Burton Morris

"The Bear", Pop Art Silkscreen by Burton Morris

1997

Artist: Colin Self Title: Power and Beauty No. 4 Year: 1969 Medium: Screenprint, signed and titled in ink Edition: 75 Size: 41 x 26 inches

Artist: Michael Knigin, American (1942 - 2011) Title: Majestic Manner Year: 1986 Medium: Screenprint, signed, numbered, dated, and titled in pencil Edition: 32/68 Image Size: 20.25 x...

Regal Chief Michael Knigin, American (1942–2011) Date: 1979 Screenprint, signed, numbered, dated, and titled in pencil Edition of AP Image Size: 18 x 25.5 inches Size: 21.5 x 29.5 in...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Pac-Man from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on Lennox Museum Board with Diamond Dust, si...

This Blue Dog work consists of a solid blue background. There are 4 dogs. One dog has no tie and the other 3 are embellished with ties of various styles and designs. The tieless d...

Among the most recognizable of Keith Haring’s imagery, Pop Shop IV (D) is an original screenprint in colors on wove paper created by the artist in 1989, an...

Embossing on arches cover paper. Published by Tony Shafrazi Editions. Printed by Studio Heinrici, LTD. NYC. Littmann pp. 172-173. Each hand signed, dated and numbered on verso by ...

Takashi Murakami Flowers Skateboard Decks (set of 2 works): The black & white deck marks a collaboration between Takashi Murakami and his friend, the rising Japanese artist 'Madsaki' (bio below). The impression is an urban twist on Takashi Murakami’s otherwise highly polished flowers motif - a beautiful juxtaposition between two very different styles from two masters of their craft. This limited work was published by Murakami’s Kaikai Kiki Gallery Japan in 2017. The blue was published circa 2017 in conjunction with the Murakami exhibit: The Octopus Eats Its Own Leg, MCA Chicago. A brilliant set that makes for vibrant, one of a kind wall-art that hangs with ease. Medium: Silkscreen on 2 individual Maple Wood skateboard decks. Crisp colors. Dimensions: 8.0 x 31 inches (20.5 x 79 cm) Condition: each housed in its original packaging; excellent overall condition. Each from a sold out limited edition of unknown; stamped by the artist on the reverse of each. Perhaps Murakami's most iconic motif, these candy-colored, smiling flowers came into the artist's work when he was preparing for his entrance exams for the Tokyo National University of Fine Arts, and he embraced the form over nine years teaching prep-school students to draw flowers. One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. MADSAKI (b. Japan 1974) Joining Murakami has led to a rapid evolution of Madsaki. Now with three Kaikai exhibitions under his belt––Hickory Dickory Dock; Here Today, Gone Tomorrow; and MADSAKI Says “Yo! snipe1 & UFO907, Get Your Asses Over Here!” Madsaki has made a firm imprint on the Murakami canon. In his introduction to Madsaki’s second solo exhibit, Here Today, Gone Tomorrow from 2017, Murakami jokingly points out how his direction and guidance successfully shaped Madsaki’s work. While the debt Madsaki owes to Murakami is patently clear, in an abrupt turnabout it appears that the apprentice guides the master in some ways as well...