Valerio Adami
Valerio Adami, Untitled, from Derriere le Miroir, 1982
1982

Name: Valerio Adami, Untitled, from Derriere le Miroir, 1982
Brand: Valerio Adami
Price: 580.95 CHF
Availability: InStock
Rating: 4.9 (70 reviews)

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About the Item

This exquisite lithograph by Valerio Adami (born 1935), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Moderne du Lion, Paris, this composition exemplifies Adami’s refined synthesis of color, contour, and conceptual clarity. In Sans titre, Adami employs his signature black outlines and vibrant chromatic planes to construct a sophisticated, symbolic composition that evokes both narrative and abstraction. The precise linear structure and harmonized palette reveal the artist’s distinctive dialogue between intellect and emotion, hallmarks of his elegant modernist style. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition embodies Adami’s union of design and philosophy, transforming color and line into poetic visual architecture. Artwork Details: Artist: Valerio Adami (born 1935) Title: Sans titre (Untitled), from Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght), 1982 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered, as issued Date: 1982 Publisher: Maeght Editeur, Paris Printer: Imprimerie Moderne du Lion, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1982 folio Derriere le Miroir, No. 250, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), This special issue of Derriere le Miroir was designed and defined by Aime Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose Francois Chapon, president of the Reverdy Committee, to write the presentation. This Derriere le Miroir number 250 took the form, after its disappearance on September 5, 1981, of a tribute to Aime Maeght and his wife Marguerite Maeght who died four years earlier. 24 artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by 32 writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on velin d'Arches, numbered from I to CL, and some non-commercial examples constituting the original edition. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Valerio Adami (born 1935) is an Italian painter celebrated for his bold, graphic style that blends vibrant color fields with precise black outlines to create sophisticated compositions rich with narrative and symbolism. Emerging in the postwar European art scene, Adami developed a distinctive visual language influenced by Pop Art, Fauvism, and modern abstraction, transforming everyday scenes, history, and mythology into elegant allegories of contemporary life. His refined use of contour and color reflects the influence of modern masters such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists whose innovations helped shape the expressive vocabulary of modern art. Adami’s work bridges the intellectual rigor of European painting with the visual immediacy of modern design, earning him international acclaim and major exhibitions across Europe and the Americas. His paintings are held in prestigious collections including the Centre Pompidou, MoMA, and the Tate. The highest price ever paid for a Valerio Adami artwork at auction is approximately $216,000 USD, achieved in 2007 at Sotheby’s Milan for Le Voyage du Poète (1966). 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Creator:
Valerio Adami (1935, Italian)
Creation Year:
1982
Dimensions:
Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
Medium:
Lithograph
Movement & Style:
Pop Art
Period:
1980-1989
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465216701202

By Valerio Adami

Located in San Francisco, CA

Artist: Valerio Adami – Italian (1935- ) Title: Caprichos Americano Year: 1979 Medium: serigraph Sight size: 39.5 x 29.75 inches. Sheet size: 39.5 x 29.75 inches Signature: Signed l...

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