1950s Animal Prints

Artist: PABLO PICASSO (AFTER ) Title: 'La Ronde de la Jeunesse (The Youth Circle)' Year: 1961 Published by: Combat Pour La Paix, Paris Medium: Lithograph on wove paper Printed by Mourlot Edition: 200 plus EA Size: 26 x 20 inches Signed and numbered in pencil by the master CERTIFICATE OF AUTHENTICITY INCLUDED ARTWORK IS IN EXCELLENT CONDITION Through the use of crisp vibrant colors and the fluid use of line, Picasso creates a sense of optimistic energy that is focused around the dove of peace in Pablo Picasso La Ronde de la Jeunesse...

Artist: PABLO PICASSO (AFTER ) Title: Vive le Paix (Long Live Peace) Year: 1954 Published by: Combat Pour La Paix, Paris Medium: Lithograph on Lana paper (Blind stamp JPG attached) P...

After Pablo Picasso (Spanish, 1881-1973) La Grande Maternité 1963 pencil signed and annotated 'E.A.' (aside from the edition of 200), with margins Editions Combat de la Paix, Paris P...

Pablo Picasso (1881-1973) "Le colombe volant (à l'Arc-en-ciel), 1952" (Bloch 712; Mourlot 214) Lithograph in colors on Arches paper, with full margins sheet 550 x 760mm (29 7/8 x 21 ...

Picasso's *Colombe volant (à l'Arc-en-ciel)* is a captivating example of his mastery in the realm of printmaking. This color lithograph, signed and dated in the lower right corner, f...

Artist: Bernard Buffet, French (1928 - 1999) Title: Rooster Year: 1953 Medium: Lithograph mounted on Board, signed in the plate Image Size: 15 x 10 in. (50.8 x 36.83 cm) Frame: 22 x ...

A colorful signed lithograph by French Modern artist Jean Cocteau. This print features a stylized dancing lion with the title “Lions Club” in the upper left corner and a signature an...

Hand Signed (artist's signature "M.Ch." lower right). Edition of 100 copies (62/100). From the series of “The Bible“, printed by Raymond Haasen and published by Tériade.. Ref. Cra...

Artist: Georges Braque Title: Le Coq Portfolio: Verve Vol VII No. 27-28 Medium: Lithograph Date: 1952 Edition: 6000 Frame Size: 22" x 18 1/4" Sheet Size: 14" x 10" Signature: Unsigned

Artist: Marc Chagall Title: The Accordionist (Derriere le Miroir 99-100) Portfolio: Derriere le Miroir Medium: Original Lithograph Date: 1957 Edition: 2500...

Original Washington, Go By Train, Pennsylvania Railroad vintage poster. Linen backed in fine condition. B+, A- condition. A tear in the poster was restored during linen backing. Minor scuff marks near the left edge and on the red lettering of on the bottom. The image of a bald Eagle as the blue sky is behind the enlarged image of the Capitol dome. The lower portion of the building is resting in the shadows. The poster captures the majestic beauty of the United States Capitol dome in Washington, D.C., symbolizing American democracy and government. Including the eagle soaring in the sky behind the Capitol Dome reinforces patriotic themes and evokes a sense of national pride. Overall, this poster exemplifies the Pennsylvania Railroad's marketing efforts to entice travelers to choose rail travel for their journeys. It promises them not only efficient transportation but also a sense of national pride and connection to iconic American landmarks. The Pennsylvania Railroad (PRR) was one of the largest and most influential railroad companies in the United States, operating from 1846 until 1968. It played a pivotal role in developing the American railroad industry and expanding transportation networks across the country. Today, vintage Pennsylvania Railroad posters...

Pablo Picasso - Original Lithograph La Petite Corrida (The Small Bullfight) 1958 Edition of 2000, unsigned Published in the journal XXe Siecle Dimens...

Linocut in colors on Arches paper, edited in 1959 Limited edition 21 of 50 copies signed in pencil by artist in lower right corner and numbered 21/50 in lower left image size: 64.5 x 53.5 cm Paper size: 72,9 x 59,5 cm Framed size: 98.5 x 85.5 cm very good conditions Publications / Catalogue Raisonnée : This work is fully documented and referenced in the official Catalogue: - Baer 1229, Bloch 907 Framed to museum standards in a handmade frame , the background is made ph neutral for proper preservation of the work over the years , to avoid oxidation. We offer professional packaging and tracked shipping with DHL Express courier , ( shipping time: 24 hours for European countries and 4 to 6 days for America and other non-eu countries )  Shipping costs are included Notes: Pablo Picasso Picador et Taureau...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...

Lucien Coutaud, French (1904 - 1977) - Le Cheval de Briques, Medium: Etching on BFK Rives, signed and dedicated in pencil, Image Size: 5.5 x 8.75 inches, Size: 9.75 x 13 in. (24.77...

Barnet, Will. THE CAT. Szoke 120, Cole 117, Johnson 100. Color Lithograph, 1956. Edition of 12, titled and signed in pencil. Printed on Rives paper by Barnet. Estate of the artist v...

