Men Animal Prints

Jacques Villon Pastoral View : Goats and Sheeps Original stone lithograph Signed in pencil On Japan paper 38 x 56.5 cm (c. 15 x 23 in) INFORMATION : This lithograph is part from t...

Hand signed. Edition of 121 copies printed by Igino Alessandrini. From the series “Cavalli”, published in Rome by Carlo Bestetti Editore for “La Collezione dell’Obelisco”. One of on...

Hand signed. Edition of 75 prints. Published by Crommelynck, Paris, in 1970. Bibliography: G. Guastalla, G. Guastalla, Marino Marini. Catalogo ragionato dell'Opera grafica (Incisi...

"Rhinoceros" is an original color chromolithograph by Louis Prang. It depicts two rhinos in a lush jungle forest. 7 1/2" x 5" art 12 1/2" x 9 1/4" paper 18 3/8" x 15 1/2" frame Lo...

c.1925. Line engraving. 6 1/2 x 10 3/8 (sheet 10 1/4 x 17). A rich impression with plate tone printed on cream laid paper. Signed and dated in pencil. Housed in a 16 x 20-inch archi...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations. Provenance: Kennedy Galleries (with their stock number A49359) Ex Collection: Albert M...

Lovely etching of cattle and ranchers on mountain pass trail, 1991. Signed lower left. 20/50 Original artwork on paper displayed on a white mat with a gold border. Archival plasti...

Artist: Arun Bose Title: Untitled - Elephant Ride Year: circa 1980 Medium: Etching with Aquatint, Signed in Pencil Image Size: 26 x 20 inches / 66 x 51 cm Paper Size: 30 x 22 in...

Bright and lively etching colored with watercolor, pastel and acrylicsc of an anthropomorphic gorilla by Mexican artist Ana May, 2012. Signed lower right. Original artwork on paper ...

Artist: Francesco Londonio (Italian, 1723-1783) Title: "Woman Spinner and a Shepherd with Flock" *Signed and dated by Londonio in the plate (printed signature) upper right Year: 1759 (first state of two) Medium: Original Etching on blue wove handmade paper Limited edition: Unknown Printer: Unknown Publisher: Likely the artist Londonio himself Reference: Scola No. 13 Sheet size: 7.25" x 5.5" Image size: 6.75" x 5.25" Condition: Presently archivally tipped into a storage mat. Some light foxmarks to sheet. Minor crease across the two sheeps' heads. It is otherwise a strong impression in very good condition Very rare Notes: The plate number "12" printed upper right in margin. "Sammlung Hämmer (Hammer Collection)" inkstamp in green on verso lower center. Biography: Francesco Londonio (Milan, 1723 – Milan, 1783) was an Italian painter, engraver, and scenographer, active mainly in Milan in a late-Baroque or Rococo style. Londonio trained as a painter under Ferdinando Porta and Giovanni Battista Sassi in Milan, but traveled to Rome and Naples. He studied engraving with Benigno Bossi. He is best known for his paintings and ectchings of rustic and pastoral landscapes and subjects, with both animals and peasants playing a dominating role over the landscape. This focus on genre themes was popular among the wealthy patrons of the time, specially in Northern Italy; and artists such as the Brescian painters Ceruti and Cifrondi worked with such themes. In his engravings, he recalls Gaetano Zompini. Londonio is also known for his scenography. An example, of this poorly conserved art form that still exists is a nativity scene on cut wooden shapes for the church of San Marco in Milan. The effect is a cheaper version of the naturalistic Sacri Monti scenes, which had been painted stucco statuary. It also can be seen as a cross between the holy scenes described above, and the theatrical set pieces, for example, those needed for the newly founded La Scala theater. The work at San Marco prompted Empress Maria Theresa of Austria...

’3 Dogs’ By Tom Hammick Medium - Monoprinted lithograph Signed - Yes Edition - EV 10/15 Size - 505mm x 385mm Date - 2007 Condition - Excellent. 10 out of 10 Colour of print may not be accurate when viewed on a monitor. If framing is required this is available in a simple black gallery style frame with anti-reflective museum quality acrylic glazing. Please contact us directly for shipping rates outside of the United Kingdom. Tom Hammick 1964 For Tom Hammick, prints and paintings have equal importance. Each process feeds the other… Although Hammick’s images have sometimes been defined as stemming from a particularly European tradition…he is also influenced by looking at traditional of art outside Western culture: Japanese print and film, Chinese scroll painting and Indian miniatures, amongst other things. " Nigel Frank, writing on Hammick’s ‘Chinese Dress’, in British Prints from the Clifford Chance Art Collection at the Sir John Soane's Museum, London 2014. His work is held in various public and private collections worldwide, including The British Museum, London; Yale Centre for British Art, Deutsche Bank; De Beers; ING Barings; Arthur Anderson...

