Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

David Loggan
David Loggan: Balliol College, Oxford (1675 engraving)

1675

About the Item

David Loggan (1634-1692) Balliol College, Oxford Engraving, 1675 30 x 40cm To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells (b.1956) has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date.
  • Creator:
    David Loggan (1634 - 1692, British)
  • Creation Year:
    1675
  • Dimensions:
    Height: 11.82 in (30 cm)Width: 15.75 in (40 cm)
  • Medium:
  • Period:
  • Condition:
    Generally good.
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU79539572232

More From This Seller

View All
David Loggan: Oriel College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692) Engraving of Oriel College, Oxford Engraving, 1674 40 x 26.7cm To see our other views of Oxford and Cambridge, scroll down to "...
Category

17th Century Prints and Multiples

Materials

Etching, Engraving

David Loggan: New College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692) Engraving of the interior of New College, Oxford Engraving, 1674 48.5 x 27.2cm To see our other views of Oxford and Cambridge, sc...
Category

17th Century Prints and Multiples

Materials

Etching, Engraving

David Loggan: Queen's College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692) Engraving of Oriel College, Oxford Engraving, 1674 30 x 41cm To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and belo...
Category

17th Century Prints and Multiples

Materials

Engraving, Etching

David Loggan: Magdalen College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692) Engraving of Magdalen College, Oxford Engraving, 1674 32 x 42cm To see our other views of Oxford and Cambridge, scroll down ...
Category

17th Century Prints and Multiples

Materials

Etching, Engraving

David Loggan: University College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692) Engraving of University College, Oxford Engraving, 1674 30 x 40cm To see our other views of Oxford and Cambridge, scroll d...
Category

17th Century Prints and Multiples

Materials

Etching, Engraving

David Loggan: Canterbury Quad, St John's College, Oxford (1675 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692) Canterbury Quad, St John's College, Oxford Engraving, 1675 32 x 51cm To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" ...
Category

17th Century Prints and Multiples

Materials

Etching, Engraving

You May Also Like

Blanchefleur, 1972 (Le Decameron, Plate H)
By Salvador Dalí­
Located in Greenwich, CT
Blanchefleur from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 150 Ara...
Category

20th Century Surrealist Prints and Multiples

Materials

Drypoint, Etching

La Ressuscitée, 1972 (Le Decameron, Plate J)
By Salvador Dalí­
Located in Greenwich, CT
La Ressuscitée from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 150 A...
Category

20th Century Surrealist Prints and Multiples

Materials

Drypoint, Etching

Le Diable en Enfer, 1972 (Le Decameron, Plate C)
By Salvador Dalí­
Located in Greenwich, CT
Le Diable en Enfer from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 1...
Category

20th Century Surrealist Prints and Multiples

Materials

Drypoint, Etching

Le Jument de Compère Pierre, 1972 (Le Decameron, Plate I)
By Salvador Dalí­
Located in Greenwich, CT
Le Jument de Compère Pierre from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edi...
Category

20th Century Surrealist Prints and Multiples

Materials

Drypoint, Etching

Set of Two Engravings after Cipriani "Four Muses" & "Father and Two Daughters"
By Francesco Bartolozzi
Located in Saint Augustine, FL
Artist: Francesco Bartolozzi (Italian, 1727-1815) Title: "Four Muses" & "Father and Two Daughters" Portfolio: Rudiments of Drawing *Issued unsigned, though both are signed by Bartolo...
Category

1780s Old Masters Figurative Prints

Materials

Engraving, Etching

EL MOZO
By Mauricio Lasansky
Located in Portland, ME
Lasansky, Mauricio (American, 1914-2012. EL MOZO. Lasansky 188. Engraving, etching, soft ground, open-bite, drypoint and resist ground, 1966. Printed from three plates: a copper mast...
Category

1960s Portrait Prints

Materials

Etching, Engraving

Recently Viewed

View All