Tetsuo Araki

Blue Square, Abstract Aquatint Etching by Tetsuo Araki

circa 1970

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

Artist: Gharduer Title: Untitled 2 Year: circa 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 37/50 Paper Size: 19 x 28 inches

Akio Wakasa Miyakawa - Primitive Image (13), Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 3/10, Image Size: 11.5 x 19.5 inches, Size: 15 ...

Akio Wakasa Miyakawa - The Primitive Toy B, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 5/20, Image Size: 8.75 x 11.75 inches, Size: 11 x 14.5 in....

Etching and aquatint on paper. Hand signed lower right by Antoni Clave. Hand numbered 58/80 lower left corner. Artwork size 22 x 30 inches. Image size 19 x 27 inches. Frame size...

Incavo Blu is an original Contemporary Artwork realized by Giuseppe Santomaso (Venice, 1907 - Venice, 1990) in 1970. Original etching and aquatint on copper plate printed in 4 colors on Fabriano Rosaspina paper. Hand-signed on the lower right margin. Numbered on the lower left corner: 36/90. Edition of 90 and XV artist proofs Printed by 2RC. Mint conditions. Giuseppe Santomaso (Venice, 1907 - Venice, 1990), an Italian painter. In Paris he visits the great international exhibitions: in front of the works of Matisse, Braque, Pierre Bonnard and Picasso exhibited in the artistic capital of France he remains both admired and irritated. The first solo show of him takes place in Paris in 1939 (Galerie Rive Gauche).

Incavo blu is an abstract colored artwork realized by Giuseppe Santomaso in 1970. Mixed colored etching and aquatint on Fabriano Rosaspina paper. Hand-signed and dated on the lower...

Joel Shapiro's post-minimalist work often references the human body, in a variety of poses, represented by geometric forms. In Untitled, 1992, a rust-red rectangle supports three black rectangles piled at varying angles. The forms have light, sketchy lines around them, reminiscent of Futurist dynamism markings or perhaps a draftsman's study of dimensions. A gelatinous blue form intersects the balanced rectangles, while further blue forms tumble out of a fanned series of black triangles. Shapiro has assembled mechanism, geometry, balance, fluid, solid and motion into this dynamic etching, which was published by Pace Prints...