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ALO (Charles Jean Hallo)Circa 1920 original poster by Alo was created to promote L’ AéronautiqueCirca 1920
Circa 1920
$1,685.86
£1,247.33
€1,400
CA$2,331
A$2,559.15
CHF 1,335.11
MX$30,969.28
NOK 16,733.58
SEK 15,767.44
DKK 10,659.64
About the Item
Bold, graphic, and unmistakably modern for its time, this striking circa 1920 original poster by Alo was created to promote L’Aéronautique, a monthly publication dedicated to the burgeoning field of aviation.
At a time when flight was still seen as a thrilling frontier, both technologically and imaginatively, this poster captures that spirit with minimalist power. A lone stork in mid-flight—a recurring symbol of grace, distance, and elevation—soars across a golden disk evoking both the moon and the sun, depending on the viewer’s gaze. The simplicity of the imagery, set against a deep blue background, mirrors the forward-looking nature of the publication and the aspirations of early aviation.
The typography is assertive yet elegant: “L’AÉRONAUTIQUE” rendered in bright yellow, followed by “Revue Mensuelle”, clearly positioning the periodical as a serious, regular chronicle of all things flight-related. At the bottom, the publisher's information — Gauthier-Villars, 55 Quai des Grands Augustins, Paris — grounds the piece in the intellectual heart of the French capital, close to where science, literature, and innovation met.
Printed by Imp. Lévy Fils & Cie, this poster is a fine example of early 20th-century graphic design when aviation was more than a mode of transportation — it was a symbol of freedom, modernity, and human ambition.
A rare surviving artifact of aviation’s golden age, Alo’s poster is now appreciated both as a visual landmark and as a cultural time capsule from the pioneering days of flight.
Aviation - Press - France
Cygogne
Printed by Lévy fils & Cie in Paris
- Creator:ALO (Charles Jean Hallo) (1882 - 1969, French)
- Creation Year:Circa 1920
- Dimensions:Height: 40.95 in (104 cm)Width: 29.93 in (76 cm)
- Medium:
- Period:
- Condition:Good condition, folds, tears, small loss in the margins.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792216976272
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Considered a revolutionary Minimalist artist, Alexander Liberman produced works that predated the movement by more than a decade. Liberman, not wanting to limit himself to any one form of expression, worked to produce radically minimalist paintings and sculpture in order to illuminate his beliefs about celestial motion, the movement of the eye, as well as human sexuality. The artist’s fascination with American industrialization and modernization ultimately resulted in his widely known red steel sculptures and geometric paintings, which seem to decompose the turbulence of the time period.
Alexander Liberman was born in 1912 in Kiev, Russia. He studied first in London and then in Paris. He took courses in philosophy and mathematics at the Sorbonne and architecture at L’École des Beaux-Arts in Paris. Liberman has had numerous solo exhibitions at museums such as the Jewish Museum, New York (1966); Storm King Art Center, Mountainville, NY (1970); and the Corcoran Gallery of Art, Washington, DC (1970). His sculpture and paintings are included in the museum collections of the Art Institute, Chicago; the Museum of Fine Arts, Houston; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Hirshhorn Museum & Sculpture Garden, Washington, DC; the Tate Gallery, London and many others. Additionally his public sculpture can be seen in over 40 cities around the world including Honolulu, Los Angeles, Miami, New Haven, New York, Oklahoma City and Philadelphia. Alexander Liberman died in November of 1999 at the age of 87.
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