Cat Animal Prints

Marmosets is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published...

Manifesto Gianpaolo Berto is an original poster print. Beautiful offset in good conditions. The artwork is a vintage poster of Gianpaolo Berto's exhibition at Galleria Marino, Rome...

The Cat is an original etching on paper realized by Gian Paolo Berto in 1970s. Good conditions. The artwork represents a cat through perfect hatching. The artwork is depicted skill...

This Blue Dog work consists of a blue dog sitting right side up on a background of an upside down blue sky, green grass and a red tree. The dog has soulful yellow eyes. This pop ar...

This Blue Dog work consists of 2 blue dogs: one on a black background and one on a red background. Both dogs have soulful yellow eyes. This pop art animal original silkscreen print...

Parisian Courtyard is an archival digital pigment print on canvas, 18 x 13.5" canvas size, created with hand-made serigraph texture plates, signed ‘Kondakova’ in the right corner an...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

It's a Cat's Life is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 239/275 (there were also 100 Roman and 20 AP). Robert Deyber’s lithographs were crea...

This Blue Dog work consists of 1 dog sporting a red ribbon and holly bow around its neck on a blue background with snowflakes. The dog has soulful yellow eyes. This pop art animal o...

Artist: Malcolm Morley, British (1931 - 2018) Title: Melba with Carrot Medium: Etching, signed and numbered in pencil Edition: 100 Image Size: 22 x 17.5 inches Size: 30 in. x 22 in. ...

This Blue Dog work consists of 1 dog on a white background. There is a dark fuchsia pink tree and a brown moon behind the dog. The dog has soulful eyes. T...

This Blue Dog work consists of a single dog sitting in a pink box with a blue bow and a lit candle next to the box. The background is gold with gold stars an...

Les Chats is a lithograph on paper with an image size of 4.75 x 3.5 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon' moul...

This Blue Dog work consists of a single dog sitting in a pink box with a blue bow and a lit candle next to the box. The background is black and thin blue border. There is a remarqu...

Dye coupler print Signed and dated in ink, verso This artwork is offered by ClampArt, located in New York City. Jo Ann Callis is an American artist and photographer based in Los An...

Vintage chromogenic print (negative sandwich) (Edition of 12) Estate stamp in black ink, verso This artwork is offered by ClampArt, located in New York City. “Mark was an outlaw on...