1998 After Barnett Newman 'Canto VIII'

1998

Paper Size: 23.5 x 19.5 inches ( 59.69 x 49.53 cm ) Image Size: 19.25 x 17.25 inches ( 48.895 x 43.815 cm ) Framed: No Condition: A: Mint Additional Details: Not signed and not...

This reproduction, titled Canto XIV by Barnett Newman, was published by Art Edition in Düsseldorf, Germany. The print is of high quality and features Newman’s characteristic vertical...

This reproduction of Canto XV by Barnett Newman is a high-quality poster that captures the essence of the original artwork. This poster features printed signature and numbering, givi...

This exquisite reproduction of Mark Rothko's Untitled, originally painted in 1969 using oil on cardboard, showcases the artist's masterful use of pastel colors. Distributed by New Yo...

oil on paper image size: 20.5 x 29.5 inches Daniel Brice’s paintings are composed using a minimal rectilinear language, divided into planes of color implying vast spatial landscape...

Artist: Gene Davis (American, 1920-1985) Title: "Homage to Barnett Newman" *Signed and dated by Davis in pencil lower right Year: 1979 Medium: Original Screenprint on unbranded soft-...

Adhesive tape, acrylic, lacquer, cardboard, on MDF. Unframed. This work is part of a series of similar works consisting of four layers of different material. Adhesive tape, fixed o...

III by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...