Unknown

Black and White Succulent 1, photography, unframed

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern la...

Tracey Emin It's A CRIME to Live with The Person You don't LOVE, 2121 Giclée print on Hahnemühle FineArt Pearl 285gsm paper, accompanied by official COA with hologram 16 1/2 × 11 2/5...

Damien Hirst Pegwell Bay, H13-6, from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 35 2/5 × 35 2/5 in 89.9 × 89.9 cm Hand-signed on the lab...

Damien Hirst Cannizaro H4-4 Diasec-mounted Giclée print on aluminium panel 920 x 1260 MM Edition size: 75 + 5 AP signed and numbered from an edition of 75 verso, published by HENI Editions; sheet: 92 x 126cm Damien Hirst first came to public attention in London in 1988 when he conceived and curated "Freeze," an exhibition in a disused warehouse that showed his work and that of his friends and fellow students at Goldsmiths College. In the nearly quarter of a century since that pivotal show (which would come to define the Young British Artists), Hirst has become one of the most influential artists of his generation. His groundbreaking works include The Physical Impossibility of Death in the Mind of Someone Living (1991), a shark in formaldehyde; Mother and Child Divided (1993) a four-part sculpture of a bisected cow and calf; and For the Love of God (2007), a human skull studded with 8,601 diamonds. In addition to his installations and sculptures, Hirst’s Spot paintings...

Juan Bolivar Predella, 2021 Giclee print H 42cm x W 60cm Juan Bolivar (b. Caracas, Venezuela 1966) paintings negotiate the tension between meaning and form. The central preoccupation in recent works has been the intertextual merging of references from early European avant-garde (painters like Malevich, Mondrian and Van Doesburg), with popular culture and rock music references (bands like AC/DC, Def Leppard...

DAMIEN HIRST (BORN 1965) Taytu Betul, from 'The Empresses' (H10-5), 2022 signed in pencil on the publisher's label affixed verso, stamp-numbered, laminated giclée print with screenpr...