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Style: Outsider Art
Leaving Home (97-301), 5 color lithograph on Rives BFK paper, Signed/N Tamarind
Located in New York, NY
DeLoss McGraw
Leaving Home (97-301), 1997
Five color lithograph on tan Rives BFK paper with deckled edges
Signed and numbered 3/75 in graphite pencil on the front
17 × 24 3/25 inches...
Category
1990s Outsider Art Abstract Prints
Materials
Lithograph
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category
1960s Outsider Art Abstract Prints
Materials
Archival Paper, Lithograph
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category
1960s Outsider Art Abstract Prints
Materials
Archival Paper, Lithograph
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category
1960s Outsider Art Abstract Prints
Materials
Archival Paper, Lithograph
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category
1960s Outsider Art Abstract Prints
Materials
Archival Paper, Lithograph
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category
1960s Outsider Art Abstract Prints
Materials
Archival Paper, Lithograph
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category
1960s Outsider Art Abstract Prints
Materials
Archival Paper, Lithograph
Lithograph from from the Artsounds Collection, signed/n famed cult artist LGBTQ
By Thomas Lanigan-Schmidt
Located in New York, NY
Thomas Lanigan-Schmidt
Untitled, from from the Artsounds Collection, 1986
Lithograph on paper
Signed and numbered from the edition of 200 in ink on the back; also bears artist's stamped name and provenance - Art Sounds portfolio.
12 × 12 inches
Unframed
Signed and numbered from the edition of 200 in ink on the back; also bears artist's stamped name and provenance - Art Sounds portfolio.
This terrific offset lithograph print exemplifies the combination of religion and kitsch that Lanigan Schmidt is best known for. This print was created in the 1980s for the famous Artsounds portfolio, which featured prints by Marcel Duchamp, Jonathan Borofsky among others. Lanigan-Schmidt was a subject of a 2013 retrospective at PS1 MOMA and is on the faculty of the School of Visual Arts in New York.
Provenance:
Artsounds Portfolio
About Thomas Lanigan-Schmidt:
Thomas Lanigan-Schmidt is represented in the collections of the Metropolitan Museum of Art, Whitney Museum of American Art, MoMA, Brooklyn Museum, Ludwig Forum für Internationale Kunst, Ackland Art Museum, Columbus Museum of Art, and Wadsworth Atheneum Museum of Art, among others. He has exhibited extensively throughout the United States and Europe, including the 1980 and 1984 Venice Biennales, the 1991 Whitney Biennial, and the 1999 exhibition The American Century: Art and Culture, 1950-2000, Whitney Museum of American Art, New York, NY. Recent solo exhibitions include Tenemental: With Sighs Too Deep for Words, Howl! Happening, New York (2018); Thomas Lanigan-Schmidt: Mysterium Tremendum, Rockland Art Center, NY (2013); and Ecce Homo: Thomas Lanigan-Schmidt & The Art of Rebellion, Pavel Zoubok...
Category
1980s Outsider Art Abstract Prints
Materials
Lithograph
"Pills" - Outsider Pop Art - Woodblock on Paper (#5/5)
Located in Soquel, CA
Vibrant multi-layer woodblock print by Robin Blake (American, 1955). Three layers of neon ink (yellow, magenta, and blue) form a zoomed-in composition of pills. The bright colors cre...
Category
2010s Outsider Art Abstract Prints
Materials
Paper, Ink, Woodcut
"BROKEN MIRROR 03242018 607pm", Primitive, Digital Print, Flag, Purple, Red
By Justin Neely
Located in Toronto, Ontario
The abstract print "BROKEN MIRROR 03242018 607pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on March 24, 2018 at 6:07 pm.
While Justin Neely...
Category
21st Century and Contemporary Outsider Art Abstract Prints
Materials
Archival Paper, Archival Pigment, Digital Pigment
Neighborhood
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Outsider Art Abstract Prints
Materials
Paper, Etching, Aquatint
Just a Little Water Please
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Abstract Prints
Materials
Rag Paper, Etching, Aquatint
Heritage
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Abstract Prints
Materials
Rag Paper, Etching, Aquatint
Stop Playing and Get to Work
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Abstract Prints
Materials
Rag Paper, Etching
Avenue 11
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Abstract Prints
Materials
Rag Paper, Etching
Together We Are
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Abstract Prints
Materials
Rag Paper, Etching
Love Me
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Abstract Prints
Materials
Rag Paper, Etching
Storage #2
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Abstract Prints
Materials
Rag Paper, Etching
Environment Man
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Abstract Prints
Materials
Rag Paper, Etching
Height Almost 34'
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“Height...
Category
1970s Outsider Art Abstract Prints
Materials
Rag Paper, Aquatint
World of Watermelons
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“World of Watermelons” is plate number 19, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
Of “World of Watermelons”, Tyler said “The title here does not represent my own associations with this print. Friends simply began referring to it as ‘the watermelon print...
Category
1970s Outsider Art Abstract Prints
Materials
Rag Paper, Etching, Aquatint
Do Not Touch
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Abstract Prints
Materials
Rag Paper, Etching, Aquatint
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Located in Surfside, FL
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ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/50 lower left, titled in pencil center.
