Lithograph Animal Prints

Hilltopper is an original, hand drawn, limited edition lithograph(not a photo reproductioon or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. Hilltopper is a finely detailed winter landscape drawing depicting a snow covered hilltop with a lone, English style horseback rider and nature details including dried grasses, branches, and large bare tree firmly anchored to the frozen earth. Print size - 32 x 27 inches, unframed, excellent condition, pencil signed by Peter Sculthorpe, inscribed PP#8(Printers Proof) aside from the edition of 275 Edition size - 275, plus proofs Year published - 1989 Printer - J K Fine Art Editions Co. NY Peter Sculthorpe's paintings are well known for their true to life depictions of rural stone barns, color changing shadowy skies, snow covered landscapes, cows, horses, lone figures that capture the countryside and stone architecture of the Brandywine Valley...

Offset lithograph Unsigned 11.02 x 16.54 in (28.0 x 42.0 cm) This is a vintage artist-authorised David Hockney poster print, printed in 1993. This is not a later reproduction. The ...

PORTRAIT IMAGINAIRE is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival paper 100% acid free by the Dutch artist known as CORNE...

ARTIST: Salvador Dali TITLE: Crazy Horse MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 223/250 MEASUREMENTS: 30.5" x 22.25" YEAR: 1968 FRAMED: No CONDITION: Excelle...

1975 Color Lithograph by Alexander Calder from Our Unfinished Revolution portfolio One of 250 copies, with the printed signature and date on offset paper. This is not pencil signed ...

The Monkey is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de ...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Payne (1884-1967) The Timber Merchant (c. 1932) Lithograph 47 x 43 cm Signed in pencil...

Alex Colville (1920-2013) is one of the titans of Canadian art. Working across mediums, Colville is a revered painter, draughtsman, engraver, and muralist. He is one of the few Canad...

Artist: John James Audubon (American, 1785-1851) Title: "Snowy Heron" (Plate 374, No. 75) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original...

Artist: Slonem, Hunt Title: White Bunnies IV Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" x 1.25" Signatu...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

“Le Picador II” from the book Sabartés, “A los Toros avec Picasso“ 1961, from the edition of unknown size, printed by Mourlot Frères, Paris, published by Andre Sauret, Monte Carlo. ...

Salvador Dali (1904-1989) - Bucéphale Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G The work...

'1. 2. Delias eucharis 3. Delias philyra' Late 19th century colour lithograph of butterflies.

Artist: Pablo Picasso Title: Le Picador (II) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Frame Size: 18 1/4" x 20 3/4" Sheet ...

Artist: Salvador Dali Title: American Trotting Horses No. 2 Date: 1971 Portfolio: Currier & Ives as Interpreted by Salvador Dali Medium: Litho...

Bull is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence) Lithograph print, mid-20th century. Very good conditions. Jean L...

Orange Personage is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival Arches printmaking paper, 100% acid f...

Plate 16 No. 4-2 Black-winged hawk. Falco Dispar, Temm. Male 1. Female 2. Drawn from nature by J.J. Audubon, Chromolithy, Julius Bien, lithographer New York 1860 from Audubon's Birds of America. The “Birds of America” by John James...

Jamie Wyeth Unsettled (hand signed and inscribed by Jamie Wyeth), 2024 Offset lithograph poster (signed and inscribed to Kevin in black marker) Boldly signed and inscribed "for Kevin" on the lower front. Accompanied by documentation of the event at Rizzoli's where Jamie Wyeth signed...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Horses in Moonlight Year: circa 1975 Medium: Lithograph, signed in pencil Edition: Epreuve d'Artiste Size: 25.25 x 19.5 in. (64.14 x...

Artist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame ...

American Trotting Horses No.1 is from the series “The World Of Currier And Ives as interpreted by Salvador Dali” published by Phyllis...

'1. Hestia idea 2. Ideopsis daos' Late 19th century colour lithograph of butterflies.

The limited edition lithograph TROUBLE AT WALNUT RIDGE is a stylized rural landscape; a visual story depicting an expanse of farm country with rolling green hills, a turquoise blue r...

A fine impression of this very popular image with full margins (smaller on top and bottom) published by Associated American Artists.

Original linen-backed “Plaza de Toros de Toledo" bullfighting poster for 20 August 1942. Grandiosa Corrida de Toros. Six bulls from the famou...

David Shrigley, Fight the Fucking Asshole Fuckwit Bastards, 2020 80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper Narayana Press in Denmark David Shrigley is a B...

Ramon Cuba Youth Festival Havana USSR 1978 Lithograph Unknown edition 21.75 x 14 inches

Offset lithograph on wove paper. Published in 1993. Copyright © David Hockney, verso.

Artist: Slonem, Hunt Title: Peach Bunnies Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" Signature: Signed...

