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Style: Outsider Art
Leaving Home (97-301), 5 color lithograph on Rives BFK paper, Signed/N Tamarind
Located in New York, NY
DeLoss McGraw Leaving Home (97-301), 1997 Five color lithograph on tan Rives BFK paper with deckled edges Signed and numbered 3/75 in graphite pencil on the front 17 × 24 3/25 inches...
Category

1990s Outsider Art Abstract Prints

Materials

Lithograph

Lithograph from from the Artsounds Collection, signed/n famed cult artist LGBTQ
By Thomas Lanigan-Schmidt
Located in New York, NY
Thomas Lanigan-Schmidt Untitled, from from the Artsounds Collection, 1986 Lithograph on paper Signed and numbered from the edition of 200 in ink on the back; also bears artist's stamped name and provenance - Art Sounds portfolio. 12 × 12 inches Unframed Signed and numbered from the edition of 200 in ink on the back; also bears artist's stamped name and provenance - Art Sounds portfolio. This terrific offset lithograph print exemplifies the combination of religion and kitsch that Lanigan Schmidt is best known for. This print was created in the 1980s for the famous Artsounds portfolio, which featured prints by Marcel Duchamp, Jonathan Borofsky among others. Lanigan-Schmidt was a subject of a 2013 retrospective at PS1 MOMA and is on the faculty of the School of Visual Arts in New York. Provenance: Artsounds Portfolio About Thomas Lanigan-Schmidt: Thomas Lanigan-Schmidt is represented in the collections of the Metropolitan Museum of Art, Whitney Museum of American Art, MoMA, Brooklyn Museum, Ludwig Forum für Internationale Kunst, Ackland Art Museum, Columbus Museum of Art, and Wadsworth Atheneum Museum of Art, among others. He has exhibited extensively throughout the United States and Europe, including the 1980 and 1984 Venice Biennales, the 1991 Whitney Biennial, and the 1999 exhibition The American Century: Art and Culture, 1950-2000, Whitney Museum of American Art, New York, NY. Recent solo exhibitions include Tenemental: With Sighs Too Deep for Words, Howl! Happening, New York (2018); Thomas Lanigan-Schmidt: Mysterium Tremendum, Rockland Art Center, NY (2013); and Ecce Homo: Thomas Lanigan-Schmidt & The Art of Rebellion, Pavel Zoubok...
Category

1980s Outsider Art Abstract Prints

Materials

Lithograph

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category

1960s Outsider Art Abstract Prints

Materials

Archival Paper, Lithograph

"Pills" - Outsider Pop Art - Woodblock on Paper (#5/5)
Located in Soquel, CA
Vibrant multi-layer woodblock print by Robin Blake (American, 1955). Three layers of neon ink (yellow, magenta, and blue) form a zoomed-in composition of pills. The bright colors cre...
Category

2010s Outsider Art Abstract Prints

Materials

Paper, Ink, Woodcut

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category

1960s Outsider Art Abstract Prints

Materials

Archival Paper, Lithograph

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category

1960s Outsider Art Abstract Prints

Materials

Archival Paper, Lithograph

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category

1960s Outsider Art Abstract Prints

Materials

Archival Paper, Lithograph

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category

1960s Outsider Art Abstract Prints

Materials

Archival Paper, Lithograph

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category

1960s Outsider Art Abstract Prints

Materials

Archival Paper, Lithograph

"BROKEN MIRROR 03242018 607pm", Primitive, Digital Print, Flag, Purple, Red
Located in Toronto, Ontario
The abstract print "BROKEN MIRROR 03242018 607pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on March 24, 2018 at 6:07 pm. While Justin Neely...
Category

21st Century and Contemporary Outsider Art Abstract Prints

Materials

Archival Paper, Archival Pigment, Digital Pigment

Neighborhood
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Outsider Art Abstract Prints

Materials

Paper, Etching, Aquatint

Just a Little Water Please
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Abstract Prints

