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Medium: Printer's Ink
"L'oiseau de sables (Bird of the Sands)" contemporary animal bright signed
Located in Milwaukee, WI
"L'oiseau de sables" ("Bird of the Sands") is an original signed lithograph by Georges Braque executed in 1962. It is 37 of an edition of 125. The work is one of five lithographs cre...
Category
1960s Fauvist Printer's Ink Animal Prints
Materials
Lithograph, Printer's Ink
Blue Dog Computer Cell Original
Located in Metairie, LA
A one of a kind Rodrigue original print, created by the artist as a one of a kind work on his computer. After printing the file was destroyed. One of...
Category
1990s Pop Art Printer's Ink Animal Prints
Materials
Photographic Paper, Printer's Ink
Smith Brothers Restaurant
Located in Milwaukee, WI
An original color silkscreen print by Ruth Grotenrath. A lovely assortment of different foods both vegetable and animal alike. The photos do not do this piece justice. The dark color...
Category
1950s American Modern Printer's Ink Animal Prints
Materials
Ink, Printer's Ink, Screen
Purple Owl
Located in Lafayette, LA
A small one-off print of an owl. Printed with purple water-soluble ink on Mulberry paper.
This is a printer's proof, I use this print to determine if the relief block needed more wo...
Category
2010s American Modern Printer's Ink Animal Prints
Materials
Printer's Ink
"Field Bird", Mid Century Modern Earthtone Abstract Serigraph with Bird
Located in Soquel, CA
Mid-century modern abstract serigraph with a bird by Howard Bradford (Canadian/American, 1919-2008), 1959. This limited edition figurative abstract pri...
Category
1950s Modern Printer's Ink Animal Prints
Materials
Paper, Printer's Ink, Screen
"Horses", 1960's Pop Art Etching A/P
Located in Soquel, CA
A late 1960's modern Pop Art etching of horses by Marc Foster Grant (American, b.1947). The galloping horse motif is repeated, in the style of Warhol...
Category
1960s Pop Art Printer's Ink Animal Prints
Materials
Printer's Ink, Etching, Paper
Black Ants
By Ed Ruscha
Located in Santa Monica, CA
from the Insect series.
Category
Late 20th Century Dada Printer's Ink Animal Prints
Materials
Printer's Ink
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Rare Original 1980s Keith Haring Vinyl Record Art (Keith Haring Hiroshima)
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Located in NEW YORK, NY
Keith Haring Hiroshima 1988:
Rare 1988 7” Japanese vinyl record featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art and unique vintage Keith Haring collectible. Rare and not to be passed upon.
*1st Pressing 1988 (not a re-issue)
Medium: Off-Set Lithograph on vinyl record cover and labels.
Dimensions: 7 x 7 inches.
Plate signed on lower right & dated 1988 by Haring
Light signs of handling; otherwise good to very overall vintage condition.
Includes the original record (very good condition).
Haring off-set illustrations appearing throughout the exterior and interior covers and record labels.
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Keith Haring Album Art: a brief history:
Whether collaborating with Grace Jones, Andy Warhol, and Jean-Michel Basquiat, regularly frequenting clubs like Paradise Garage alongside close friend Larry Levan, or sketching DJ robots, New York artist and activist Keith Haring’s work was deeply entwined with the music world lending his vision to sounds by everyone from David Bowie to Run DMC. Looking for something cool to complement this work? Please feel free to browse additional items like this from Jean Michel Basquiat, Andy Warhol, Damien Hirst, Keith Haring & more on our 1stDibs gallery page.
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Keith Haring prints. Keith Haring figurative. East Village art. Street art. 80s graffiti. Pop Art. Keith Haring animals.
