Items Similar to The Away Team Beams Down to What Appears to Be an Uninhabited Planet
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Sonny AssuThe Away Team Beams Down to What Appears to Be an Uninhabited Planet2016
2016
$3,200
£2,485.85
€2,820.58
CA$4,575.39
A$5,005.60
CHF 2,614.33
MX$59,818.09
NOK 32,845.46
SEK 30,912.76
DKK 21,063.67
About the Item
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race.
With the insertion of ovoids, s-shapes and u-shapes into the images, both the landscape paintings and the Northwest Coast design elements are changed. The landscapes become marked by the spectre of Native presence and the NWC design elements, traditionally two-dimensional in appearance, acquire the illusion of depth through association with Western principles of perspective. I see these bold interruptions of the landscapes as acts of resistance towards the colonial subjugation of the First People.
Through museum interventions, large-scale installations, sculpture, photography, printmaking and paintings, Sonny Assu merges the aesthetics of Indigenous iconography with a pop art sensibility in an effort to address contemporary, political and ideological issues. His work often focuses on Indigenous issues and rights, and the ways in which the past has come to inform contemporary ideas and identities. Assu infuses his work with wry humour to open the dialogue towards the use of consumerism, branding and technology as totemic representation. Within this, his work deals with the loss of language and cultural resources, and the effects of colonization upon the Indigenous people of North America.
His work has been accepted into the National Gallery of Canada, Seattle Art Museum, Vancouver Art Gallery, Museum of Anthropology at UBC, Burke Museum at the University of Washington, Hydro Quebec, Lotto Quebec, The Audain Museum and in various other public and private collections across Canada, the United States and the UK.
Assu is Ligwilda'x_w (We Wai Kai) of the Kwakwaka'wakw nations. He graduated from Emily Carr University (2002) and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art in 2011 and was long-listed for the Sobey Art Award in 2012, 2013 and 2015. Assu is an MFA candidate at Concordia University, while he currently works and lives in South Surrey.
- Creator:Sonny Assu (1975, Canadian)
- Creation Year:2016
- Dimensions:Height: 22 in (55.88 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montreal, CA
- Reference Number:1stDibs: LU4763600802
Sonny Assu
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn’t until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice. Assu’s artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. Having cut his teeth in Vancouver’s art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back “home” in unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art in 2011 and was thrice long-listed for the Sobey Art Award. He received his MFA from Concordia University in 2017 and was one of the Laureates for the 2017 REVEAL – Indigenous Art Awards. His work has been accepted into the National Gallery of Canada, Seattle Art Museum, Vancouver Art Gallery, Museum of Anthropology at UBC, Burke Museum at the University of Washington, Art Gallery of Greater Victoria, Hydro Quebec, Lotto Quebec and in various other public and private collections across Canada, the United States and the UK.
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 1996
1stDibs seller since 2014
105 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Montreal, Canada
- Return Policy
More From This Seller
View AllBeware of the intentions of well meaning Aliens
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
They're Coming! Quick! I have a better hiding place for you. Dorvan V
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
PRESERVER ONE: Well, looks like we got them all. See, don’t you feel GREAT...
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
Yeah... shit's about to go sideways. I'll take you to Amerind. You'll like it...
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
It was, like, a super long time ago that ppl were here, right?
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
It was, like, a super long time ago that ppl were here, right?
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Archival Paper, Digital
You May Also Like
Vargas-Suarez Universal 'Syntax 20'
By Vargas-Suarez Universal
Located in New York, NY
Syntax 20 (2023)
Acrylic gouache, oil enamel on paper
12x10 inches
Signed and dated by the artist on verso
Vargas-Suarez Universal (b. 1972) is an artist based between New York Cit...
Category
2010s Contemporary Abstract Paintings
Materials
Oil, Acrylic, Gouache, Archival Paper
Maria Helena Vieira da Silva, Untitled, from Painters of Today, 1960 (after)
By Maria Helena Vieira da Silva
Located in Southampton, NY
This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Sans titre (Untitled), from the folio Vieira da Silva, Peintres d'au...
Category
1960s Modern Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
Byron Browne, (Abstraction)
By Byron Browne
Located in New York, NY
This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed in the image -- on the plate, as ...
Category
1930s Abstract Abstract Prints
Materials
Lithograph
Vargas-Suarez Universal 'Syntax 17'
By Vargas-Suarez Universal
Located in New York, NY
Syntax 17 (2023)
Acrylic gouache, oil enamel on paper
12x10 inches
Signed and dated by the artist on verso
Vargas-Suarez Universal (b. 1972) is an artist based between New York Cit...
