Victor Vasarely

No title

1970

"Hommage á Miró, Le Monde de Miró, Lithographies, Aquarelles, Gravures, Dessins, et Gauches 1924-1972, Gabos Art Center, Univ. Heights, Ohio. June 2-30 1974" Event Poster; After JOA...

Abstract limited edition lithograph by artist Ed Moses. Excellent piece for art collectors or NEW art collectors. It is hand signed by the artist. Note: It will require a slight...

Sheila Maki , the artist, is Canadian and died in Toronto, Ontario. She enjoyed the challenge of creating original prints through varied processes such as etching and silk-screening...

Muted colors make this abstract special. It is a limited edition titled and signed by artist D.McBride. As always, reasonable prices for framing are available.

Contrasting the words the LIGHT & the DARK, this is an piece bound to provoke an interesting conversation. On the back it is listed that it came from the Joseph Hur Gallery.

Untitled Abstract Lithograph By Jekon Park. Signed By Artist. Numbered 174/199. Framed. Measures 23.5 x 32 x 1 in. In Excellent Condition

Matisse Exhibit poster (reproduction) has this in the poster" Collages * Gouaches Linden Gallery May 1 to June 1 It is 20 x 26 and in excellent condition

This limited edition lithograph by Ed Moses is signed and numbered 1,750. It would be a wise choice for art collectors! Stunning abstract with the subtle contrast of light blue wit...

SALE ONE WEEK ONLY "I. Traces grotesques" is an Artist’s Proof Lithograph. “Proofs” are either pulled or printed, and the artist has the option to work out the color and quality issues as they come out of the process. The only real difference between the two is the restricted quantity of prints bearing the AP designation and not the quality of the print. This lithograph is signed and titled by the artist, Jean Dubuffet, which indicates his complete satisfaction with the print. It is from 1958 and a perfect example of his style, “Art Brut.” His idealistic approach to aesthetics embraced what is called “low art”, art by non-academically trained artists. It is sometimes referred to as “outsider art.” He did study briefly at the Academie Julian, Paris, but eventually followed his own aesthetics which eschewed traditional standard of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. This lithograph expresses the beauty he found in the meandering spontaneous black line. Jean Dubuffet began painting at the age of seventeen and studied briefly at the Academie Julian, Paris. He painted off and on for the next 20 years. It was not until 1942 in the midst of WWII in France that he began the work which has distinguished him as an outstanding innovator in postwar Europe. It is said of his work that “he looked to the margins of the everyday – the art of prisoners, psychics, the uneducated, and the institutionalized – to liberate his own creativity and coining the term ‘Art Brut’.” Art Brut is a French term that translates as ‘raw art’, to describe art such as graffiti or naïve art which is made outside the academic tradition of fine art. His paintings from the early forties in brightly colored oils were soon followed by works in which he employed such unorthodox materials as cement, plaster, tar and asphalt-scraped, craved and cut and drawn upon with a rudimentary, spontaneous line. Dubuffet worked in France and exhibited from the early forties on. He was included in the 1946 Pierre Matisse...

The work is a Lithograph, not numbered, but signed and dated by the artist, Piero Dorazio. The print has an intense color field with a strong linear element being composed of quadril...