Materials

Rag Paper, Etching, Aquatint

Heritage
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Abstract Prints

Materials

Rag Paper, Etching, Aquatint

Heritage
Price Upon Request
Stop Playing and Get to Work
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Abstract Prints

Materials

Rag Paper, Etching

Avenue 11
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Abstract Prints

Materials

Rag Paper, Etching

Avenue 11
Price Upon Request
Together We Are
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Abstract Prints

Materials

Rag Paper, Etching

Love Me
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Abstract Prints

Materials

Rag Paper, Etching

Love Me
Price Upon Request
Storage #2
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Abstract Prints

Materials

Rag Paper, Etching

Environment Man
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Abstract Prints

Materials

Rag Paper, Etching

Height Almost 34'
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) “Height...
Category

1970s Outsider Art Abstract Prints

Materials

Rag Paper, Aquatint

World of Watermelons
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) “World of Watermelons” is plate number 19, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. Of “World of Watermelons”, Tyler said “The title here does not represent my own associations with this print. Friends simply began referring to it as ‘the watermelon print...
Category

1970s Outsider Art Abstract Prints

Materials

Rag Paper, Etching, Aquatint

Do Not Touch
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Abstract Prints

Materials

Rag Paper, Etching, Aquatint

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1960's Alexander Calder lithographic cover Derrière le miroir
Located in NEW YORK, NY
Alexander Calder Lithographic cover c. 1968 from Derrière le miroir: Lithograph in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of unknown with crisp bright colors. Published by: Galerie Maeght, Paris, c. 1968. Unsigned from an edition of unknown. Looks fantastic framed. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Related Categories: Mid century modern. Alexander Calder prints. Calder orange. Calder red...
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This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing...
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Huyendo Del Terror (Woman in Jail), by David Alfaro Siqueiros
Located in Palm Springs, CA
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Rufino Tamayo 'Deux Tetes' from Mujeres Suite, Limited Edition, Signed Print
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1945 Mexican Modernist Silkscreen Serigraph Print Regional Folk Art Dress Mexico
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Located in Surfside, FL
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Previously Available Items
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category

1960s Outsider Art Abstract Prints

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Archival Paper, Lithograph

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category

1960s Outsider Art Abstract Prints

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Archival Paper, Lithograph

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
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1960s Outsider Art Abstract Prints

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Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/50 lower left, titled in pencil center. This might be a silkscreen or lithograph technique. Philippe Dereux was a French artist, born in Lyon in 1918, he was a teacher by profession. Widely known and appreciated for his abstract and decorative collages based on fruit and vegetable peelings. His work was featured in exhibitions at the Collection de l'Art Brut and the Halle Saint Pierre. He was a collaborator of Jean Dubuffet in Vence in the mid-1950s, later going out on his own around 1960. Dereux's works are covered with plant elements (fruits or vegetable peels, flora and fauna). Abstract and decorative works in which he incorporated peelings of fruits, eggplants or potatoes glued with vinyl glue on cardboard and colored with gouache. He also made butterfly wing collage and assemblage works. His work, while boldly unique, bears many influences Art Brut, Outsider art, Enrico Baj, Aboriginal art, Tribal art, These works bear the influence of the black & white Op Zebra Art of Victor Vasarely and Yaacov Agam (He was collected and showed with Alphonse Chave. An art lover, dealer and collector. On November 15, 1947 in Vence, under the name Les Mages, he opened a contemporary art gallery which would also become a high place of art brut, Naive and unique art. The gallery took its final name - Galerie Alphonse Chave - in 1960. He exhibited Dado, Philippe Dereux, Jean Dubuffet, Max Ernst, Henri michaux, Louis Pons, Man ray, Dorothea Tanning, Zao Wou-ki as well as other creators.) Many public exhibitions were dedicated to him during his lifetime in Vence , Lyon , Grenoble and Paris : 1964: Fifty years of collages , Musée de Saint-Étienne, Musée des arts décoratifs de Paris. 1968: Living art, Fondation Maeght . 1984: Musée des arts décoratifs de Paris. 1985: Flaine Art Center. 1997: Neuve Invention Musée de l'art brut de Lausanne. 1999: Villefranche sur Saône cultural center and events in London and New York. 2003: Halle Saint-Pierre, Paris. Exhibitions at the Galerie Alphonse Chave in Vence: 1965: The peeling work 1968: Pure peelings, trimmed peels , paintings, lithographs. 1972: High Tension 1981-1983: XX years of peelings 1989: Theaters of peeling . 1994: The little treatise on peelings 1999: One life 2007: Retrospective of works from 1960 to 2000 2009: Exhibition Dereux / Dubuffet, Museum of Fine Arts of Lyon 2012: Philippe Dereux (1918-2001). Memories of peelings, Chave gallery, Vence. The retrospective is made up of Dereux's personal collection, many of which have never been shown. There are more than one hundred and forty works exhibited. 2014: Le Mur, works by Philippe Dereux exhibited, with the 1200 works from the Antoine de Galbert collection at La Maison rouge...
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1960s Outsider Art Abstract Prints