This might be a silkscreen or lithograph technique.
Philippe Dereux was a French artist, born in Lyon in 1918, he was a teacher by profession. Widely known and appreciated for his abstract and decorative collages based on fruit and vegetable peelings. His work was featured in exhibitions at the Collection de l'Art Brut and the Halle Saint Pierre.
He was a collaborator of Jean Dubuffet in Vence in the mid-1950s, later going out on his own around 1960. Dereux's works are covered with plant elements (fruits or vegetable peels, flora and fauna). Abstract and decorative works in which he incorporated peelings of fruits, eggplants or potatoes glued with vinyl glue on cardboard and colored with gouache. He also made butterfly wing collage and assemblage works. His work, while boldly unique, bears many influences Art Brut, Outsider art, Enrico Baj, Aboriginal art, Tribal art, These works bear the influence of the black & white Op Zebra Art of Victor Vasarely and Yaacov Agam
(He was collected and showed with Alphonse Chave. An art lover, dealer and collector. On November 15, 1947 in Vence, under the name Les Mages, he opened a contemporary art gallery which would also become a high place of art brut, Naive and unique art. The gallery took its final name - Galerie Alphonse Chave - in 1960. He exhibited Dado, Philippe Dereux, Jean Dubuffet, Max Ernst, Henri michaux, Louis Pons, Man ray, Dorothea Tanning, Zao Wou-ki as well as other creators.)
Many public exhibitions were dedicated to him during his lifetime in Vence , Lyon , Grenoble and Paris :
1964: Fifty years of collages , Musée de Saint-Étienne, Musée des arts décoratifs de Paris.
1968: Living art, Fondation Maeght .
1984: Musée des arts décoratifs de Paris.
1985: Flaine Art Center.
1997: Neuve Invention Musée de l'art brut de Lausanne.
1999: Villefranche sur Saône cultural center and events in London and New York.
2003: Halle Saint-Pierre, Paris.
Exhibitions at the Galerie Alphonse Chave in Vence:
1965: The peeling work
1968: Pure peelings, trimmed peels , paintings, lithographs.
1972: High Tension
1981-1983: XX years of peelings
1989: Theaters of peeling .
1994: The little treatise on peelings
1999: One life
2007: Retrospective of works from 1960 to 2000
2009: Exhibition Dereux / Dubuffet, Museum of Fine Arts of Lyon
2012: Philippe Dereux (1918-2001). Memories of peelings, Chave gallery, Vence. The retrospective is made up of Dereux's personal collection, many of which have never been shown. There are more than one hundred and forty works exhibited.
2014: Le Mur, works by Philippe Dereux exhibited, with the 1200 works from the Antoine de Galbert collection at La Maison rouge...
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printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
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1960s Outsider Art Abstract Prints
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Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
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printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
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ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
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Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
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printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
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"Untitled" Collage Style Silkscreen Print, Colors, Outsider Art, Signed, Dated
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"Untitled" by Antonio Saura is an abstract collage-style screen print that looks like bits of art paper, writings, drawings, scribbles that together have an overall abstract design quality that fit together like a chaotic surrealist puzzle. Saura claimed Hans Arp and Yves Tanguy as his artistic influences.
Antonio Saura was a Spanish artist and writer, one of the major post-world war II painters to emerge in Spain in the fifties whose work has marked several generations of artists and whose critical voice is often remembered.
An outspoken critic of Franco’s dictatorship, Spanish painter Antonio Saura is best known for his gestural, calligraphic paintings that pay homage to Spain’s cultural heritage. His paintings often employ the dark color palette of some of the country’s most celebrated painters, such as Pablo Picasso, Francisco de Goya, and Diego Velázquez, and pay tribute to their work in his choice of titles.
A self-taught artist, Saura began making art at the age of seventeen, producing dreamlike landscapes in the style of Surrealism. Ten years later, in 1957, he co-founded the El Paso Group, a collective of painters, sculptors, and art critics who sought to revive Spanish art production in the wake of the Spanish Civil War and World War II. At the end of his career, Saura temporarily set aside painting to collaborate with his brother, the film director Carlos Saura...
Category
1960s Outsider Art Abstract Prints
Materials
Screen
Composition
By Carsten Nicolai
Located in Kansas City, MO
Woodcut
Year: 1989
Signed by hand, dated and inscribed
Size: 28.5 × 12.7 on 38.2 × 15.0 inches
COA provided
Carsten Nicolai (b. 1965 in Karl-Marx-Stadt (Chemnitz), Germany) is one o...
Category
1990s Outsider Art Abstract Prints
Materials
Woodcut
Outsider Art abstract prints for sale on 1stDibs.
Find a wide variety of authentic Outsider Art abstract prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Valton Tyler, Justin Neely, and Thomas Lanigan-Schmidt. Frequently made by artists working with Paper, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Outsider Art abstract prints, so small editions measuring 5.63 inches across are also available. Prices for abstract prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $316 and tops out at $2,500, while the average work sells for $850.