William Perehudoff

Autumn

1979

Dan Christensen (1942-2007) is widely recognized as one of America’s foremost abstract artist. Over the course his lengthy career, Christensen was devoted to exploring and expanding the constantly shifting aesthetics of 20th century abstraction. Christensen established his reputation at the end of the 1960s, by using spray guns to create colorful stacks, loops, and lines in his artworks. This body of work was considered by the legendary art critic Clement Greenberg among the most original abstract paintings of the decade. Unlike many of his contemporaries who dedicated themselves to a signature style, Christensen was unrelentingly curious and allowed his dynamic version of abstraction to evolve as he tried new techniques and varied his aesthetic. During the 1980's in particular, Christensen focused on experimenting with different forms of washing, spraying, and layering colours over top of each other. The works from Christensen's late period combine the gestural drama of Abstract Expressionism with the stained surface look popularized by the color field artists. The aesthetic complexity he achieved with these combined techniques are perfectly demonstrated in this later untitled work (aka "Indian Summer...

Guido Molinari (1933-2004) is one of Canada's most beloved abstract painters. Notable among his accomplishments was his representation of Canada at the 1968 Venice Biennale. Molinar...

It is somewhat hard to reconcile Gershon Iskowitz's (1921-1988) aesthetic with his personal history. Born to a religious family in Poland, Iskowitz was allowed to leave Yeshiva (Jew...

William Perehudoff (1918-2013) is one of the most cherished and collected Canadian abstract painters. His work is a prime example of how color field painting was expressed in Canada....

Abstract print with fall colors, from a series inspired by ground cover and vegetation. Signed, titled and numbered from the edition of 10. Charles Eckart was born in Oakland, Calif...

This painting was inspired by the many themes within my art. Duality is seen in the changing textures and colors creating a strong sense of depth, concave to convex as well as dark t...

Cleve Gray 'End of October,' 1978 Acrylic on canvas 55 x 55 inches Signed verso This work was donated to the Foundation for Contemporary Arts (FCA) by the The Estate of Cleve Gray for FCA's 2021 benefit exhibition held at Greene Naftali.

Johnny Friedlander Automne 1977 Etching on Arches teinte’ paper Visible: 10 x 7.25 inches Framed: 16.375 x 13.5 x 1 inches Edition: 135 Signed and numbered in pencil along lower edge...