People Animal Prints
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Art Subject: People
The Prince of Cards
Located in Kansas City, MO
Andreas Amrhein
The Prince of Cards
3D-Construction on Hahnemühle Velvet
Year: 2022
Signed by hand
Edition 25
Size: 22.4 × 16.3 on 24.0 × 16.9 inches
COA provided
Ref.: 924802-977
--------------------------
Andreas Amrhein is a german male artist born in Marburg (GERMANY) in 1963.
Andreas Amrhein’s first exhibition was Arbeiten auf Papier „Blau“ at Galerie Michael Schultz in Berlin in 1994, and the most recent exhibition was 12. Kunstpreis Wesseling - Zeit aus den Fugen at Kunstverein Wesseling e.V. in Wesseling in 2021. Andreas Amrhein is most frequently exhibited in Germany, but also had exhibitions in Austria...
Category
2010s Baroque Animal Prints
Materials
Mixed Media, Archival Pigment
The Fairy Princess
Located in Kansas City, MO
Andreas Amrhein
The Fairy Princess
3D-Construction on Hahnemühle Velvet
Year: 2022
Signed by hand
Edition 25
Size: 22.4 × 16.3 on 24.0 × 16.9 inches
COA...
Category
2010s Victorian Animal Prints
Materials
Mixed Media, Archival Pigment
Pablo Picasso - Jeu de la Cape - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Picasso
Atelier Mourlot.
Paper: Vélin.
Dimensions : 9 5/8 x 12 7/16 inches
Reference: Bloch 1015
Picasso is not just a man and his work. Picasso is always a legend, indeed almost a myth. In the public view he has long since been the personification of genius in modern art. Picasso is an idol, one of those rare creatures who act as crucibles in which the diverse and often chaotic phenomena of culture are focussed, who seem to body forth the artistic life of their age in one person. The same thing happens in politics, science, sport. And it happens in art.
Early life
Born in Malaga, Spain, in October of 1881, he was the first child born in the family. His father worked as an artist, and was also a professor at the school of fine arts; he also worked as a curator for the museum in Malaga. Pablo Picasso studied under his father for one year, then went to the Academy of Arts for one year, prior to moving to Paris. In 1901 he went to Paris, which he found as the ideal place to practice new styles, and experiment with a variety of art forms. It was during these initial visits, which he began his work in surrealism and cubism style, which he was the founder of, and created many distinct pieces which were influenced by these art forms.
Updates in style
During his stay in Paris, Pablo Picasso was constantly updating his style; he did work from the blue period, the rose period, African influenced style, to cubism, surrealism, and realism. Not only did he master these styles, he was a pioneer in each of these movements, and influenced the styles to follow throughout the 20th century, from the initial works he created. In addition to the styles he introduced to the art world, he also worked through the many different styles which appeared, while working in Paris. Not only did he continually improve his style, and the works he created, he is well known because of the fact that he had the ability to create in any style which was prominent during the time.
Russian ballet
In 1917, Pablo Picasso joined the Russian Ballet, which toured in Rome; during this time he met Olga Khoklova, who was a ballerina; the couple eventually wed in 1918, upon returning to Paris. The couple eventually separated in 1935; Olga came from nobility, and an upper class lifestyle, while Pablo Picasso led a bohemian lifestyle, which conflicted. Although the couple separated, they remained officially married, until Olga's death, in 1954. In addition to works he created of Olga, many of his later pieces also took a centralized focus on his two other love interests, Marie Theresa...
Category
1960s Modern Animal Prints
Materials
Lithograph
LOVE-Interconnectivity of Life
Located in London, GB
This work consists of 9 images and is one of them.
The title is Interconnectivity of life, a series of love, water, galaxy, imagination, colour, nature, time, chaos, life.
The pictures are taken by the artist herself, and the illustrations are drawn by the artist.
Print on silk screen in combination with your favourite old decorative painting. The reason is that these surrounding images help interconnect the various cores. The overall idea comes from my cultural background and strong belief in reincarnation. Our lives look like patchwork and there is no perfect world...
Category
21st Century and Contemporary Animal Prints
Materials
Screen
CHAOS-Interconnectivity of Life
Located in London, GB
This work consists of 9 images and is one of them. The title is Interconnectivity of life, a series of love, water, galaxy, imagination, colour, nature, time, chaos, life. The pictur...