Artist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 18 1/4" x 20 3/4" Sheet ...

David Gilhooly (1943-2013) How To Make Jackson Pollock's Dog, 1988 Lithograph on BFK Rives Paper Edition 47/60 Signed and dated in pencil lower right Published by Magnolia Edition (M...

Lithograph by Picasso Atelier Mourlot. Paper: Vélin. Dimensions : 9 5/8 x 12 7/16 inches Reference: Bloch 1015 Picasso is not just a man and his work. Picasso is always a legend, ...

Marc CHAGALL (1887-1985) Bible : Ruben, Ocean, Sky and Sun, 1962 Lithograph (Mourlot workshop) Unsigned On Vellum 32.5 x 24 cm INFORMATION: Lithograph produced by Chagall in 1962 f...

Artist: Marc Chagall Title: The Accordionist (Derriere le Miroir 99-100) Portfolio: Derriere le Miroir Medium: Original Lithograph Date: 1957 Edition: 2500...

Artist: Slonem, Hunt Title: Red Bunny Date: 2019 Medium: Lithograph Unframed Dimensions: 16" x 24" Signature: Pencil signed & numbered verso Edition: 5/16 Publisher: Poligrafa...

This is a framed hand-colored folio sized lithograph entitled "Campylopterus Hyperythrus" (Rufous-breasted Sabrewing Hummingbird), Plate 51 from John Gould's "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three hummingbirds displaying multiple colors, including, green, blue and shades of brown highlights among burgundy and cream colored flowers. The hummingbirds are highlighted by bright iridescent metallic paint. This beautiful Gould hummingbird...

Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. Sheet size 28 x 38 1/2 inches (711 x 978 mm). The full sheet, unmounted and unmatted—shipped carefully rolled and protected. Rendering by A. Berger after Joseph Fleischmann. Published by Carl Gerold’s Son, Vienna, 1900. This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The print by Albert Berger...

Original stone lithograph created 1944 by well-known Regionalist Thomas Hart Benton. The print is in excellent condition with full margins and pencil signed lower right. Also signed in the stone. It is matted in a 4-ply archival mat and rests in a simple black frame. Image size: 10 ½ x 15. Frame size: 18 x 23. Published by AAA. Ed: 250. Thomas Hart Benton found inspiration for his art in the ebb and flow of daily life in rural and small-town America. Wreck of the Ol’ 97, one of his best-known prints, is based on a ballad of the same title that tells the story of a rail disaster. A speeding locomotive attempting to make up lost time jumped the tracks as it descended a Virginia mountain...

Original antique French lithograph travel poster: Metropole Messageries Maritimes Union Francaise. Artist: Poulain. This unicorn-s...

This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...

Artist: Georges Braque Title: Le Coq Portfolio: Verve Vol VII No. 27-28 Medium: Lithograph Date: 1952 Edition: 6000 Frame Size: 22" x 18 1/4" Sheet Size: 14" x 10" Signature: Unsigned

This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Golden-winged Woodpecker, 1. Male, 2. Female2", No. 55...

HEARTLAND is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% ...

Artist: Will Barnet, American (1911 - 2012) Title: Meditation and Minou Year: 1980 Medium: Lithograph and Serigraph on BFK Rives, signed and numbered in pencil Edition: 40/150

Ecurueil (Squirrel) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illu...

Artist: Walasse Ting Title: Black Cat - Midnight Cat Year: 1981 Medium: Lithograph on Arches Archival Paper   22'' x 30'' Edition: Signed in pencil and marked AP Walasse Ting (DING...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right This striking framed Gould...

Artist: Slonem, Hunt Title: White Bunnies III Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 16" x 24" Framed Dimensions: 22" x 29" x 1.25" Signat...

A close portrait of a horse wearing a laurel crown with the rays of the sun emanating from behind its head. The horse theme was frequently used by Dali throughout his career. The hor...

Artist: Slonem, Hunt Title: Lemon Bunnies Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" Signature: Signed...

'1. Vanessa urticae 2. 3. Pyrameis cardui' Late 19th century colour lithograph of butterflies.

Raquel Forner (1902-1988) Argentine woman painter and printmaker born in Buenos Aires in 1902 and died in the same city in 1988, regarded as one of the best Argentine female painters...

MILLARD SHEETS (1987 – 1989) HORSE FRIGHTENED BY LIGHTNING, 1939 Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...

Chris Forrest, American (1946 - ) - Peregrine, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 23 x 1...

SHOE SHOP by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph(not a photo reproduction or digital print) printed using hand lithography techn...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Bubo Maximus" (Great Horned or Eagle Owl) by John Gould, from the supplement to his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Eagle Owl about to feed her brood of babies who are in the their nest. A another adult (possibly the male) is seen in the distant background in the upper right. This striking framed Gould...

John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...