Gary Hume

Paradise Five

2012

Edition of 7

2008, direct to plate photogravure, 30 3/4 x 35 inches, edition of 50

Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chal...

Image size: 24 x 12 inches Edition of 30

Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chal...

Thomas Nozkowski (American, 1944-2019) Untitled I, 2015 woodcut and linocut printed in 14 colors on Hahnemuhle paper paper size: 22 x 30 inches (55.9 x 76.2 cm) edition of 25 signed ...

Mickey Mouse, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work...

Rare original Breger & Javal "Impressions su Metal" turn of the century (1899) original poster. Artist: Louis-Theophile Hingre. Art nouveau style, very similar to Alphonse Mucha's...

Original "The Greatest Shown on Earth" US 1-sheet vintage movie poster, linen backed. 1952. Now over 70 years old! Restored original theater fold marks. A- condition. Bright and vibrant colors. Linen backed original 1952 one sheet U.S. Movie poster by Cecil B. DeMille: The Greatest Show on Earth. Starring Betty Hutton, Cornel Wilde, Charlton Heston, Dorothy Lamour, James Stewart, Gloria Grahame, Henry Wilcoxon, Lyle Bettger, Lawrence Tierney, and Emmett Kelly...

Antique Rooster Portrait Prosper Alphonse Isaac (France, 1858-1924) Woodblock Print circa 1910 9 x 7 1/8 (15 1/4 x 17 frame) inches The excellent book "The Great Wave: The Influence of Japanese Woodcuts on French Prints" which was an exhibition at The Metropolitan Museum of Art in 1974, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. This print directly relates to the discovery of Japanese art most notably through the woodblock prints which found their way to the West oftentimes as stuffing or packing materials from consumer goods that were being imported to the West at the end of the 19th century. Prosper-Alphonse Isaac was born in a well-to-do family. This gave him the means not only of leaving his native Calais to pursue a career as an artist in Paris, but also the means to acquire art. Isaac was particularly drawn to Japanese arts, which he collected avidly. Many of the objects he bought were eventually given to museums. As a printmaker Isaac started drawing seascapes in dry point, but eventually moved on to become one of only a handful of artists versed in color woodcut techniques in France. His compositions, generally small in scale, are heavily influenced by the arts of Japan. He printed small editions of these works. Aside from this artistic activity, Isaac was also an active textile decorator. "This mark, which he borrows from Hokusaï and Totoya Hokkeï...

This piece is of special interest because I like to think it is an illustration of his father's literary work. Raphael Soyer's father is the noted Hebrew scholar Abraham Soyer, autho...

Lithograph by C.W. Anderson from 1948 folio edition, All Thoroughbreds. Published by Harper & Brothers, New York, 1948. Nebraskan born Clarence William Anderson...