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1980s Pop Art Printer's Ink Animal Prints
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Salvador Girafe en feu Salvador Dali jungle (Salvador La jungle humaine)
Located in NEW YORK, NY
Salvador Girafe en feu/Salvador Dali (Salvador La jungle humaine):
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Milton Glaser Saratoga Festival 1980 (Milton Glaser posters)
Located in NEW YORK, NY
Milton Glaser Saratoga Festival Poster 1980:
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Alexander Calder Circus Reproduction Lithograph After a Drawing
Located in Surfside, FL
(after) Alexander Calder
"Calder's Circus" offset lithograph on wove paper after drawings by the artist
Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's)
these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph.
James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor”
Clive Gray...
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Original New Orleans Jazz & Heritage Festival vintage poster
Located in Spokane, WA
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Pierre Bonnard ltd edition Lithograph Printed at Mourlot Paris 1958 Chicken, Egg
Located in Surfside, FL
This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928.
This is from the rare first edition, No. VII of 20 unbound sets, specially printed for Hans P. Kraus, with Henry de Montherlant inscription to him signed and dated March 3, 1960
These are not individually hand signed or numbered.
On BFK Rives French velin art paper
Pierre Bonnard (1867 – 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, (the Naive artists) his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject.
Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Metzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse.
He received his education in the Lycée Louis-le-Grand and Lycée Charlemagne in Vanves. He showed a talent for drawing and water colors, as well as caricatures. He painted frequently in the gardens of his parent's country home at Grand-Lemps near the Cote Saint-André in the Dauphiné. He also showed a strong interest in literature. He received his baccalaureate in the classics, and, to satisfy his father, between 1886 and 1887 earned his license in law, and began practicing as a lawyer beginning in 1888. While he was studying law, he also attended art classes at the Académie Julian in Paris. At the Académie Julien he met his future friends and fellow artists, Paul Sérusier, Maurice Denis, Gabriel Ibels and Paul Ranson. In 1888 Bonnard was accepted by the École des Beaux-Arts, where he met Édouard Vuillard and Ker Xavier Roussel. He also sold his first commercial work of art, a design for poster for France-Champagne, which helped him convince his family that he could make a living as an artist. He set up his first studio at on rue Lechapelais and began his career as an artist.
From 1893 until her death, Bonnard lived with Marthe de Méligny (1869–1942), and she was the model for many of his paintings, including many nude works. Her birth name was Maria Boursin, but she had changed it before she met Bonnard. They married in 1925. In the years before their marriage, Bonnard had love affairs with two other women, who also served as models for some of his paintings, Renée Monchaty (the partner of the American painter Harry Lachmann) and Lucienne Dupuy de Frenelle, the wife of a doctor; it has been suggested that Bonnard may have been the father of Lucienne's second son. Renée Monchaty committed suicide shortly after Bonnard and de Méligny married.
In 1891 he met Toulouse-Lautrec and in December 1891 showed his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his work was displayed with the work of the other Nabis at the Le Barc de Boutteville. The style of Japanese graphic arts became an important influence on Bonnard. In 1893 a major exposition of works of Utamaro and Hiroshige was held at the Durand-Rouel Gallery, and the Japanese influence, particularly the use of multiple points of view, and the use of bold geometric patterns in clothing, such as checkered blouses, began to appear in his work. Because of his passion for Japanese art, his nickname among the Nabis became Le Nabi le trés japonard. He devoted an increasing amount of attention to decorative art, designing furniture, fabrics, fans and other objects. He continued to design posters for France-Champagne, which gained him an audience outside the art world. In 1892 he began to produce lithographs, and painted two of his early notable works, Le Corsage a carreaux and La Partie de croquet. He also made a series of illustrations for the music books of his brother-in-law, Claude Terrasse. In 1895 he became an early participant of the movement of Art Nouveau, designing a stained glass window, called Maternity, for Tiffany. In 1895 he had his first individual exposition of paintings, posters and lithographs at the Durand-Ruel Gallery. He also illustrated a novel, Marie, by Peter Nansen, published in series by in La Revue Blanche. The following year he participated in a group exposition of Nabis at the Ambroise Vollard Gallery. In 1899, he took part in another major exposition of works of the Nabis.
