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Tony BecharaPuerto Rican Abstract Geometric Op Art Silkscreen Lithograph Kinetic Artc.1979
c.1979
About the Item
Color Grid. Ziggurat form. Hand signed and numbered silkscreen.
Tony Bechara, Artist born in Puerto Rico in 1942. Painter, printmaker. Bechara attended Georgetown University in Washington, D.C., and the School of Jurisprudence and Diplomacy at that same university. He spent one year at the Sorbonne in Paris and, finally, entered New York University. Later, he attended the School of Visual Arts in New York City. Since 1977 he has taken part in numerous group and solo exhibits in Puerto Rico, the United States, Europe, and Latin America. An acrylic painter known for pointillism, meaning many vibrant, mulit-colored small dots and grids, Tony Bechara is also an appointee of Mayor Michael Bloomberg of New York City to the City's Latin Media and Entertainment Commission, whose purpose is to promote Latin American media culture. Bechara is also Chairman of the Board of El Museo del Barrio, New York's only Latino museum dedicated to Puerto Rican, Caribbean and Latin American art.
In 2006 he was awarded first prize by the California Museum of Latin American Art. His conceptual interest, in his own words, centers on the dynamics of color and the expressive possibilities of Pointillism and abstract geometry. His work is related to “automatic painting” and the uncontrolled gestures of Dada artists such as Hans Jean Arp and Surrealist such as Andre Masson. This also bears similarities albeit more formally geometric to mexican Modernist Pedro Friedeberg.
Each painting is constructed in a predetermined number of colors, distributed systematically but applied at random as countless dots and daubs. The general pattern that results is, then, unpredictable.
ONE PERSON EXHIBITIONS
1980 Apollon Galerie Die Insel, Munich, Germany
1980 Cayman Gallery, New York City (Graphics)
1980 Bild & Rahmen Gallery, Munich Germany (Graphics)
1982 Gallery Yves Arman, New York City
1984 Georgetown Artists Space, Washington, D.C.
1985 Museo del Barrio, New York City
1986 Hubert Humphrey Building, Main Gallery, Department of Education, Washington, D.C.
1989 Alternative Museum, New York City
1993 Artist Space, New York City
2006 Latincollector, NYC
2006 Andre Zarre Gallery, New York City
2006 Ramis Barquet Gallery, Monterrey, Mexico
SELECTED GROUP EXHIBITIONS
1977 "Biennial", Whitney Museum of American Art, New York City
1976 "Magnet; New York", Center for Inter-American Relations, New York City
1978 "Resurgence '78", El Barrio Museum, New York City
1978 "Bridges", Henry Street Settlement House, New York City
1979 "Five New Painters", Soho Center for Visual Arts, New York City
1979 "Criss-Cross Patterns", Fine Arts Center, Boulder Colorado
1979 "Fifteen New Talents", Aldrich Museum of Contemporary Art, Connecticut
1979 "Latin American Painters", Queens Museum, New York City
1980 "Islamic Allusions", Alternative Museum, New York City, A.Kingsley, Curator
AWARDS
National Endowment for the Arts, Fellowship, 1980
MOLAA Art Prize, Museum of Latin American Art, 2006
Latinos of the Year, El Diario La Prensa, November 1, 2006
COLLECTIONS
Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
Albright Museum, Reading, Pennsylvania
El Barrio Museum, New York City
Harlem Art Collection, New York State Office Building, New York City
Massachusetts Institute of Technology, Cambridge, Massachusetts
Mobil Corporation
Owens Corning Fiberglass Corporation, Toledo, Ohio
Chermayeff & Geismar Associates, Inc., New York City
The Brodsky Organization, NYC
Museo de Arte de Puerto Rico
PUBLIC COMMISSIONS
Art Across the Park, Central Park, N.Y.C. Dept. of Cultural Affairs, 1982
Mural, Cooper Square Development Corporation, New York City 1988
- Creator:Tony Bechara (1942, Puerto Rican)
- Creation Year:c.1979
- Dimensions:Height: 29.75 in (75.57 cm)Width: 22.25 in (56.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. minor wear. please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214438092
About the Seller
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Located in Surfside, FL
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Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request.
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Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally.
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Category
1980s Op Art Abstract Prints
Materials
Lithograph, Screen
Agam Silkscreen Mod Judaica Lithograph Hand Signed Israeli Kinetic Op Art Print
By Yaacov Agam
Located in Surfside, FL
Yaacov Agam
Israeli (b. 1928)
Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...
Category
1980s Op Art Abstract Prints
Materials
Lithograph, Screen
Agam Silkscreen Mod Judaica Lithograph Hand Signed Israeli Kinetic Op Art Print
By Yaacov Agam
Located in Surfside, FL
Yaacov Agam
Israeli (b. 1928)
Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request.
sheet: 13.5 X 13.5 inches
Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally.
Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...
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Agam Silkscreen Mod Judaica Lithograph Hand Signed Israeli Kinetic Op Art Print
By Yaacov Agam
Located in Surfside, FL
Yaacov Agam
Israeli (b. 1928)
Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request.
sheet: 13.5 X 13.5 inches
Some of these works have beautiful Hebrew calligraphy and mod imagery, animals and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally.
Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...
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1980s Op Art Abstract Prints
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Agam Silkscreen Mod Judaica Lithograph Hand Signed Israeli Kinetic Op Art Print
By Yaacov Agam
Located in Surfside, FL
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Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...
Category
1980s Op Art Abstract Prints
Materials
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Agam Silkscreen Mod Judaica Lithograph Hand Signed Israeli Kinetic Op Art Print
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Located in Surfside, FL
Yaacov Agam
Israeli (b. 1928)
Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...
Category
1980s Op Art Abstract Prints
Materials
Lithograph, Screen
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