Alfonso Fraile

Spanish 1986 signed limited edition original art print etching 15x11 in.

1986

Ricardo Sanabria (Mexico, 1983) 'La resilencia', 2017 etching, sugar aquatint on paper Guarro Biblos 250g. 21.3 x 29.8 in. (54 x 75.5 cm.) Edition of 20 ID: SAB-101 Unframed

Carlos Garcia de la Nuez (Cuba, 1959) 'Desde una Isla', 2005 engraving on paper Velin Arches 300 g. 28 x 39.8 in. (71 x 101 cm.) Edition of 99 Unframed ID: GAC-111 Hand-signed by author ___________________________________________________________ Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico. He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta, José Franco and Moses Finalé.  In 1979 García de la Nuez entered the San Alejandro Academy of Arts and in 1983 completed his studies at the Instituto Superior de Arte in Havana. He received his Masters of Arts in 1988 from the Massachusetts College of Art and Design in Boston, upon receiving a scholarship from the Rockefeller Foundation. He spent a decade working and living in Paris, where he exhibited across Europe and was selected to participate in a silkscreen portfolio, Kinderstem, published by Domberger-Edition in Germany that featured García de la Nuez along with Max Bill, Sol LeWitt, Keith Haring, Christo, among others. In the early 1990’s García de la Nuez relocated in Mexico City, where he currently works and lives.  The artist’s works have been exhibited in various museums around the world including Boston, New York, Miami, Buenos Aires, Sao Paulo, Rio de Janeiro, Bogota, Mexico City, San Jose, Panama City, Canada, Paris, Berlin, Stuttgart, London, Madrid, Moscow and Havana.  His work has been awarded the Painting Award 13 de Marzo...

Nestor Arenas (Cuba, 1964) 'Yellow Structure II', 2021 etching, aquatint on paper 27.2 x 21.3 in. (69 x 54 cm.) Edition of 10 ID: ARN-102 Unframed

Nestor Arenas (Cuba, 1964) 'Yellow Structure I', 2021 etching, aquatint on paper 21.3 x 27.2 in. (54 x 69 cm.) Edition of 10 ID: ARN-101 Unframed

Portfolio with complete text, 5 drypoint prints with etching and aquatint and numerous illustrations on Rives BFK. The sheets are loose as issued and in superb condition. One from a ...

Artist: Louisa Chase, American (1951 - 2016) Title: Portfolio of Six Etchings Year: 1984 Medium: Six Drypoint Etchings with Aquatint, Signed and Numbered in Pencil Edition: 30 Paper...

Nicolás Guzmán shows us a selection of pieces taken from his new pictorial research, in which traditional techniques are mixed with industrial materials...

Frank Stella Jonah Historically Regarded from Moby Dick Engravings, 1991 is from a series of works which take their titles from Herman Melville’s novel Moby Dick. Each of the works from this series captures the drama of the novel through an abstract canvas. His print-making has always explored three-dimensionality, often blurring the line between sculpture and printmaking. This experimental approach ultimately developed the ‘dome’ shapes in several of the prints in the Moby Dick Series. In this scene a great white whale rises from the water to attack Captain Ahab...