Shoko Uemura, 'Inside the Flowers (Java Sparrow and Peach Blossoms)', color woodcut, c. 1950s, edition 300. Signed in ink with the artist’s red seal beneath. A superb impression, with fresh, delicate colors, on cream wove Japan paper; the full sheet with margins (9/16 to 1 3/8 inches), in excellent condition. Archivally sleeved, unmatted. Image size 12 3/4 x 18 1/2 inches (324 x 470 mm); sheet size 14 3/4 x 20 3/16 inches (375 x 513 mm). Published by The Momose Print Company of Tokyo. ABOUT THE ARTIST Uemura Shoko (1902-2001) was the son of the famous shin-hanga artist Uemura Shoen...

Original antique French lithograph travel poster: Metropole Messageries Maritimes Union Francaise. Artist: Poulain. This unicorn-s...

The Cat is a lithograph on ivory-colored paper realized by Giselle Halff in 1950 ca. Hand-signed by pencil on the lower right. Numbered. Edition, 19/20. Good conditions, slight fo...

Giorgio de CHIRICO Horses in a Mythological Landscape, c. 1955 Lithograph and stencil (Jacomet workshop) Printed signature in the plate On light vellum 48 x 38 cm (c. 19 x 15 in) V...

Early Speed Lithograph, 1953 Signed lower right Edition 250 Published by Associated American Artists Illustrated: AAA catalog 1953-03 Reference: AAA Index 1187 Condition: The sheet i...

Emidio di Nola, original Italian pasta poster. Size 19" x 25.5". Professional acid-free archival linen-backed; in excellent condition; ready to frame....

Penelope Ellis (1935-2016) Up with the Rooster Woodblock print 15 x 11 cm Provenance: From the artist's estate sale. ​Penelope Mary Ellis (1935–2016) was a British artist celebrat...

Penelope Ellis (1935-2016) Heading out to Pasture Woodblock print 11 x 16 cm Provenance: From the artist's estate sale. ​Penelope Mary Ellis (1935–2016) was a British artist celeb...

Original Radio Radiola vintage French antique poster. Archival linen-backed and in very good condition. Bright and vibrant. Artist: Rene Ravo....

Blocky black and white depiction of a lamb, by German artist Leonhardt Wüllfarth, c.1950. Displayed in a white mat with a gold border and fits a standard-size frame. Archival plastic...

Paul Jouve - Eagle - Original Engraving Editions Rombaldi, Paris, 1950. Copy on velin creme de Rives Artwork by Paul Jouve. Original copper engraving heightened with pochoir. Paul...

The Cat is an Original etching print on paper realized by Giselle Halff in 1950 ca. Good conditions with some foxing. .

Marc Chagall Fables : The Rat and the Elephant, 1952 Original etching Printed signature in the plate On Montval vellum 39 x 30 cm (c. 15.5 x 12 in) With COA of the gallery and photo...

Original vintage poster: WONDERFUL COPENHAGEN created by the artist Viggo Vagnby. This antique poster is archival linen-backed, in excellent condition, and ready to frame. No da...

Penelope Ellis (1935-2016) Wallowing in the Mud Woodblock print 15 x 11 cm Provenance: From the artist's estate sale. ​Penelope Mary Ellis (1935–2016) was a British artist celebra...

La Pique (The Pike) Lithograph, 1950 Original lithograph drawn with chalk and "frottage textures" transferred to stone, 1950. Unsigned printer's proof Inscribed on the verso in Mourl...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, The Intimate Sketchbooks of G...

Marino Marini - Rider - Original Lithograph 1955 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

The Cat is an Original etching and drypoint print on paper realized by an Anonymous artist in 1950 ca. Good conditions with some foxing.

Blocky black and white depiction of a goat, by artist Leonhardt Wüllfarth, c.1950. Displayed in a white mat with a gold border and fits a standard-size frame. Archival plastic sleeve...

Elephant Engraing, 1957, printed 1988 Signed, dated, and titled in pencil by the artist Dedicated: "For Jon From Ray" Edition: 100 in two printings This is an artist's proof from th...

Signed lower right, 'Keiko Minami' (Japanese, 1911-2004) and inscribed, lower left, with number and limitation, '26/50'. Japanese painter and printmaker, Keiko Minami became well kn...

Original Air France "Far - East" original travel poster by artist Guy Georget; under the artistic direction of Jean Carlu. Conservation linen-backed and ready to frame. This difficult-to-find original Air France poster was printed in Frame by Bedos & Cie, Paris. Restored tear in bottom and touched up in outer white border. Presents very well. The center focal point is a pagoda-shaped building with three tall bamboo spears growing up the left side. A windsock fish is flying in the air about the building. Bright and vibrant orange and greens with contrasting dark red, grey, and black bring this vintage original poster...

Artist: Dali, Salvador Title: Untitled III (Le Tricorne) Series: Le Tricorne (The Three-Pointed Hat) Date: 1959 Medium: Wood engraving Unframed Dimensions: 12.6" x 8.8" Framed...

