1979 Alex Katz 'William Dunas Dance, Pamela-American Dance Festival'

1979

Sku: CB1505 Artist: Alex Katz Title: American Dance Festival Year: 1976 Signed: No Medium: Offset Lithograph Paper Size: 39 x 30.5 inches ( 99.06 x 77.47 cm ) Image Size: 39 x 30.5 i...

Sku: XX9589-B Artist: David Hockney Title: Gregory Evans Year: 1979 Signed: Yes Medium: Lithograph Paper Size: 30 x 21 inches ( 76.2 x 53.34 cm ) Image Size: 30 x 21 inches ( 76.2 x ...

Sku: CB1512 Artist: Alex Katz Title: Sarah-American Dance Festival Year: 2011 Signed: No Medium: Serigraph Paper Size: 48 x 34 inches ( 121.92 x 86.36 cm ) Image Size: 48 x 34 inches...

Paper Size: 16 x 11.5 inches ( 40.64 x 29.21 cm ) Image Size: 16 x 11.5 inches ( 40.64 x 29.21 cm ) Framed: No Condition: A: Mint Additional Details: 1978 Harry N. Abrams, New ...

Paper Size: 28.5 x 21 inches ( 72.39 x 53.34 cm ) Image Size: 20 x 15 inches ( 50.8 x 38.1 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Paper Size: 32 x 53 inches ( 81.28 x 134.62 cm )?Image Size: 28 x 53 inches ( 71.12 x 134.62 cm )?Framed: No?Condition: A-: Near Mint, very light signs of handling??Additional Details: Large lithograph...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Palm Springs Desert Museum (Still Life with Longhorn Skull and Cactus)" Year: 1982 Medium: Original Offset-Lithograph, Exhibition Poster on smooth wove paper Limited edition: Unknown Printer: Haddad's Fine Arts Inc., Anaheim, CA Publisher: Palm Springs Desert Museum, Palm Springs, CA Reference: "Lichtenstein Posters" - Döring/Osten No. 125, page 132 Sheet size: 25" x 29" Condition: A few light handling creases center right in black margin. Two small tears to upper center edge. In otherwise very good condition with strong colors Very rare Notes: Provenance: private collection - Los Angeles, CA; acquired directly from the exhibition at Palm Springs Desert Museum, Palm Springs, CA in 1982. Poster produced for a special exhibition of Lichtenstein's work "The West as Art...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Galerie Adrien Maeght I (Bleue)" *Issued unsigned Year: 1974 Medium: Original Lithograph, Exhibition Poster on wove paper L...

Artist: (after) Andy Warhol (American, 1928-1987) Title: "Interview Magazine (Diane von Furstenberg)" Series: Interview Magazine *Signed by Warhol in black marker inside, on third page Year: 1981 Medium: Offset-Lithography; The complete November, 1981, Vol. XI, No. 11 issue of "Interview" magazine Overall size: 17" x 11" x .25" Condition: One small tear at right center edge of cover page. In otherwise excellent condition Notes: Provenance: private collection - Sacaramento, CA; acquired at a rare book fair in Pasadena, CA from notable autograph dealer Christophe Stickel. It is boldly signed on the third page at center right within a Barney's, New York advertisement. This is immediately seen once opening the first cover page. Approx. 90 pages total. We unconditionally guarantee the signature to be authentic. "Interview" is an American magazine founded in late 1969 by artist Andy Warhol and British journalist John Wilcock. The magazine, nicknamed "The Crystal Ball of Pop", features interviews with celebrities, artists, musicians, and creative thinkers. Interviews were usually unedited or edited in the eccentric fashion of Warhol's books and "The Philosophy of Andy Warhol: From A to B and Back Again". Diane von Fürstenberg (1946-) is a Belgian fashion designer best known for her wrap dress. She initially rose to prominence in 1969 when she married into the princely German House of Fürstenberg, as the wife of Prince Egon von Fürstenberg. Biography: Andy Warhol ( born Andrew Warhola; August 6, 1928 – February 22, 1987) was an American artist who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture, and advertisement that flourished by the 1960s. After a successful career as a commercial illustrator, Warhol became a renowned and sometimes controversial artist. The Andy Warhol Museum in his native city, Pittsburgh, Pennsylvania, holds an extensive permanent collection of art and archives. It is the largest museum in the United States dedicated to a single artist. Warhol's art used many types of media, including hand drawing, painting, printmaking, photography, silk screening, sculpture, film, and music. He was also a pioneer in computer-generated art using Amiga computers that were introduced in 1984, two years before his death. He founded Interview magazine and was the author of numerous books, including The Philosophy of Andy Warhol and Popism: The Warhol Sixties. He managed and produced The Velvet Underground, a rock band which had a strong influence on the evolution of punk rock music. He is also notable as a gay man who lived openly as such before the gay liberation movement. His studio, The Factory, was a well known gathering place that brought together distinguished intellectuals, drag queens, playwrights, Bohemian street people, Hollywood celebrities, and wealthy patrons. Warhol has been the subject of numerous retrospective exhibitions, books, and feature and documentary films. He coined the widely used expression "15 minutes of fame". Many of his creations are very collectible and highly valuable. The highest price ever paid for a Warhol painting is US$105 million for a 1963 canvas titled "Silver Car Crash (Double Disaster)". A 2009 article in The Economist described Warhol as the "bellwether of the art market". Warhol's works include some of the most expensive paintings...

This lithograph features a dramatically-lit, outstretched hand, swimming in electric, neon blue, with two soft white shapes below. The hand is a recurring motif in Pop art legend Ros...

This vintage exhibition poster reproduces Jim Dine’s 1970 lithograph Hammers, which is in the collection of the Museum of Contemporary Art, Chicago. It w...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...