Toko Shinoda

Listen (1996) . Lithograph. Limited Edition of 50 by Toko Shinoda

1996

Toko SHINODA (Japanese, 1913‐2021) Source n.7, (1965) ,Lithograph on cream BFK Rives Paper Artist Proof from an Edition of 16 25 x 19 in (sheet) 63.5 x 48.3 cm (sheet) Executed in 1965 Signed, dated, and inscribed "A.P." PROVENANCE Private Collection United States A rare and historic print...

À la gloire de l'image et art poétique, 1976 by Zao Wou-ki Printed by Ediciones Polígrafia, Barcelona The portfolio, comprising 15 Lithographs in color, With the printed signatures and dates on each. accompanied by the title page and text in French by Roger Callois, lacking the justification, loose, as issued, contained in a paper wrapper, lacking the cloth wrapper case, with central fold as issued. image 40 x 67 cm; sheet 49.7 x 71.6 cm image 15 ³/₄ x 26 ³/₈ cm; sheet 19 ⁹/₁₆ x 28 ³/₁₆ cm Edition of 300 plus 15 Artist Proofs. Literature: Catalogue Raisonné of Zao Wou-ki's graphic works (AGERUP) plates 271-285 About the Artist: Born in 1920 in Beijing, Zao Wou-Ki attended the National School of Arts, Hangzhou for six years under the supervision of Lin Fengmian...

Toko SHINODA (Japanese, 1913‐2021) Wood Sprite B, Lithograph (Edition 49/70) 55.8 x 38.4 cm. Executed in 1970 Titled, signed, numbered and dedicated "to Miss Dorothy Robins" PROVEN...

Aimé, 2013, Digital print on Fine art 100% cotton paper Edition 35/300 Image: 46.9×40.0cm. (18 ¹⁵/₃₂ x 15 ³/₄ in) Sheet: 70.0×50.3cm (27 ⁹/₁₆ x 19 ³/₄ in) Limited edition signed and...

Caisse, 2013, Digital print on Fine art 100% cotton paper Edition 294/300 Image: 52.1×40.2cm (20 ³³/₆₄ x 15 ⁵³/₆₄ in) Sheet: 70.2×50.2cm (27 ⁴¹/₆₄ x 19 ³/₄ in) Limited edition signe...

Extension 2, 2013, Digital print on Fine art 100% cotton paper Edition 64/300 Image: 46.9×40.0cm. (18 ¹⁵/₃₂ x 15 ³/₄ in) Sheet: 70.0×50.3cm (27 ⁹/₁₆ x 19 ³/₄ in) Limited edition sig...

untitled 2023 lithograph by Richard Hunt. Published by Procuniar Workshop, this stone lithograph is signed (lower right recto) and numbered (lower l...

1987 Lithograph in colors, on wove paper Sheet: 31 5/8 x 23 1/2 in. Edition of 50 Signed, dated and numbered in pencil, lower margin

1978 Lithograph in colors, on brown wove paper Sheet: 31 1/2 x 22 1/2 in. Edition of 38 Signed, dated and numbered in pencil, lower margin

Arakawa made an impact on the New York art world during the 1980s.

Print Edition 9, Lithograph on Archival paper Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...

Print Edition 6, Lithograph on Archival paper Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...