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Art Subject: Suit
Tie Me Up - White - Signed Silkscreen Blue Dog Print
Located in Mount Laurel, NJ
This Blue Dog work consists of a blue dog on a white background wearing a necktie decorated with blue dogs and alligators. The dog has soulful yellow eyes. This pop art animal original oil on canvas is hand-signed by the artist.
Artist: George Rodrigue
Title: Blue Dog “Tie...
Category
2010s Pop Art Animal Prints
Materials
Screen
Blue Dog "Shades of the 50's Blue" Print Signed Numbered Artwork
Located in Mount Laurel, NJ
This Blue Dog work consists of 1 blue dog on a dark blue background with painted white eyeglasses donning a white tie with painted blue eyeglasses. Th...
Category
1990s Pop Art Animal Prints
Materials
Screen
Bear Market By Katie Edwards, animal print, coloured, screen print
Located in Deddington, GB
limited_edition
Screen print
Edition number 20
Image size: H:28 cm x W:19.5 cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
A quirky screen print of a Bear in a suit...
Category
2010s Abstract Impressionist Animal Prints
Materials
Screen
Cheval, Modern Etching and Aquatint by Andre Francois
Located in Long Island City, NY
Andre Francois, Hungarian (1915 - 2005) - Cheval, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 7/50, Image Size: 15.5 x 22.5 ...
Category
1960s Modern Animal Prints
Materials
Etching, Aquatint
Untitled Blue Dog with Tie - Magenta Background - Silkscreen Signed Print
Located in Mount Laurel, NJ
This Blue Dog work consists of a solid magenta background. There is a single dog wearing a yellow and orange polka dot tie. The dog has soulful yellow eyes. This pop art animal origi...
Category
1990s Pop Art Animal Prints
Materials
Screen
Reading Pig /// Contemporary Pop Art Black and White Screenprint Animal Funny
By Dan May
Located in Saint Augustine, FL
Artist: Dan May (American, 1955-)
Title: "Reading Pig"
*Signed and numbered by May in pencil lower left
Year: 1984
Medium: Original Screenprint on unbranded white wove paper
Limited ...
Category
1980s Contemporary Animal Prints
Materials
Screen
My Future's So Bright, I Gotta Wear Shades - Signed Silkscreen Blue Dog Print
Located in Mount Laurel, NJ
This Blue Dog work consists of a blue dog on a yellow background wearing a blue striped jacket, a white shirt, and a yellow necktie with black specks. The dog is also wearing an eye...
Category
1990s Pop Art Animal Prints
Materials
Screen
Friendly Interruption, Portraits Lithograph by Gina Lombardi Bratter
Located in Long Island City, NY
Gina Lombardi Bratter, American - Friendly Interruption, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP 40, Image Size: 3...
Category
1970s Modern Animal Prints
Materials
Lithograph
White Head Eagle
Located in Fairlawn, OH
White Head Eagle
Mezzotint printed in colors, 2014
Signed lower right (see photo)
Titled lower center (see photo)
WHITE HEAD EAGLE. The Print Club of Cleveland Publication No. 94, 20...
Category
2010s Contemporary Animal Prints
Materials
Mezzotint
'Top Dog' original silkscreen print, Fabriano paper, animal print, dog
Located in Deddington, GB
Screen Print
Edition number 20
Image size: H:28 cm x W:19.5 cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
A quirky screen print of ...
Category
2010s Abstract Expressionist Animal Prints
Materials
Color, Screen
Dressed from Below - William Wegman (Colour Photography)
Located in London, GB
Dressed from Below - William Wegman (Colour Photography)
Signed and inscribed with title
Two unique colour Polaroid prints, printed 1994
24 x 20 inches each
The dogs, bewigged and b...
Category
1990s Conceptual Color Photography
Materials
Polaroid
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Yellow Poppies, Sept 7, 2022 (Ed: 23/50)
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Located in Los Angeles, CA
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Untitled
Located in San Francisco, CA
Artist: Billy Al Bengston – American (1934-2022)
Title: Untitled
Year: 1990
Medium: Lithograph, silkscreen on Arches paper
Sight size: 19.5 x 25.5 inches.
Sheet size: 24 x 30 inches.
Signature: Signed lower right
Publisher: Cirrus Editions, Ltd., Los Angeles, CA
Edition: 250 This one: 120/250
Condition: Excellent
This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches.
Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene."
Early life and education
Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956.
Career
Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang".
After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface."
Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...
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Complicite 1980 Signed Lithograph with Screen Printing
Located in Rochester Hills, MI
Guillaume Corneille
Complicite 1980
Print, Signed Lithograph on wove paper
25½ x 19½ " inches
Signed in pencil and dated
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Mini Lobster
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Located in Deddington, GB
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H 15.75 in W 11.82 in D 0.2 in