(after) Pierre Auguste Renior

"Les Martigues" pochoir

1948

Medium: lithograph with pochoir coloring (after the 1895 drawing in sanguine). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and ...

Medium: pochoir (after the drawing). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 1...

Medium: pochoir (after the pastel). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 11...

Medium: pochoir (after the painting). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x ...

Pierre Auguste RENOIR (after) Shepherdess and lamb Lithograph and stencil (Jacomet process) Printed signature in the plate On paper mounted on vellum 45 x 34 cm (c. 18 x 13 inch) E...

Artist: Henri Fantin-Latour (French, 1836-1904) Title: "Vison" Portfolio: Gazette des Beaux-Arts *Issued unsigned Year: 1895 Medium: Original Lithograph on chine appliqué on wove paper Limited edition: approx. 1,500 Printer: Imprimeries Lemercier, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Reference: Hediard No. 122 (IV/IV); Sanchez & Seydoux 1895-6, page 126 Sheet size: 11" x 7.38" Image size: 7.5" x 5.75" Condition: Some minor discoloration in margins. In excellent condition Notes: Original cover tissue sleeve mounted at left margin as issued. This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Biography: Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts. Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés. Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild portraits...

Pastel Landscape: Impressionist Farmhouse is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the American artist Nell Revel Smith...

PORTRAIT OF MONET is an original limited edition lithograph printed using traditional hand drawn lithographic plates, one color at a time, on archival Arches printmaking paper, 100% acid free, not a photo reproduction or digital print. PORTRAIT OF MONET is a humorous portrayal of the famous French impressionist painter, Claude Monet, posed in front of his masterpiece Water Lilies with paint laden wood palette...