Throughout the early 20th century, as artistic styles appeared and disappeared with almost dizzying speed, Bonnard kept refining and revising his personal style, and exploring new subjects and media, but keeping the distinct characteristics of his work. Working in his studio at 65 rue de Douai in Paris, he presented paintings at the Salon des Independents in 1900, and also made 109 lithographs for Parallèment, a book of poems by Verlaine. He also took part in an exhibition with the other Nabis at the Bernheim Jeune gallery. He presented nine paintings at the Salon des Independents in 1901. In 1905 he produced a series of nudes and of portraits, and in 1906 had a personal exposition at the Bernheim-Jeune Gallery. In 1908 he illustrated a book of poetry by Octave Mirbeau, and made his first long stay in the South of France, at the home of the painter Manguin in Saint-Tropez. in 1909, and in 1911 began a series of decorative panels, called Méditerranée, for the Russian art patron Ivan Morozov.
During the years of the First World War, Bonnard concentrated on nudes and portraits, and in 1916 completed a series of large compositions, including La Pastorale, Méditterranée, La Paradis Terreste and Paysage de Ville. His reputation in the French art establishment was secure; in 1918 he was selected, along with Renoir, as an honorary President of the Association of Young French Artists. In the 1920s, he produced illustrations for a book by Andre Gide (1924) and another by Claude Anet (1923). He showed works at the Autumn Salon in 1923, and in 1924 was honored with a retrospective of sixty-eight of his works at the Galerie Druet. In 1925 he purchased a villa in Cannes.
In 1938 his works and Vuillard were featured at an exposition at the Art Institute of Chicago. The outbreak of World War II in September 1939, forced Bonnard to depart Paris for the south of France, where he remained until the end of the war. Under the German occupation, he refused to paint an official portrait of the French collaborationist leader, Marechal Petain, but accepted a commission to paint a religious painting of Saint Francis de Sales, with the face of his friend Vuillard, who had died two years earlier. He finished his last painting, The Almond Tree in Blossom, a week before his death in his cottage on La Route de Serra Capoue near Le Cannet, on the French Riviera, in 1947. The Museum of Modern Art in New York City organized a posthumous retrospective of Bonnard's work in 1948, although originally it was meant to be a celebration of the artist's 80th birthday.
Bonnard particularly used the model of Japanese art in a series...
Category
20th Century Post-Impressionist Printer's Ink Animal Prints
Materials
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How it all Began from the "After Noon" Portfolio, Lithograph by Richard Lindner
Located in Long Island City, NY
Artist: Richard Lindner, German/American (1901 - 1978)
Title: How it all Began from the "After Noon" Portfolio
Year: 1969
Medium: Lithograph on Arches, signed and numbered in pencil
...
Category
1960s Pop Art Printer's Ink Animal Prints
Materials
Lithograph
God Save the Green I, Limited Edition Rabbit Print, Blue Animal Artwork
By Harry Bunce
Located in Deddington, GB
God Save the Green by Artist Harry Bunce is a limited edition print. An expressionistic piece, depicting a rabbit with the caption above 'God Save the Green'.
Harry Bunce artist wit...
Category
2010s Pop Art Printer's Ink Animal Prints
Materials
Archival Paper, Screen
H 28.35 in W 23.23 in D 0.2 in
Nebraska Evening
Located in London, GB
A fine impression with good margins published by Associated American Artists.
Category
1940s American Modern Printer's Ink Animal Prints
Materials
Lithograph
Previously Available Items
"Early Tides", Mid Century Modern Earthtone Abstract Serigraph with Three Birds
Located in Soquel, CA
Mid-century modern abstract serigraph with three birds by Howard Bradford (Canadian, 1919-2008), 1955. This limited edition horizontal abstract print features three white birds in an...
