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Chiyu UemaeUntitled, 1982 Limited Edition of 6 by Chiyu Uemae, signed, dated and numbered1982
1982
$2,100
£1,599.38
€1,843.52
CA$2,937.89
A$3,301.99
CHF 1,719.59
MX$40,160.36
NOK 22,004.25
SEK 20,866.51
DKK 13,758.79
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About the Item
Untitled (1982)
Screenprint on wove paper
Signed, dated and numbered by the artist.
Date: 1982 2 4
Ed. 6/6
50.9 x 34.6 cm (Image)
62.8 x 46.4 cm (Sheet)
This screenprint by Chiyu Uema showcases an intriguing abstract composition, characterized by dense horizontal black lines that vary significantly in thickness, length, and texture, set against a subdued beige-gray background. These lines are not uniformly solid but appear fragmented, distressed, and even somewhat organic, suggesting a textured surface or the effect of natural erosion. The interplay between the dark, seemingly broken lines and the lighter ground creates a sense of dynamic movement and subtle depth within the rectilinear format.
- Creator:Chiyu Uemae (1920 - 2018, Japanese)
- Creation Year:1982
- Dimensions:Height: 24.73 in (62.8 cm)Width: 18.27 in (46.4 cm)
- Medium:
- Period:
- Condition:Overall, the piece is in fair condition, with some visible paper browning, discoloration, and dirt. We anticipate that most of these minor condition issues will not be noticeable once the piece is framed.
- Gallery Location:Hong Kong, HK
- Reference Number:Seller: CU-0141stDibs: LU1545216330652
Chiyu Uemae (1920 – 2018) was a Japanese abstract artist born in Kyoto. He is particularly noted for his involvement as a founding member of the influential Gutai Art Association, a radical avant-garde art collective formed in 1954 under the leadership of Jiro Yoshihara. Uemae participated in every Gutai exhibition until the group's dissolution in 1972. Uemae's artistic journey was unique; he was a self-taught artist who held various jobs, including an apprentice at a traditional dyeing factory in Kyoto, which profoundly influenced his artistic approach. His early experiences, particularly in dyeing, led to a mature style characterized by meticulous compositions often featuring fine dots, patterns, and textile elements. Unlike some of his Gutai peers known for performance-based works, Uemae focused on the materiality of art, often creating compellingly rough surface textures by combining unconventional materials like sawdust, wood chips, and debris with paint. His two-dimensional works are recognized for their pattern accumulation, achieved through painting knives or delicate stitching, and he also produced sculptures from wood or sawdust. In later years, he continued to create etchings and silkscreens. Uemae's work often combined traditional Japanese colors and sensibilities with an original abstract style. He remained active and continued producing art well into his 80s and 90s.
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