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Archival Paper, Lithograph

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
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1960s Outsider Art Abstract Prints

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Archival Paper, Lithograph

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
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1960s Outsider Art Abstract Prints

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Archival Paper, Lithograph

Fronton de Victoire from Les Frontons Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France hand signed in pencil lower right, "PH Dureux," numbered 4/50 lower left, titled in pencil center. Offset ...
Category

1960s Outsider Art Abstract Prints

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Archival Paper, Lithograph

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category

1960s Outsider Art Abstract Prints

Materials

Archival Paper, Lithograph

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category

1960s Outsider Art Abstract Prints

Materials

Archival Paper, Lithograph

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category

1960s Outsider Art Abstract Prints

Materials

Archival Paper, Lithograph

"Untitled" Collage Style Silkscreen Print, Colors, Outsider Art, Signed, Dated
Located in Detroit, MI
"Untitled" by Antonio Saura is an abstract collage-style screen print that looks like bits of art paper, writings, drawings, scribbles that together have an overall abstract design quality that fit together like a chaotic surrealist puzzle. Saura claimed Hans Arp and Yves Tanguy as his artistic influences. Antonio Saura was a Spanish artist and writer, one of the major post-world war II painters to emerge in Spain in the fifties whose work has marked several generations of artists and whose critical voice is often remembered. An outspoken critic of Franco’s dictatorship, Spanish painter Antonio Saura is best known for his gestural, calligraphic paintings that pay homage to Spain’s cultural heritage. His paintings often employ the dark color palette of some of the country’s most celebrated painters, such as Pablo Picasso, Francisco de Goya, and Diego Velázquez, and pay tribute to their work in his choice of titles. A self-taught artist, Saura began making art at the age of seventeen, producing dreamlike landscapes in the style of Surrealism. Ten years later, in 1957, he co-founded the El Paso Group, a collective of painters, sculptors, and art critics who sought to revive Spanish art production in the wake of the Spanish Civil War and World War II. At the end of his career, Saura temporarily set aside painting to collaborate with his brother, the film director Carlos Saura...
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1960s Outsider Art Abstract Prints

Materials

Screen

Composition
By Carsten Nicolai
Located in Kansas City, MO
Woodcut Year: 1989 Signed by hand, dated and inscribed Size: 28.5 × 12.7 on 38.2 × 15.0 inches COA provided Carsten Nicolai (b. 1965 in Karl-Marx-Stadt (Chemnitz), Germany) is one o...
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Outsider Art abstract prints for sale on 1stDibs.

Find a wide variety of authentic Outsider Art abstract prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Valton Tyler, Justin Neely, and Thomas Lanigan-Schmidt. Frequently made by artists working with Paper, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Outsider Art abstract prints, so small editions measuring 5.63 inches across are also available. Prices for abstract prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $316 and tops out at $2,500, while the average work sells for $850.

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