No. 38, Compositions, couleurs, idées: Sonia Delaunay (after)By Sonia DelaunayLocated in Auburn Hills, MIColour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...Category
1930s Modern Abstract Prints
MaterialsStencil
- Delaunay, Planche No. 3, Compositions, couleurs, idées: Sonia Delaunay (after)By Sonia DelaunayLocated in Auburn Hills, MIColour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...Category
1930s Modern Abstract Prints
MaterialsStencil
- Delaunay, Planche No. 9, Compositions, couleurs, idées: Sonia Delaunay (after)By Sonia DelaunayLocated in Auburn Hills, MIColour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...Category
1930s Modern Abstract Prints
MaterialsStencil
- Delaunay, Planche No. 2, Compositions, couleurs, idées: Sonia Delaunay (after)By Sonia DelaunayLocated in Auburn Hills, MIColour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...Category
1930s Modern Abstract Prints
MaterialsStencil
You May Also Like
- Jacques Villon - Dance of the Universe - Original LithographBy Jacques VillonLocated in Collonge Bellerive, Geneve, CHJacques Villon - Dance of the Universe - Original Lithograph From the literary review "XXe Siècle" 1959 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Jacques Villon (1875 -...Category
1950s Modern Abstract Prints
MaterialsLithograph
- (after) Antoine Pevsner - Face of a Man - LithographLocated in Collonge Bellerive, Geneve, CH(after) Antoine Pevsner - Face of a Man - Lithograph From the literary review "XXe Siècle" 1959 Signed in the plate Dimensions: 32 x 24 cm Publisher: ...Category
1950s Modern Abstract Prints
MaterialsLithograph
- The Hanging Gardens of Babylon, Eggenberger 1970.8 signed/n lithograph Swiss ArtLocated in New York, NYFranz Eggenschwiler The Hanging Gardens of Babylon (Eggenberger 1970.8), 1970 Lithograph with Embossing Hand signed and numbered 26/200 on the lower front 19 3/4 × 25 3/4 inches Unfr...Category
1970s Modern Landscape Prints
MaterialsLithograph, Pencil
- Mornings with Judd (Second state)By Peter MiltonLocated in Middletown, NYLift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61]. Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...Category
1970s American Modern Landscape Prints
MaterialsEngraving, Etching, Archival Paper
- Windswept (Abstract Landscape Print of a Country Farm in Beige, Orange & Brown)By David KonigsbergLocated in Hudson, NYAbstract landscape print of a country farm in earth tones of beige, orange, and brown 12 x 24 inch image on 22 x 30 inch Rives BFK paper, unframed Rives BFK paper is made of cotton,...Category
2010s Modern Landscape Prints
MaterialsMonotype
- Ballpark: Vertical Abstracted Landscape Print of Green Baseball Field & CloudsBy David KonigsbergLocated in Hudson, NYAbstract print of an aerial view of a baseball park with a distant landscape 24 x 12 inch image on 30 x 22 inch Rives BFK paper, unframed Rives BFK paper is made of cotton, has dec...Category
2010s Modern Landscape Prints
MaterialsMonotype