(After) Robert Indiana

Robert Indiana-Highball on the Redball Manifest, SIGNED

1997

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The term "calumet" ref...

Paper Size: 22 x 17 inches ( 55.88 x 43.18 cm ) Image Size: 17 x 13.5 inches ( 43.18 x 34.29 cm ) Framed: No Condition: A: Mint Additional Details: Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". In his youth, Indiana lived in an abandoned warehouse for 12 years in lower Manhattan. He devised his own meter to syphon gas from the city grid for himself and his fellow denizens, many who would go on to have their own illustrious careers in the arts. This was a tribute to his 12 years of free gas. The circles, ringed by numbers, are references to gas meters...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". A serigraph of the first in Indiana's series of American Flag re-inventions. Released in 1963 through Multiples, Inc. as a felt banner...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The term "yield" can i...

Artist: Robert Indiana, American (1928 - ) Title: The American Dream: High Ball Redball Manifest Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: ...

Artist: Robert Indiana, American (1928 - 2018) Title: Red Diamond from the American Dream Portfolio Year: 1962 (1997) Medium: Serigraph Edition: 395 Image Size: 14 x 14 inches Size: ...

Robert Indiana Numbers: Complete Portfolio of 10 Color Silkscreens (Sheehan 46-55) bound in cloth slip case (Hand Signed, inscribed and dated by Robert Indiana on the first front end...

Robert Indiana "My portrait was taken on Coenties Slip"...., 1993 Handwritten letter on an offset lithograph postcard Boldly signed in black marker under the letter 4 2/5 × 7 3/5 inches Unframed Unique one-of-a-kind hand written, hand signed note from Robert Indiana, dated 23 VII '93, written on the postcard depicting Robert Indiana's work "Mother and Father", published by the Farnsworth Museum in Maine. The note, done in black marker, is addressed to Don Allan II of Barrington, N.H. and reads" "DON - MY PORTRAIT IF YOU DO NOT KNOW, WAS TAKEN ON COENTIES SLIP IN NYC". Robert Indiana then signs the note.. (Presumably, the reply is in response to a letter or question this fan sent to the artist asking where Indiana's portrait was taken). Makes a great gift for Robert Indiana fans! Coenties Slip is a historic artist's address in the New York art scene - there was even a book written about it! Coenties Slip is a street in the Financial District of Manhattan in New York City. It runs southeast for two blocks in Lower Manhattan from Pearl Street to South Street. A walkway runs an additional block north from Pearl Street to Stone Street Here's an excerpt from Art in America reviewing the book: "How does specificity of place play a role in art, enough to become more figure than ground, less a context than a character? This is one of the larger questions framing art historian Prudence Peiffer’s momentous new survey The Slip: The New York City Street That Changed American Art Forever. The book vividly documents a moment in the 1950s and ’60s when a cast of artists settled, at staggered intervals, in a three-block area around Coenties Slip, a street on Manhattan’s lower tip. Coenties Slip borrowed its name from one of the “slips”—inlets for the docking and repairing of boats—that once cut sharply into New York’s downtown waterfront, facilitating the busy circulation of fish, freight, and sailors between land and sea. While New York’s status as a maritime trading hub lured fleets of boats, it was the skeletal remains of that activity, by then sharply diminished, that drew artists to Coenties Slip. In place of industry, they found vast and vacant loft spaces, cheap to rent, in which they could both work and live (illegally, owing to zoning laws)....Peiffer’s book arrives nearly 50 years after the earliest attempt to honor the Slip: the 1974 exhibition “Nine Artists/Coenties Slip,” organized for an old downtown branch of the Whitney Museum on Water Street nearby. The exhibition showcased lesser-known inhabitants of the Slip, including Fred Mitchell (the first to settle there), Ann Wilson...