Series: The Equestrian Collection Archival Pigment Print All available sizes without frame (with frame): 40" x 32" (47" x 39") 60" x 48" (67" x 55") 75" x 60" (84" x 69") Edition of ...

LOT:20220115M08 Atsushi Kaga [ELVIS COSTELLO] Lithograph on Somerset paper Signed by the artist Edition of 20 COA will accompany this work

OSCAR DOMINGUEZ 1906-1957 Hommage a Manolete, 1955 This is an original and signed and numbered lithograph in colors on BFK Rives vellum paper. Thi...

MILLARD SHEETS (1987 – 1989) HORSE FRIGHTENED BY LIGHTNING, 1939 Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...

Bareback Act, Old Hippodrome By Gifford Beal (1879-1956) Signed Lower Right Unframed: 6.5" x 9.5" Framed: 17.5" x 20" Gifford Beal, painter, etcher, muralist, and teacher, was born in New York City in 1879. The son of landscape painter William Reynolds Beal, Gifford Beal began studying at William Merritt Chase's Shinnecock School of Art (the first established school of plein air painting in America) at the age of thirteen, when he accompanied his older brother, Reynolds, to summer classes. He remained a pupil of Chase's for ten years also studying with him in New York City at the artist's private studio in the Tenth Street Studio Building. Later at his father's behest, he attended Princeton University from 1896 to 1900 while still continuing his lessons with Chase. Upon graduation from Princeton he took classes at the Art Students' League, studying with impressionist landscape painter Henry Ward Ranger and Boston academic painter Frank Vincent DuMond. He ended up as President of the Art Students League for fourteen years, "a distinction unsurpassed by any other artist." His student days were spent entirely in this country. "Given the opportunity to visit Paris en route to England in 1908, he chose to avoid it" he stated, "I didn't trust myself with the delightful life in ParisIt all sounded so fascinating and easy and loose." His subjects were predominately American, and it has been said stylistically "his art is completely American." Gifford achieved early recognition in the New York Art World. He became an associate member of the National Academy of Design in 1908 and was elected to full status of academician in 1914. He was known for garden parties, circuses, landscapes, streets, coasts, flowers and marines. This diversity in subject matter created "no typical or characteristic style to his work." Beal's style was highly influenced by Chase and Childe Hassam, a long time friend of the Beal family who used to travel "about the countryside with Beal in a car sketching...

One of Their Pets (Two Farm Boys and Cow at The Watering Hole) By Joseph Vorst (1897-1947) Signed Lower Right Edition 1/50 Lower Left Unframed: 8.5" x 11" Framed: 16" x 18.5" German-born Joseph Vorst came from Essen (born June 19, 1897). His teacher was the leading German impressionist Max Liebermann (1847-1935), who was the champion of French impressionism in Berlin. He had traveled to Barbizon and Paris to see paintings by Manet first hand, including In the Conservatory, which made its way to Berlin. Later Vorst's home town of Essen would acquire a collection of modern art in 1921, which became the Museum Folkwang, one of the earliest of its kind. Most likely to escape the Nazis, Vorst made his way to Missouri; we know that he was a member of the American Artists Congress and he signed the famous "Call" in 1936 at the group's first congress, the left-wing organization that stood up to combat fascism. Surely he would have known Joe Jones...

One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...

Other sizes and high-end frame on request. ,,In building the story, my instincts were to play on the vibe of a Paris Catwalk - after all, we had access not just to any cat to strut down our catwalk, but the King of Africa; a magnificent adult male...

Bright, vibrant purple, red and black bull or ox. 1959 Lithograph "Bull". This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon K...

My Coo Kie - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with outfi...

Versaweiss Feathered up Peacock II, 2016 Archival pigment print and acrylic color spray on archival mat paper 50 x 50 cm Unique Don’t Kill Bambi: The studio 54 phenomenon repo...