Original THOMSON Gyrathomic. Horizontal format original French vintage lithograph poster. Artist: Guy Georget. C. 1955. Archival linen backed. Very good condition. A fun...

Original Week End Impermeabili Italian vintage fashion poster. Archival linen backed in fine condition, ready to frame. Grade A condition. Printed by Ind. Graf. C. Re & C. Milano, Italy. 1952. A small company produced vintage posters for their company in limited or small quantities. Only a few of these Italian vintage posters...

Penelope Ellis (1935-2016) Horse by the Barn Woodblock print 11 x 16 cm Provenance: From the artist's estate sale. ​Penelope Mary Ellis (1935–2016) was a British artist celebrate...

Offset lithograph, circa 1954, on wove paper, with the Estate of Andy Warhol and the Warhol Foundation ink stamps on the reverse, 49.1 x 34.2 cm. (19¼ x 13½ in.) From the '25 Cats Name[d] Sam and One Blue Pussy' series. 25 cats name[d] Sam, and One Blue Pussy, circa 1954, was one of Warhol’s first illustrated bound books. Produced with Seymour Berlin of Record Offset Corporation in New York, and written by Charles Lionsby, Warhol illustrated 25 cats name[d] Sam, and One Blue Pussy with sixteen drawings of cats...

Artist: Pablo Picasso (after) Medium/publication: One of 29 lithographic reproductions after original drawings as published in the book Paul Eluard, "Le visage de la paix" (Paris: Ed...

Artist: Dali, Salvador Title: Untitled XII (Le Tricorne) Series: Le Tricorne (The Three-Pointed Hat) Date: 1959 Medium: Wood engraving Unframed Dimensions: 12.6" x 8.8" Framed...

Aubrey Schwartz, American (1928 - 2019) - Armadillo, Year: circa 1962, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 150, Image Size: 10 x 16 inches, Size: ...

The Bird is an Original lithograph on ivory-colored paper realized by Giselle Halff in 1950 ca. Hand-signed by pencil on the rear. Good conditions.

Artist: Henri Matisse (after) Title: Nu bleu, la grenouille (Blue Nude, The Frog) Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 195...

Zao Wou-Ki (Chinese, French, 1921-2013) Les Poissons, 1953 Lithograph Hand-signed in pencil Lower Right Hand-numbered 16/55 in pencil Lower Left 18 x 23 1/8 inches 29 x 33 inches wit...

Georges Braque - Birds - Original Lithograph Published in the deluxe art review, XXe Siecle 1958 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

Bright, vibrant purple, red and black bull or ox. 1959 Lithograph "Bull". This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Jacob Wexler, Moshe Tamir and Michael Gross. Avraham Ofek (August 14, 1935 – January 13, 1990 was an Israeli sculptor, muralist, painter and printmaker. Avraham Ofek was born in Burgas, Bulgaria. He immigrated to Israel in 1949, and he lived in Ein Hamifratz, a kibbutz near Haifa. He studied at the Academy of Fine Arts in Florence, as well as in Spain and in London, and later taught art in Jerusalem before being appointed head of the Art Department at the University of Haifa. In 1975, he established the Leviathan Group school together with Michail Grobman and Shmuel Ackerman (prominent Post Soviet avant garde Russian artists), seeking to combine symbolism, metaphysics and Judaism in an all-inclusive “national style.” He represented Israel at the Venice Biennale in 1972. Avraham Ofek's early paintings of landscape were at both lyrical and rugged; later in his career the landscape was undefined and receded into the background. Near the end of his life, the landscape of Jerusalem became an important motif, reflecting loss and despair. Many of Ofek's landscapes convey a sense of alienation and solitude, as well as nostalgia for the city of his birth, Sofia. His mural paintings and sculpture can be seen across Israel, notably at Kfar Uria and the Central Post Office Building (Jerusalem). His sculpture "The Binding of Isaac...

Paul Jouve (after) - Tiger - Engraving 19 x 14 cm Editions Rombaldi, Paris, 1950. Copy on velin creme de Rives Copper engraving heightened with pochoir.

Andy Warhol Sam 1954 Original offset lithograph on paper Estate stamped and authenticated. Accompanied by External Andy Warhol Foundation COA

Héliogravure on vélin des Papeteries du Marais paper. Paper Size: 14 x 20.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the album...

Blue toned serigraph of a carousel with horses. The work is signed and numbered by the artist. It is not framed but comes with a white matte. Artist Biography: Barbara Maples...

A "Homelovers" print By permission of the Southampton Corporation, owners of the original painting Published by Frost & Reed London Art Sz: 20 1/4"H x 25 3/4"W Frame Sz: 27 1/2"H x...

A very good impression of this color aquatint. Signed and numbered 2/100 in red crayon, lower margin. Published by Maeght, Paris.

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

Original circus poster: Clyde Beatty Cole Bros. Combined Circus. Professional linen backed, ready to frame. Artist: Roland Butler. The Lion Tamer is ...