Category
21st Century and Contemporary Animal Prints
Materials
Screen
LIFE-Interconnectivity of Life
Located in London, GB
This work consists of 9 images and is one of them. The title is Interconnectivity of life, a series of love, water, galaxy, imagination, colour, nature, time, chaos, life. The pictur...
Category
21st Century and Contemporary Animal Prints
Materials
Screen
CashMap
By Jane Rosen
Located in Mill Valley, CA
drawing, limited edition archival print 8/10
Category
2010s American Realist Animal Prints
Materials
Paper
Catwalk - Lion walking, behind natives of South Africa
By David Yarrow
Located in Vienna, AT
Other sizes and high-end frame on request.
,,In building the story, my instincts were to play on the vibe of a Paris Catwalk - after all, we had access not just to any cat to strut down our catwalk, but the King of Africa; a magnificent adult male...
Category
2010s Contemporary Landscape Prints
Materials
Archival Pigment
Seeserpent
By Kenny Scharf
Located in New York, NY
Kenny Scharf
American, b. 1958
Seeserpent
2017
Archival Pigment Inks on Moab Entrada Rag Bright 300 gsm fine art paper
12 2/5 × 16 9/10 in
31.5 × 43 cm
Edition of 150
Colorful, cart...
Category
2010s Pop Art Animal Prints
Materials
Archival Pigment
Nature-Interconnectivity of Life
Located in London, GB
This work consists of 9 images and is one of them. The title is Interconnectivity of life, a series of love, water, galaxy, imagination, colour, nature, time, chaos, life. The pictur...
Category
21st Century and Contemporary Animal Prints
Materials
Screen
Galaxy-Interconnectivity of Life
Located in London, GB
This work consists of 9 images and is one of them. The title is Interconnectivity of life, a series of love, water, galaxy, imagination, colour, nature, time, chaos, life. The pictur...
Category
21st Century and Contemporary Animal Prints
Materials
Screen
Le Christ a l'Horloge, Paris
By Marc Chagall
Located in Missouri, MO
Marc Chagall
"Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196)
Color Lithograph on Arches Wove Paper
Signed in Pencil "Marc Chagall" Lower Right
Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90
*Floated in Gold Frame with Linen Matting, UV Plexiglass
Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm)
Image Size: 9 3/4 x 8 1/2 inches
Framed Size: 28.5 x 24.25 inches
Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant.
Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly.
His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused.
To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings.
After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet.
Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died.
He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work.
Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement.
Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California.
Sources:
Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985
Jack Kroll in Newsweek, April 8, 1985
Andrea Jolles in National Jewish Monthly Magazine, May 1985
Michael Gibson...
Category
1950s Modern Figurative Prints
Materials
Lithograph
1959 Israeli Avraham Ofek Leviathan Modernist Lithograph, Bull, Bezalel School
By Avraham Ofek
Located in Surfside, FL
Bright, vibrant purple, red and black bull or ox.
1959 Lithograph "Bull".
This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon K...
Category
1950s Modern Animal Prints
Materials
Lithograph
Wisdom of the Orient Cat (Deluxe edition)
Located in Miami, FL
Dr. Seuss
Wisdom of the Orient Cat (Deluxe edition)Serigraph on Hand-made Japanese Paper
Deluxe Edition of 250
Image Size: 58" x 29"
Paper Size: 62” x 31”
Adapted posthumously from ...
Category
1960s Animal Prints
Materials
Handmade Paper
Blue Dog "The Rat Pack" Matching Numbered Set of 3 Signed Silkscreen Prints
Located in Mount Laurel, NJ
This Blue Dog work consists of a matching numbers set of prints each with 4 dogs on motorcycles each of a different color with varying neck scarf colors. Each print within the set h...
Category
Early 2000s Pop Art Animal Prints
Materials
Screen
Head Over Heels Black - Signed Silkscreen Print Blue Dog
Located in Mount Laurel, NJ
This Blue Dog work consists of a single blue dog up-close portrait on a solid black background. The dog has soulful yellow eyes. This pop art animal original silkscreen print on pa...
Category
Early 2000s Pop Art Animal Prints
Materials
Screen
Keith Haring 1985 announcement (Keith Haring at Tony Shafarzi Leo Castelli)
Located in NEW YORK, NY
Keith Haring at Tony Shafrazi/Leo Castelli Gallery, New York, 1985:
Rare original 1980s announcement for two Keith Haring exhibitions:
Keith Haring at Tony Shafrazi Gallery, October 26...
