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Sonny Assu
"The only thing more pathetic than Indians on TV is Indians watching Indians...

2015

$3,200
£2,457.46
€2,816.22
CA$4,504.81
A$5,046.38
CHF 2,624.75
MX$61,555.45
NOK 33,416.51
SEK 31,509.38
DKK 21,019.51

About the Item

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze. These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race. With the insertion of ovoids, s-shapes and u-shapes into the images, both the landscape paintings and the Northwest Coast design elements are changed. The landscapes become marked by the spectre of Native presence and the NWC design elements, traditionally two-dimensional in appearance, acquire the illusion of depth through association with Western principles of perspective. I see these bold interruptions of the landscapes as acts of resistance towards the colonial subjugation of the First People. Through museum interventions, large-scale installations, sculpture, photography, printmaking and paintings, Sonny Assu merges the aesthetics of Indigenous iconography with a pop art sensibility in an effort to address contemporary, political and ideological issues. His work often focuses on Indigenous issues and rights, and the ways in which the past has come to inform contemporary ideas and identities. Assu infuses his work with wry humour to open the dialogue towards the use of consumerism, branding and technology as totemic representation. Within this, his work deals with the loss of language and cultural resources, and the effects of colonization upon the Indigenous people of North America. His work has been accepted into the National Gallery of Canada, Seattle Art Museum, Vancouver Art Gallery, Museum of Anthropology at UBC, Burke Museum at the University of Washington, Hydro Quebec, Lotto Quebec, The Audain Museum and in various other public and private collections across Canada, the United States and the UK. Assu is Ligwilda'x_w (We Wai Kai) of the Kwakwaka'wakw nations. He graduated from Emily Carr University (2002) and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art in 2011 and was long-listed for the Sobey Art Award in 2012, 2013 and 2015. Assu is an MFA candidate at Concordia University, while he currently works and lives in South Surrey.
  • Creator:
    Sonny Assu (1975, Canadian)
  • Creation Year:
    2015
  • Dimensions:
    Height: 30.5 in (77.47 cm)Width: 22.5 in (57.15 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Montreal, CA
  • Reference Number:
    1stDibs: LU4761035693

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It was, like, a super long time ago that ppl were here, right?
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PRESERVER ONE: Well, looks like we got them all. See, don’t you feel GREAT...
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It was, like, a super long time ago that ppl were here, right?
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The Value of Comic Sans
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The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze. These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
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21st Century and Contemporary Abstract Abstract Prints

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Archival Paper, Digital

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