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Clarence W. AndersonEarly Speed1953
1953
About the Item
Early Speed
Lithograph, 1953
Signed lower right
Edition 250
Published by Associated American Artists
Illustrated: AAA catalog 1953-03
Reference: AAA Index 1187
Condition: The sheet is very slightly yellowed from aging
Image size: 8 1/2 x 11 3/4 inches
Sheet size: 12 1/4 x 16 1/4 inches
Clarence William Anderson
Clarence William Anderson (1891–1971), born in Wahoo, Nebraska, and known professionally as C.W. Anderson, was a writer and illustrator of children's books. Anderson had an interest in horses and drawing. When he wasn't out riding horses, he was drawing them, taking great interest in their bone structure and conformation. Anderson started his career by illustrating for other authors, but eventually began developing texts to accompany his realistic and lively black and white drawings. He is best known for his "Billy and Blaze" book series.
The adventures of Billy and Blaze revolve around proper care of the horse, while teaching a lesson. Anderson would go to great lengths to give accurate information. He would even go on to write Heads Up, Heels Down as a training tool for young horse lovers. All of the stories Anderson wrote would be based on true stories or people that he knew-only the plots were fictitious.
By the end of Anderson's life, he had written and illustrated over thirty-five horse books, and had also created covers for the Saturday Evening Post. Anderson is the namesake for Andy's Summer Playhouse, a youth theater in Wilton, New Hampshire.[1] Anderson also was a member of the Society of American Graphic Artists.
Artwork portfolios
• All Thoroughbreds, Harper and Brothers Publishers, 1948 – 20 illustrations
• Post Parade, Harper and Brothers Publishers, 1949 – 15 illustrations
• Turf and Bluegrass, Harper and Brothers Publishers, 1950 and 1952 – 15 illustrations
• Grey, Bay, and Chestnut, Harper and Brothers Publishers 1952 and 1955 – 10 illustrations
• Colts and Champions, Harper and Brothers Publishers, 1955 and 1956 – 10 illustrations
• Accent on Youth, 1958 – 10 illustrations
• Bred to Run, 1960 – 12 illustrations
• The Look of a Thoroughbred, 1963 – 8 illustrations
• Before the Bugle, 1965 - 9 illustrations
• The World of Horses, 1965 – 8 illustrations
• Fillies and Colts, year unknown – 5 illustrations
• Man O'War, Horse of the Century, 1970 – 8 illustrations
Works
As author and illustrator
• And So to Bed, 1935
• Billy and Blaze, 1936
• Blaze and the Gypsies, 1937
• Blaze and the Forest Fire, 1938
• Black Bay and Chestnut, 1939
• Deep Through the Heart, 1940
• Salute!, 1940
• High Courage, 1941
• Thoroughbreds, 1942
• Big Red, 1943
• Heads Up, Heels Down, 1944
• A Touch of Greatness, 1945
• Tomorrow's Champion, 1946
• Bobcat, 1949
• Post Parade, 1949
• Blaze Finds the Trail, 1950
• Horses Are Folks, 1950
• A Pony for Linda, 1951
• Horse Show, Harper, 1951
• Linda and the Indians, 1952
• Turf and Bluegrass, 1952
• The Crooked Colt, 1954
• The Smashers, 1954
• Blaze and Thunderbolt, 1955
• Colts and Champions, 1956
• The Horse of Hurricane Hill, 1956
• Afraid to Ride, 1957
• Pony for Three, 1958
• Blaze and the Mountain Lion, 1959
• A Filly for Joan, 1960
• Lonesome Little Colt, 1961
• Complete Book of Horses, 1963
• Blaze and the Indian Cave, 1964
• The World of Horses, 1965
• Great Heart, 1965
• Twenty Gallant Horses, 1965
• ''Blaze and the Lost Quarry, 1966
• Another Man o' War, 1966
• C. W. Anderson's Favorite Horse Stories, 1967
• The Outlaw, 1967
• Blaze and the Gray Spotted Pony, 1968
• Blaze Shows the Way, 1969
• Phantom, Son of the Gray Ghost, 1969[2]
• Blaze Finds Forgotten Roads, 1970
• The Rumble Seat Pony, 1971
• The Blind Connemara, 1971
As illustrator
• The Red Roan Pony by Joseph Wharton Lippincott, 1934.
• Honey the City Bear by Madalena Paltenghi Grosset & Dunpal, 1937.
• Honey on a Raft by Madalena Paltenghi Garden City Press, 1941.
• Rumpus Rabbit by Madalena Paltenghi Harper & Brothers, 1939.
• A Pony Called Lightning by Miriam E. Mason. Macmillan, 1948.
• Midnight, Rodeo Champion by Robert E. Gard, 1951.
• A Horse Named Joe by Robert E. Gard, 1956
Courtesy Wikipedia
- Creator:Clarence W. Anderson (1891 - 1971, American)
- Creation Year:1953
- Dimensions:Height: 8.5 in (21.59 cm)Width: 11.75 in (29.85 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA123791stDibs: LU14015288462
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By Clarence W. Anderson
Located in Fairlawn, OH
Action Plus
Lithograph, 1950
Signed lower right (see photo)
Titled lower left (see photo)
Edition 250
Published by Associated American Artists, New York
Illustrated: AAA catalogs 195...
Category
1950s American Realist Animal Prints
Materials
Lithograph
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Located in Fairlawn, OH
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Drypoint, c. 1947
Signed in pencil lower right (see photo)
Title in pencil lower left (see photo)
Note: This image is reprodcued in a Photogravure for Ducks Unlimited in 1947. This is the first original drypoint version.
Condition: Excellent
Image/Plate size: 8 3/8 x 6 7/8 inches
Reference: Archives West #101
Kleiber 134
Hans Kleiber (1887-1967)
Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains.
Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife.
Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
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Located in Fairlawn, OH
Mallard Drakes (Louisiana Honkers)
Drypoint, c. 1940
Signed in pencil lower right (see photo)
Titled in pencil lower left (see photo)
Note: A famous image by Kleiber. It is was made in a hand colored version which commands a large premium.
Condition: Excellent
Image/Plate size: 9 7/8 x 7 7/8 inches
Hans Kleiber (1887-1967)
Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains.
Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife.
Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
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Located in Fairlawn, OH
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Drypoint, c. 1930's
Signed in pencil lower right (see photo)
Titled in the plate lower left
Condition: Excellent
Image/Plate size: 6 3/8 x 4 3/8 inches
Hans Kleiber (1887-1967)
Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains.
Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife.
Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
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untitled (Duck taking to flight, flushed by a dog)
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Located in Fairlawn, OH
untitled (Duck taking to flight, flushed by a dog)
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signed lower right
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