Category
1980s Pop Art Figurative Prints
Materials
Lithograph, Offset
Dr. Seuss, We Looked! Then We Saw Him! Diptych
Located in Miami, FL
Dr. Seuss
We Looked Then We Saw Him DIPTYCH
Serigraph on Black Stonehenge Paper
Image Size: 17" x 11"
Paper Size: 21.5" x 15"
Authorized Estate Edition
Declared sold out by the publ...
Category
2010s Animal Prints
Materials
Archival Pigment
Bird's Eye View
Located in Missouri, MO
Ronnie Cutrone (1948-2013)
"Bird's Eye View" c. 1980s
Color Lithograph
Ed. 222/250
Signed, Numbered and Titled
Image Size: 17 x 23.5 inches
Framed Size: approx. 24 x 30 inches.
Ronnie Cutrone, a figurehead of the Pop and Post-Pop art scenes, was Andy Warhol's assistant at the Factory atop the Decker Building from 1972-1980, and worked closely with Roy Lichtenstein, combining stylistic elements of both. Cutrone's large-scale paintings of American cartoon icons, like Mickey Mouse, Felix the Cat, and Woody Woodpecker further reinvented kitsch and popular media in terms of fine art.
Executed in fluorescent monochromatic colors with the finesse of mass-produced silkscreen and prints, Cutrone's works are the reverse of tromp-l'oeil; they use fine art media (watercolor, pastel, crayon - on high-quality paper) to celebrate, rather than hide, the artifice of their subjects. "Everything is cartoon for me", Cutrone is noted for saying, even "ancient manuscripts...
Category
Late 20th Century Pop Art Figurative Prints
Materials
Lithograph
Dressed from Below - William Wegman (Colour Photography)
Located in London, GB
Dressed from Below - William Wegman (Colour Photography)
Signed and inscribed with title
Two unique colour Polaroid prints, printed 1994
24 x 20 inches each
The dogs, bewigged and b...
Category
1990s Conceptual Color Photography
Materials
Polaroid
Towelling - William Wegman (Colour Photography)
Located in London, GB
Towelling - William Wegman (Colour Photography)
Signed and inscribed with title
Unique colour Polaroid print, printed 1993
24 x 20 inches
The dogs, bewigged and bedecked with outfit...
Category
1990s Conceptual Color Photography
Materials
Polaroid
My Coo Kie - William Wegman (Colour Photography)
Located in London, GB
My Coo Kie - William Wegman (Colour Photography)
Signed and inscribed with title
Unique colour Polaroid print, printed 1991
24 x 20 inches
The dogs, bewigged and bedecked with outfi...
Category
1990s Conceptual Color Photography
Materials
Polaroid
Untitled (Princess)
Located in New York, NY
Vintage chromogenic print (negative sandwich)
(Edition of 12)
Estate stamp in black ink, verso
This artwork is offered by ClampArt, located in New York City.
“Mark was an outlaw on...
Category
1980s Other Art Style Photography
Materials
C Print
Dr. Seuss, Grinch at Mount Crumpit
Located in Miami, FL
Dr. Seuss
Grinch at Mount Crumpit (50th Anniversary of How the Grinch Stole Christmas)
Serigraph on Rag Paper
61 x 32 inches
Adapted posthumously from the illustration for the 1957...
Category
2010s Animal Prints
Materials
Color
Feathered up Peacock II
By Versaweiss
Located in New York, NY
Versaweiss
Feathered up Peacock II, 2016
Archival pigment print and acrylic color spray on archival mat paper
50 x 50 cm
Unique
Don’t Kill Bambi: The studio 54 phenomenon repo...
Category
2010s Contemporary Animal Prints
Materials
Archival Pigment, Spray Paint
Horse Tag
By Versaweiss
Located in New York, NY
Versaweiss
Horse-tag, 2016
Archival pigment print on archival mat paper
100 x 120 cm
Edition of 5
Don’t Kill Bambi: The studio 54 phenomenon repositioned at times of crisis
...
Category
2010s Contemporary Animal Prints
Materials
Archival Pigment
Dorazon d Pollo 2
By Luna Trelles
Located in New York, NY
Luna Trelles
Dorazon d Pollo 2, 2015
Archival pigment print
Edition of 10
49 x 39 inches (124 x 80 cm)
Category
21st Century and Contemporary Contemporary Figurative Prints
Materials
Archival Pigment