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Édouard ManetLe Fifre - Musée De L'Orangerie (after) Edouard Manet, 19321932
1932
$1,600
£1,228.65
€1,409.45
CA$2,248.19
A$2,517.83
CHF 1,313.76
MX$30,754.19
NOK 16,714.87
SEK 15,755.77
DKK 10,518.56
About the Item
Artist: Edouard Manet
Medium: Lithographic Poster, 1932
Dimensions: 29.5 x 22 in, 75 x 55.9 cm
Classic Poster Paper - Excellent Condition A
This 1932 very rare lithographic poster reproduces an amazing painting by Edouard Manet entitled "Le Fifre" (the fifer), from 1866. It was displayed at the Louvre from 1914 until 1947, when it was relocated to the Musée du Jeu de Paume. In 1986, it was moved to its current home in the Musée d'Orsay, the national museum of 19th-century art. (it is now on loan to the Louvre in Abu Dhabi.)
On a trip to Spain in 1865, Édouard Manet visited the Prado, where the art of Diego Velasquez was a revelation. Upon his return to Paris, he began work on a new painting, depicting an anonymous regimental fifer of the Spanish army. In this picture, Manet presents the uniformed boy, in a manner that imitates and inverts the formula of Vélazquez's court portraits, against a barely inflected, flattened background of neutral tone, thus frustrating attempts to assess the figure's true size and, by extension, importance.
This is one of the early examples of the craftsmanship of the Mourlot Studio, and its close relationships with countless Museums around the world.
- Creator:Édouard Manet (1832 - 1883, French)
- Creation Year:1932
- Dimensions:Height: 29.5 in (74.93 cm)Width: 22 in (55.88 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1323210264792
Édouard Manet
Edouard Manet (1832 – 1883) was a French painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters. Although harshly condemned by critics who decried its lack of conventional finish, Manet's work had admirers from the beginning. One was Emile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality."
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