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1950s Modern Printer's Ink Animal Prints
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Paper, Printer's Ink, Screen
H 17 in W 32.5 in D 0.5 in
La Ronde de la Jeunesse, The Circle of Youth, after Picasso.
Located in Cotignac, FR
Mid 20th Century colour offset lithograph, after Picasso, on watermarked Arches wove paper. Carrying the embossed stamp for 'Editions Combat Pour La Paix, Copyright S.P.A.D.E.M. Paris'. Produced, aside from the edition of 200 signed and numbered impressions, in an edition of unknown, but presumably very large size, and at an unknown date to raise funds for the Peace movement under the direction of Picasso who painted the original design and then, as in previous and subsequent years donated it to the Peace movement.
The image includes his characteristic 'dove', an emblem of peace but also a memento of his childhood, his friendship with Matisse who gave him a dove as a present and his daughter Paloma...
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Mid-20th Century Modern Printer's Ink Animal Prints
Materials
Printer's Ink, Paper
Japanese Block Print of Two Horses First Edition 1952
Located in Soquel, CA
Graceful mid-century Japanese wood-cut print of two horses by Sonan Noda (Japanese, 20th Century). Signed on upper right corner with artist's chop and previous owner's chop. Presented in a black painted wood frame under glass. Image: 16"L x 12"H. 1952 Mare and Colt...
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1950s Realist Printer's Ink Animal Prints
Materials
Woodcut, Paper, Printer's Ink
La Colombe Bleue, Dove of Peace lithograph. Combat Pour la Paix.
Located in Cotignac, FR
After Pablo Picasso 'la Colombe Bleue', Dove of Peace lithograph' from his series 'combat pour la paix ' signed and dated in the plate 28/12/1961. The ra...
Category
Mid-20th Century Modern Printer's Ink Animal Prints
Materials
Paper, Printer's Ink
H 19.38 in W 25.48 in
Pink 'Sam Sam' from 25 Cats... Hand-Coloured lithograph with signed frontispiece
By Andy Warhol
Located in Cotignac, FR
Andy Warhol limited edition hand-coloured offset lithograph of pink 'Sam Sam' mother and kitten, 1954, with in addition, rare signed frontispiece showing copy 69 of 190. (Feldman Schellmann iv. 55)
Provenance: Milt Weiner, New York, from the artist.
His sale Christies, New York, October 2013 part of lot 447.
Sims Reed Gallery, London.
Acquired from them, to present, Grosvenor Family Collection.
In the 1950s, long before he had invented himself as pop art’s pioneer, Andy Warhol was making ends meet by working as a freelance children’s book illustrator for Doubleday. Still, he was unable to escape poverty. When his mother, Julia Warhola — an artist herself and one of history’s unsung champions behind creative icons — found out about her son’s destitute conditions in 1952, she boarded a bus from Pittsburgh to New York and moved into Andy’s tiny apartment on East 75th Street, intent on taking care of him and helping him get by. The two shared a love of cats so strong that their squalid home was populated by a multitude of felines, all but one named Sam; the sole outlier, Julia’s most beloved companion, was named Hester. But in addition to cat-rearing, the mother-son cohabitation inevitably led to a series of creative collaborations and an adventure of self-publishing.
Warhol created colourful lithographs of the felines in his spare time and in 1954, Andy and Julia released a limited-edition artist’s book ungrammatically titled '25 Cats Name Sam...
Category
Mid-20th Century Pop Art Printer's Ink Animal Prints
Materials
Paper, Printer's Ink, Watercolor
H 14.77 in W 11.62 in D 1.58 in
Printer's Ink animal prints for sale on 1stDibs.
Find a wide variety of authentic Printer's Ink animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Georges Braque, M.C. Escher, FPA Francis Pavy Artist, and Ruth Grotenrath. Frequently made by artists working in the Modern, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Printer's Ink animal prints, so small editions measuring 0.5 inches across are also available
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