Thomas Geismar

The Letter Z, Pop Art Screenprint by Thomas Geismar

1994

Paul Davis, American (1938 - ) - The Letter J, Portfolio: The Alphabet Portfolio, Year: 1995, Medium: Screenprint, Image Size: 30.5 x 22 inches, Size: 35 x 23 in. (88.9 x 58.42 ...

Thomas Geismar, American (1931 - ) - The Letter F, Portfolio: The Alphabet Portfolio, Year: 1994, Medium: Screenprint, Image Size: 33.5 x 18.5 inches, Size: 35 x 23 in. (88.9 x ...

Paul Davis, American (1938 - ) - The Letter D, Portfolio: The Alphabet Portfolio, Year: 1995, Medium: Screenprint, Image Size: 34 x 22 inches, Size: 35 x 23 in. (88.9 x 58.42 cm...

Woody Pirtle, American - The Letter Y, Portfolio: The Alphabet Portfolio, Year: 1994, Medium: Screenprint, Image Size: 28.5 x 19.5 inches, Size: 35 x 23 in. (88.9 x 58.42 cm), P...

Limited edition of 99 prints plus 20 artist's proofs. Hand signed and numbered by the Artist. Excellent condition. Alberti Rafael (El Puerto de Santa ...

Artist: Allan D’Arcangelo (1930-1998) Title: Left Turn Year: 1979 Edition: 148/175, plus proofs Medium: Silkscreen on Arches paper Size: 34 x 26 inches Condition: Excellent Inscripti...

In Ro Barragan's latest work we explore a production of typographic posters that seeks to highlight the multiplicity of meanings in everyday messages. Words meet, bifurcate, overlap, amalgamate and juxtapose in speeches and the context of communications. It is in this complex multiplicity, that manifests itself in a printed text, which also functions as an image. The material used is the same as the one historically used in urban advertising posters: the work is developed by using typographic printing methods, with mobile types of wood, in typographic families dating back to the last century. The works of art are printed on sulfite paper of various sizes. This piece comes displayed on a black contemporary frame under glass. Art measures 38.25 x 26.25 in Frame measures 43.5 x 31.5 in The machines of the early 20th century and manual presses of various sizes are used for printing, which still works in historical workshops in Argentina – Pucará printing shop in La Tablada - and in the Ilusión Gráfica workshop, owned by Ro Barragán, where it is sought to continue the tradition and the typographic trade, linking its production with artistic practices. Ro holds a Master in Aesthetics and Art Theory by the National University of La Plata, all while developing artistic activities since 1994. She has participated in collective and individual exhibitions in Painting, Engraving, Objects, Digital Art, Installations and Interactive Art, in Buenos Aires and other cities of Argentina, Bogotá, Rome, and Miami. She also has developed art activities in the context of the street, through stickers and posters. She is a Teacher of the Engraving and Complementary Printed Art Workshop at the Faculty of Fine Arts of the National University of La Plata and a teacher of the typography workshop at the Museo de Calcos y Escultura comparada Ernesto de la Cárcova, city of Buenos Aires. She is the creator of Ilusión Gráfica, a typographic printing company that seeks to preserve the tradition of printing with wooden mobile...

Abstract Composition is an original Screen Print realized by Max Bill in 1970. Good conditions. Hand signed and dated, not numbered. The artwork is depicted harmonious colors in a ...