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Adolfo HohensteinArt Nouveau "Fiammiferi Senza Fosforo" original poster by Aldolfo Hohenstein1905
1905
$16,000
£12,090.25
€13,993.44
CA$22,447.21
A$24,967.74
CHF 13,098.04
MX$304,663.15
NOK 164,396.96
SEK 154,924.19
DKK 104,455.08
About the Item
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Adolfo Hohenstein was a German-Italian painter, illustrator, and designer, recognized as a key figure in the development of Art Nouveau in Italy. Born in Saint Petersburg to German parents, he later moved to Vienna and then Milan, where he became the artistic director for G. Ricordi & Co., a major Italian publishing house.
Hohenstein’s innovative opera posters for Giacomo Puccini, including La Bohème, Tosca, and Madama Butterfly, revolutionized theatrical advertising. His work combined flowing lines, bold compositions, and elements of Japanese prints and Symbolism, influencing the Stile Liberty movement—Italy’s take on Art Nouveau.
Beyond posters, Hohenstein designed book covers, set decorations, and textiles, shaping the visual culture of his era. His influence extended to future graphic artists like Leonetto Cappiello and Marcello Dudovich, who built on his expressive, dynamic style.
A master of elegance and ornamentation, Hohenstein’s work remains a cornerstone of early modern graphic design, celebrated for its artistic beauty and innovation.
- Creator:Adolfo Hohenstein (1854 - 1928, German)
- Creation Year:1905
- Dimensions:Height: 33 in (83.82 cm)Width: 59.75 in (151.77 cm)Depth: 4 in (10.16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU467316055222
Adolfo Hohenstein
Adolfo Hohenstein (1854–1928) was a German-born artist and designer who became one of the most influential figures in the history of Italian poster art. Born in Saint Petersburg and raised in Vienna, he trained in the decorative arts before traveling extensively through Europe and Asia, where he developed an eye for refined ornament and theatrical presentation. In 1879, Hohenstein settled in Milan, where his career flourished. He became a set and costume designer for the Teatro alla Scala and other prominent theaters, later joining the famed Officine Grafiche Ricordi as art director. There, he created some of the most celebrated opera posters of the late 19th century, including designs for La Bohème and Tosca, as well as striking advertisements for brands such as Campari and leading newspapers. His distinctive blend of elegance, fluid lines, and decorative detail placed him at the forefront of Stile Liberty, the Italian interpretation of Art Nouveau. Hohenstein’s style combined theatrical flair with a mastery of composition, creating imagery that was both visually captivating and commercially effective. His work influenced a new generation of poster artists, setting a standard for modern graphic design in Italy. In the early 20th century, he returned to Germany, living in Düsseldorf and later in Bonn, where he turned his attention to painting, architectural decoration, and interior design. He continued to produce refined works until his death in 1928, leaving a lasting legacy as the “father of Italian poster art” and a pioneer of modern visual communication.

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