Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Victor Vasarely
Pixis

1980

About the Item

TECHNICAL INFORMATION: Victor Vasarely Pixis Screenprint 17 3/8 x 14 7/8 in. Edition of 50 annotated F.V. Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection. Frame: Unframed. ABOUT THIS ARTIST: Victor Vasarely, was born in Pécs, Hungary on 9 April 1908. Today, he is widely regarded as the father of the Optical Art movement. In 1927 Vasarely began his artistic training at a private drawing school in Budapest. After moving to Paris in 1930 Vasarely was successful as a graphic designer and systematically explored the optical and emotional scope of the different graphic techniques. This led to his understanding in 1947 that geometric forms could evoke a sensory perception conveying new ideas of space, matter and energy. Paris was a big source of inspiration for him. In creating his first kinetic works, Vasarely was inspired by the cracked tiles of the Denfert-Rochreau metro station in Paris, and the manner in which the waves shaped the pebbles on the Belle-Isle-Sur-Mer beaches. He eventually developed his personal style by creating his own geometric form of abstraction, which he varied to obtain different optical patterns with a kinetic effect. In the artist's works, one can clearly distinguish the elements of what Vasarely used to call Alphabet Plastique (plastic alphabet), the circle, the square and their variations. Sometimes, an element of deep three-dimensionality is added to the Alphabet Plastique, so that the typical Vasarley's impossible volumes are created. Victor Vasarely spent the course of a long, critically acclaimed career seeking, and arguing for an approach to art making that was deeply social. He placed primary importance on the development of an engaging, accessible visual language that could be universally understood. Vasarely designed murals of metal and ceramic, mainly for buildings in France. He exhibited works regularly at Documenta in Kassel between 1955 and 1968. The official spiral-shaped logo of the 20th Olympic games in Munich was designed by Vasarely. In 1976 the artist founded the Fondation Vasarely in Aix-en-Provence which supported the creation of an institute for contemporary design and architecture in 1981. The Vasarely Museum, in the artist's birth-town Pécs was opened in 1976, followed by the opening of a second museum in Zichy Palace in Budapest in 1987.
  • Creator:
    Victor Vasarely (1906 - 1997, French, Hungarian)
  • Creation Year:
    1980
  • Dimensions:
    Height: 40 in (101.6 cm)Width: 30 in (76.2 cm)Depth: 2 in (5.08 cm)
  • More Editions & Sizes:
    Edition of 50Price: $2,430
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    This work is in excellent condition. It has never been framed and always stored flat for its protection.
  • Gallery Location:
    Miami, FL
  • Reference Number:
    1stDibs: LU53831634883

More From This Seller

View All
Aerial, from Twelve Progressions
By Julian Stanczak
Located in Miami, FL
Julian Stanczak Aerial, from Twelve Progressions 1971 Screenprint 26 1/2 x 26 1/2 in. EA #3 Pencil signed and numbered Julian Stanczak (Polish, November 5, 1928 – March 25, 2017) was a Polish-born American painter and printmaker who is considered a central figure of the Op art movement in the U.S. during the 1960s and 1970s. Described as an artist whose work "evinced a tremendous geometric inventiveness", Stanczak is primarily known for his large-scale polychromatic abstract compositions made using acrylic paint on canvas in which he explored the perceptual dimensions of color.[3] Born in 1928 in Borownica, Poland, Stanczak survived a Siberian labor camp during World War II where he lost the use of his right arm. He retrained himself to paint left-handed and emigrated to the United States in 1950, where he eventually became a citizen. In 1956, Stanczak received an M.F.A. from Yale University, where he studied with Josef Albers and Conrad Marca-Relli, and was roommates with fellow abstract painter Richard Anuszkiewicz. The term "Op art", since used to describe a short-lived movement of 1960s and 1970s, originated from Stanczak's work when the Minimalist artist and sculptor Donald Judd used it in his critical review of the 1964 exhibition titled Julian Stanczak: Optical Paintings at Martha Jackson Gallery in New York. Stanczak achieved broader commercial recognition after being featured in the landmark 1965 exhibition The Responsive Eye created by curator William C. Seitz at the Museum of Modern Art in New York. As the popularity of Op art diminished in the late 1970s, Stanczak remained active as a painter and continued to exhibit his work, but became progressively separated from mainstream contemporary art in the U.S. In addition to being a practicing artist, Stanczak served as a faculty member at the Art Academy of Cincinnati from 1957 to 1964 and, later, as Professor of Painting at the Cleveland Institute of Art from 1964 to 1995. In 2013, he was awarded an honorary doctorate from Case Western Reserve University in Ohio. Stanczak lived and worked in Seven Hills, Ohio with his wife, the sculptor Barbara...
Category

