Vertical Prints and Multiples

HENRI MATISSE 1869-1954 (Emile Benoît) Le Cateau-Cambrésis 1869-1954 Nice (French) Title: Frontal Nude, Right Leg Folded Nu de face, jambe droite repliée, 1929 Technique: Original...

The painting is being offered with a work and authenticity certificate

Artist: Henri Matisse Title: D'Apres Longus Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 7/8" x 11 1/8" Sign...

Lithograph on Japon paper, Edition of 50 Paper size: 43.7 x 28.1 cms (17.2 x 11.1 ins) Image size: 39.1 x 23.7 cms (15 3/8 x 9 1/4 ins)

In 1968 several of Chagall's poems were published in the album "Les Poemes" (The Poems). He also illustrated this album, featuring a series of 24 woodcuts. Unsigned. From the edi...

MARC CHAGALL -- Le Lit d'Ulysse from L'Odyssée II, 1975 Lithograph in colors Unsigned, one of 250 published by Mourlot, Paris Literature Mourlot 829 Unframed Sheet: 42.5 x 32.5 cm

Henri Matisse Jeune Polonaise 1917/18 Etching on Chine appliqué on wove paper, Edition of 15 Paper size: 38 x 28.5 cms (15 x 11 1/4 ins) Plate size: 18 x 12.7 cms (7 x 5 ins) HM16662

Marc Chagall Comme un Barbare, 1968 LES POEMES #2 Colored woodcut on Rives paper Unsigned Edition: 96 / 226 Image size: c. 24 * 32 cm Reference: Cramer 74

Lithograph on Japon paper, Edition of 50 Paper size: 35 x 27.8 cms (13 3/4 x 11 ins) Image size: 18.6 x 12.8 cms (7 1/2 x 5 ins)

Aquatint on BFK Rives paper, Edition of 25 Paper size: 56 x 38 cms (22 x 15 ins) Image size: 34.8 x 27.7 cms (13 3/4 x 10 7/8 ins)

This original etching is hand signed in black ink by the artist "Henri Matisse" at the lower right margin. The work is from the edition of 1,000 published alongside 50 reproductions...

Marc Chagall (1887 - 1985) Itinerant Players from Chagall Lithographs I, 1960 Lithograph 12.50 x 9.50 in

Lithograph after a gouache decoupee from Verve 35/36

Henri Matisse Figure assise, blouse transparente 1929 Lithograph on Japon paper, Edition of 25 Paper size: 64.5 x 50 cms (25.4 x 19.7 ins) Image size: 53.5 x 44.8 cms (21 x 17 5/8 i...

Lithograph

Lithograph

This complete suite of 38 original lithographs in colours is hand signed in pencil by the artist "Marc Chagall" on the colophon page. It is stamp numbered from the edition of 250 in...

Marc Chagall (1887 - 1985) Monde Familier (Everyday World), 1983, (edition 49/50) lithograph in colors on Arches paper Sheet size: 13.70 x 10.60 in (34.80 x 26.92 cm) Everyday World...

Marc Chagall (1887 - 1985) Le Peintre a la Veste Rouge (The Painter in a Red Vest), 1974, (Artist's Proof) Lithograph in colors on Arches paper Sheet size: 13.70 x 10.60 in (34.80 x...

Marc Chagall (1887 - 1985) A l'Aube de l'Amour (At the Dawn of Love), November, 1983, (32/50) Lithograph in colors on Arches paper Sheet: 21.50 x 16.80 in (54.61 x 42.67 cm) At the...

Marc Chagall (1887-1985) Le Chevalet aux Fleurs, 1976 Lithograph in colors on Arches paper Sheet: 29-7/8 x 19-7/8 inches (75.9 x 50.5 cm) (sheet) Edition 33/50 Signed and numbered in...

Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris; image: 95.3 x 61 cm. (37 ½ x 24 in.); sheet: 116....

Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 92.1 x 60.3 cm. (36 ¼ x 23 ¾ in.), sheet: ...

Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 95.3 x 60.4 cm. (37 ½ x 23 ¾ in.), sheet: ...

Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 94 x 69.9 cm. (37 x 23 ½ in.), sheet: 116....

Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 95.9 x 61.6 cm. (37 ¾ x 24 ¼ in.), sheet: ...

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

Marc Chagall Cover for Derriere le Miroir, 1964 is a vibrant cover detailing the artists whimsical rendering of a man gently falling from the sky, with t...

Created in 1932 as an etching with Chine-collé on cream wove paper, Nu pour Cleveland is hand-signed and numbered by the artist in pencil. The artwork measures 20 x 15 7/8 in. (50.8 ...

This artwork Titled "Moses Sees the Sufferings of his People" 1966 from the suite " The Story of Exodus" is an original lithograph on Arches paper ...

Lithograph on Arches Paper Pencil Signed Lower Right, "Marc Chagall" Numbered Lower Left Ed. 9/40, one of 40 impressions reserved for the artist aside from the standard signed editio...

Lithograph on Arches Paper Pencil Signed Lower Right, "Marc Chagall" Numbered Lower Left Ed. 51/100 Published by CH. SORLIER SIte Size: 19 x 12.5 Framed Size: approx 27.5 x 22.5