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Eduardo Chillida1980 'Museum of Art Carnegie Institute'1980
1980
$240
$50052% Off
£184.31
£383.9852% Off
€211.22
€440.0352% Off
CA$337.86
CA$703.8852% Off
A$378.48
A$788.5052% Off
CHF 197.22
CHF 410.8852% Off
MX$4,616.66
MX$9,618.0452% Off
NOK 2,506.24
NOK 5,221.3352% Off
SEK 2,363.20
SEK 4,923.3452% Off
DKK 1,576.46
DKK 3,284.3052% Off
About the Item
This original poster was created for a 1980 exhibition of Eduardo Chillida’s works at the Museum of Art, Carnegie Institute in Pittsburgh. Known for his mastery of form and space, Chillida was a celebrated Spanish sculptor whose abstract works explored volume, materiality, and balance.
The poster reflects Chillida’s signature aesthetic, often characterized by bold, abstract shapes and strong contrasts, evoking themes of architecture, nature, and movement. This piece is both a collectible artifact of the 1980 exhibition and a representation of Chillida’s profound influence on modern sculpture and contemporary art.
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- Creator:Eduardo Chillida (1924 - 2002, Spanish)
- Creation Year:1980
- Dimensions:Height: 13 in (33.02 cm)Width: 25.5 in (64.77 cm)Depth: 0.1 in (2.54 mm)
- More Editions & Sizes:13 x 25.5Price: $500
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:All items are meticulously stored, with a primary focus on maintaining their condition. Unless otherwise noted, all items are in mint condition. Additional photographs are available upon request. Please contact our team if you have any questions.
- Gallery Location:Brooklyn, NY
- Reference Number:Seller: CB98561stDibs: LU129418167812
Eduardo Chillida
Eduardo Chillida studied in Madrid and then went to Paris, where he was influenced by Pablo Palazuelo in his first figurative work, done in plaster and clay. Other influences were Frank Lloyd Wright, Albert Giacometti and Joan Miro. In 1950, he began doing printmaking lithography, woodcuts, etchings, drypoints and silkscreens. His graphics are not related to his sculpture but are creative expressions unto themselves. During the 60s, his graphics tended to be massive black lines on white, giving the appearance of realistic shapes.
About the Seller
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