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Danny HellerQueensboro Bridge and Ford (Limited edition archival print.)
$600
£455.41
€532.18
CA$836.25
A$942.74
CHF 499.68
MX$11,622.55
NOK 6,074.23
SEK 5,838.31
DKK 3,969.13
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About the Item
Limited edition archival print on (image size 24x18") 28.5x22" paper.
Represented by George Billis Gallery, NYC & LA -- Focusing on this duality of the old and the new, my work captures a changing New York – the old neon signage of the neighborhood pharmacy, as well as the sleek interiors of Mies van der Rohe’s groundbreaking Seagram Building. You’ll find classic storefront windows displaying 1950’s fashion, juxtaposed with office windows of a Madison Ave skyscraper. Viewed as a whole, my series aims to take viewers to this transformative period of time – and might even remind them that many of these scenes can still be found in Manhattan today."
Colors: Light Blue, Light Grey, car, vintage automobile, automobile art, new york city, uptown, manhattan, manhattan bridge
- Creator:Danny Heller (1982, American)
- Dimensions:Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)
- More Editions & Sizes:Danny Heller, Queensboro Bridge and Ford, limited edition archival print on (image size 13x10") 17.5x14" paper, $200.Price: $200
- Medium:
- Period:
- Condition:Paper size - 28.5x22".
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU1832855453
Danny Heller
Danny Heller paints the reality of the American environment: how structures once revered for their groundbreaking ideas in design and social planning have been perpetuated and how they have been forgotten. Primarily focusing on the nation’s mid-century identity, Heller plays with lighting, dramatic angles, and specific colors to form engaging paintings that capture architectural elements. He uses a realistic style to paint those moments where design and environment come together harmoniously in order to showcase the compelling characteristics of these spaces. In some ways, Heller acts as a documentarian of an endangered architectural culture in America. However, these paintings are a bit more personal, as they tend to focus on locations from the artist's childhood or at least slices of an era recounted to him from his parents’ and grandparents’ times. By painting these historically and personally significant scenes, Heller reconnects with a presumably by-gone time period whose remnants actually still exist. Because
especially in an age that values constant change, when the past is demolished to
make way for the brand new, we are at risk of losing our collective history. Without
which, we leave ourselves devoid of a foundation to build our future on.
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