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Stephen CiminiPrint - 39x39 in. Blue and Gray 1 - UNFRAMED2019
2019
$880
£685.69
€777.90
CA$1,264.76
A$1,392.62
CHF 722.13
MX$16,492.45
NOK 9,167.03
SEK 8,567.63
DKK 5,809.96
About the Item
This is an archival pigment print, signed, numbered - based on an original oil painting on paper by artist Stephen Cimini. Unframed, but framing available.
This may be paired with Blue and Grey 1.
Different sizes prints (39x39 in.; edition of 25)
Print image dimensions: 39 x 39 in.
With deckled edges
Printed in Los Angeles.
Inquire about other sizes. eg. 24x24 in.
We love the work of this artist and the print is based on this beautiful painting because of the classical geometric beauty, that has a quiet meditative feel, emphasized by the depth of multiple colors, that paradoxically suggest movement, yet calmness.
Drawing from the architectural origins of his past work, this series of abstract oil paintings contemplate geometric spaces and their relationships to each other. Using oil paint, cold wax medium, the artist creates a harmonious balance on the canvas, characterized by textured shades of colors, with linear lines and shapes - allowing a meditative composition of shapes and colors to emerge. The artist is a recipient of the Pollock-Krasner grant awarded to artists with established abilities, established by the wife of Jackson Pollock. His work is held in various corporate and private collections worldwide. This oil painting is ready to hang, and signed on the back by artist.
About this new series
This new series explores the objectification of geometric shapes by isolating the constructions on a solid background. Unlike the absolute nonobjective compositions of the artist’s past work, these paintings invite the viewer to use their imagination and see something in the geometric construction.
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Grants & Awards
2003
Recipient of a Grant from the Pollock-Krasner Foundation selected by a committee of distinguished art professionals awarded to artists with established ability. The grant was set up by Lee Krasner, wife of Jackson Pollack.
2015
Finalist at the Global Art League 2015 exhibition at the Montreal Art Centre.
Corporate Collections (selection):
Coca Cola Bottling Co.
NFR Energy LLC
Novartis Pharmaceuticals
WolfBlock Boston
Bayer Healthcare
Wells Fargo Bank
- Creator:Stephen Cimini (1949, American)
- Creation Year:2019
- Dimensions:Height: 39 in (99.06 cm)Width: 39 in (99.06 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU2417039922
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This is an archival pigment print, signed, numbered - based on an original oil painting on paper by artist Stephen Cimini. Unframed, but framing available.
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39 x 32 in. Oil Painting "Informed Consent" - Oil Paint, Silver Leaf
By Stephen Cimini
Located in Los Angeles, CA
The artist is a recipient of the Pollock-Krasner grant awarded to artists with established abilities, established by the wife of Jackson Pollock. His work is held in various corporate and private collections worldwide.
Oil Painting
39 x 32 x 2 inches
Oil paint, cold wax, silver leaf on gallery wrapped canvas
Framing is optional because painting wraps around canvas
Ready to hang on wall, signed on the back by artist
Video attached for viewing
The beauty of geometrical balance in Cimini's series of work evokes a certain quiet beauty. Strong layers of color and brushwork explore depth and emotion to each unique piece. Cimini's work range from paintings with vibrant color and energy to quiet contemplative pieces with rich layering of depths. Using oil paint, wax medium, and marble dust on canvas, the artist creates a harmonious balance on the canvas, or paper, characterized by textured shades of colors, with linear lines and shapes - allowing a symmetrical, meditative composition of shapes and colors to emerge.
ARTIST STATEMENT
Building on the architectural origins which have been the basis of my work for over a decade, I have started referring to my compositions as random symmetry. That is, creating a balance on the canvas with no discernible pattern allowing a symmetrical, meditative composition to emerge. I employ the golden mean as a reference which can often be seen in the composition.
I use oil paint with a cold wax medium, layering the paint, as organic surfaces evolve within the restrained lines of the composition.
During the process an environment develops giving an emotional story to the thoughtfully planned out compositions. My color choices vary, sometimes deliberately creating a series with particular color decisions and sometimes allowing the color choices to impulsively appear fueled by intuition and experience. Color remains a constantly unfolding mystery.
In a recent exhibition, MATH TO BEAUTY is series of new paintings employing the golden mean as a basis for the geometric compositions which I've come to call random symmetry. This fascinating ratio, frequently found in nature and geometry, is perceived by many to play a role in the human perception of beauty. So much has been written about the golden ratio; to the point that it's hard to discern fact from fiction. But whatever the truth, the golden ratio has properties that has intrigued and inspired mathematicians, biologists, artists, musicians, historians, architects, psychologists, and even mystics for centuries.
Using the golden ratio in the cavalier way that I do keeps me mindful of proportion. Just when I think it's working along comes color to challenge my senses. In the end my intentions are to create beauty in my work. As the Greeks put it, the three ingredients to beauty are: symmetry, proportion, and harmony.
Born: 1949, Williamsport, Pennsylvania, USA
Education: San Francisco Art Institute
School of Visual Arts (New York City)
Grants & Awards
2003 Recipient of a Grant from the Pollock-Krasner Foundation selected by a committee of distinguished art professionals awarded to artists with established ability. The grant was set up by Lee Krasner, wife of Jackson Pollack.
2015 Finalist at the Global Art League 2015 exhibition at the Montreal Art...
Category
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Materials
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This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang.
About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
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Halpert Bienniel, Appalachian State University, Boone, NC
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2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
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