Category
2010s Contemporary Abstract Paintings
Materials
Oil, Acrylic, Gouache, Archival Paper
Vargas-Suarez Universal 'Syntax 14'
By Vargas-Suarez Universal
Located in New York, NY
Syntax 14 (2023)
Acrylic gouache, oil enamel on paper
12x10 inches
Signed and dated by the artist on verso
Vargas-Suarez Universal (b. 1972) is an artist based between New York Cit...
Category
2010s Contemporary Abstract Paintings
Materials
Oil, Acrylic, Gouache, Archival Paper
From Here to There
Located in Surfside, FL
Will Petersen, a painter, master printer and a poet, was born in
Chicago. (Amer. 1928-1994)
Will's formal art education began with classes at the Chicago Academy
of Fine Arts. As a student at the city's Steinmetz High School,
Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS
newspaper cartoonist, the Steinmetz Star. During this time, Petersen
recovered from polio.
In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While
there, he painted with oils for the first time. Two years later he
enrolled at Michigan State University where he developed a strong
interest in literature and writing and began printmaking. By 1951 he
had begun to exhibit paintings and prints nationally. A year later he
completed his master's degree.
Petersen served in the United States Army from 1952-54, spending one
year as an education specialist in Japan. This encounter with the
Japanese culture affected his entire life. He became interested in
calligraphy and Noh, classical Japanese Buddhist performance that
combines elements of drama, music and poetry. Upon completion of his
military service in Japan in 1955, Will Petersen settled in Oakland,
California, where he met some of the most active poets of the Beat
Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen,
Mike McClure and others. Petersen was attracted to the group by their
intelligence and belief in Zen Buddhism.
In 1956 in his small studio in Oakland, he printed the poems of Jack
Kerouac. He attended for the first time, the reading of Ginsberg's
Howl at Six Gallery. His relationship with Gary Snyder had begun when
both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken.
Petersen returned to Japan in 1957, pursuing painting, printmaking and
writing for eight years while living in Kyoto. In 1965 he accepted a
faculty appointment at Ohio State University, teaching drawing,
painting and printmaking. Four years later Petersen took his teaching
skills to West Virginia University in Morgantown, where he
concentrated on printmaking. He taught there until 1977 when he began
publishing Plucked Chicken, a journal of art and poetry. In 1978 in
Morgantown, Petersen and his wife, Cynthia Archer, established Plucked
Chicken Press, which they later moved to Chicago and then Evanston.
Petersen operated the Press until his death on April 1, 1994.
1956 In storefront studio in Oakland, California, creates signed serigraphs
and lithographs. Prints poems of Jack Kerouac.
1961 Back in Japan, acquires a lithography press and stones and
resumes printing lithographs. Exhibits regularly with Kyoto
Printmakers.
1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan.
Prints for the first time Richard Hunt lithographs.
1978 Establishes Plucked Chicken Press in Morgantown, West Virginia.
Resident lithographer at Lakeside Studio in Michigan.
1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by
Don Crouch and Art Kleinman.
1982 Publishes Blossom, a lithograph/collage by Tom Nakashima.
1983 Series I of Plucked Chicken Press is published with work by
Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl,
Miller, Nakashima and Petersen.
1984 Plucked Chicken Press moves to Evanston. Series II of Plucked
Chicken Press is published with works by Croydon, Ho, Archer, Torn,
Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock.
1985 Series III of Plucked Chicken Press is published with works by
Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt,
Archer, Ho and Petersen. Prints Suite I, Northern Illinois University
Collectors Series, with lithographs by Renie Adams, David Bower, David
Driesbach, Carl Hayano and Ben Mahmoud...
Category
1980s Modern Abstract Prints
Materials
Lithograph
More Ways To Browse
Northwest Coast
Brice Marden Distant Muses
Calder Bird
Calder Pyramids Signed
Calder Sunburst
Chloe Cheese
Christopher Wool My House
Cindy Sherman Deck
Cy Twombly On Sale
Dali Alice Adventure In Wonderland
Dali Ben Gurion
Dali Elijah
Dali Four Seasons
Dali Windmill Print
Damien Archangel
Damien Hirst And Dots
Damien Hirst Archangel
Damien Hirst Aspects














