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(after) Josef AlbersHomage to the Square: "Protected Blue" + FOLIO (70% OFF LIST + $10 OFF SHIPPING)1968
1968
About the Item
Josef Albers
Homage to the Square: Protected Blue
Screenprint in brilliant Colors on strong wove paper tipped-in at the front
Year: 1968
Size: 6.25 x 6.5 inches
Part of a First Edition small square quarto published for an Albers exhibition at Landesmuseum, Muenster, Germany - April 28 - June 2, 1968
Published by Landesmuseum Museum fuer Kunst und Kulturgeschichte Muenster, Germany in collaboration with Verlag Aurel Bongers KG, Recklinghausen, Germany - 1968
Serigraph by Trautwein KG, Recklinghausen, Germany
Publication includes: Various texts in German, including a 9-page excerpt from Albers' Interaction of Color. With 46 illustrations, 8 in color.
Unsigned
Edition: Limited; 1,500
* tipped-in screenprint can easily be removed and framed
** we offer in-house framing options. Please inquire within
Josef Albers was a German-born artist and educator. He taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
- Creator:(after) Josef Albers (1888 - 1976, American, German)
- Creation Year:1968
- Dimensions:Height: 6.25 in (15.88 cm)Width: 6.5 in (16.51 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Screen print intact, no issues - vibrant colors. Folio in good vintage condition considering its age (1968).
- Gallery Location:Kansas City, MO
- Reference Number:
(after) Josef Albers
Josef Albers (March 19, 1888 – March 25, 1976) was a German-born American artist and educator whose work, both in Europe and in the United States, formed the basis of modern art education programs of the twentieth century. Accomplished as a designer, photographer, typographer, printmaker, and poet, Albers is best remembered for his work as an abstract painter and theorist. He favored a very disciplined approach to composition. Most famous of all are the hundreds of paintings and prints that make up the series, Homage to the Square. In this rigorous series, begun in 1949, Albers explored chromatic interactions with nested squares. Usually painting on Masonite, he used a palette knife with oil colors and often recorded the colors he used on the back of his works. Each painting consists of either three or four squares of solid planes of color nested within one another, in one of four different arrangements and in square formats ranging from 406×406 mm to 1.22×1.22 m Tags: Bauhaus,Homage to the Square,Geometric Abstraction,Color Theory,Abstract Art,Modernism,Op Art,Interaction of Color,Bauhaus School,Abstract Expressionism,Color Study,Art Education,Abstract Painter,Josef Albers Foundation,Optical Art,Square Paintings,Minimalism,Hard-edge Painting,Form and Color,Art and Science,German Artist,Color Perception,The Interaction of Color Book,Color Variants,Structural Constellations,Art of Seeing,Color Field Painting,Josef Albers Museum,Modernist Printmaker
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