1970s Op Art Abstract Prints

Materials

Screen

Compounded Red
By Julian Stanczak
Located in Miami, FL
Technical Information: Julian Stanczak Compounded Red 1981 Screenprint 26 x 26 in. Edition of 175 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art
Category

1980s Op Art Abstract Prints

Materials

Screen

Tempo of Three 1981 Screenprint 26 x 39 1/4 in. Edition of 175
By Julian Stanczak
Located in Miami, FL
Technical Information: Julian Stanczak Tempo of Three 1981 Screenprint 26 x 39 1/4 in. Edition of 175 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art
Category

1970s Op Art Abstract Prints

Materials

Screen

Let It Be Orange
By Julian Stanczak
Located in Miami, FL
Technical Information: Julian Stanczak Let It Be Orange 1981 Screenprint 25 3/4 x 25 3/4 in. Edition of 175 Pencil signed and numbered Accompanied with COA...
Category

1980s Op Art Abstract Prints

Materials

Screen

Conferring Blue
By Julian Stanczak
Located in Miami, FL
Technical Information: Julian Stanczak Conferring Blue 1981 Screenprint 25 x 25 in. Edition of 175 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art
Category

1980s Op Art Abstract Prints

Materials

Screen

Inward Yellow Filtration
By Julian Stanczak
Located in Miami, FL
Technical Information: Julian Stanczak Inward Yellow Filtration 1981 Screenprint 25 1/2 x 25 1/2 in. Edition of 175 Pencil signed and numbered Accompanied with COA by Gregg S...
Category

1980s Op Art Abstract Prints

Materials

Screen

You May Also Like

Victor Vasarely "Axo-Charga" Hand-Signed Limited Edition Serigraph, Framed
By Victor Vasarely
Located in Miami, FL
"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by V...
Category

1970s Op Art Abstract Prints

Materials

Screen, Paper

Pulsar
By Roy Ahlgren
Located in Fairlawn, OH
11 value silkscreen print Signed, dated, titled and numbered in pencil by the artist. Edition of 150, plus 20 AP's as is here AP XV/XX. Provenance: Estate of the Artist By dece...
Category

1980s Op Art Abstract Prints

Materials

Screen

Grey tinted Rainbow, Geometric Abstract dazzling Op Art Framed assemblage Signed
By Richard Anuszkiewicz
Located in New York, NY
RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Pencil signed and numbered 11/40 on the front Frame included: elegantly framed in a ...
Category

1990s Op Art Abstract Prints

Materials

Mixed Media, Pencil, Lithograph, Screen

Aztec, Op Art Geometric Abstract Screenprint by Roy Ahlgren
By Roy Ahlgren
Located in Long Island City, NY
Artist: Roy Ahlgren, American (1927 - 2011) Title: Aztec Year: 1983 Medium: Screenprint, signed and numbered in pencil Edition: 150 Image Size: 18 x 26 inches Size: 22.5 x 30 in. (57...
Category

1980s Op Art Abstract Prints

Materials

Screen

Dawn of a New Era, Op Art Abstract Screenprint by Roy Ahlgren
By Roy Ahlgren
Located in Long Island City, NY
Artist: Roy Ahlgren, American (1927 - 2011) Title: Dawn of a New Era Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 145 Image Size: 18 x 25 inches Size: 22 x ...
Category

1980s Op Art Abstract Prints

Materials

Screen

Red Mandala, OP Art Geometric Abstract Screenprint by Clarence Holbrook Carter
By Clarence Holbrook Carter
Located in Long Island City, NY
Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Red Mandala Year: 1969 Medium: Screenprint on Japon, Signed and numbered in pencil Edition: 75 Paper Size: 30 in. x 22...
Category

1960s Op Art Abstract Prints

Materials

Screen

Recently Viewed

View All