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(after) Alexander Calder1960's Alexander Calder lithographic cover (from Derrière le miroir)c.1963
c.1963
$125
£94.46
€110.59
CA$174.56
A$196.40
CHF 104.06
MX$2,425.23
NOK 1,275.64
SEK 1,225.71
DKK 824.91
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About the Item
Alexander Calder Lithographic cover c. 1963 from Derrière le miroir:
Lithographic cover page in colors; 11 x 15 inches.
Very good overall vintage condition.
Unsigned from an edition of unknown with crisp bright colors.
Published by: Galerie Maeght, Paris, c. 1968.
Unsigned from an edition of unknown.
Looks fantastic framed.
Derrière le miroir:
In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France.
The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time.
The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies.
Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931. His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London.
- Creator:(after) Alexander Calder (1898, American)
- Creation Year:c.1963
- Dimensions:Height: 11 in (27.94 cm)Width: 15 in (38.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good.
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU35439402982
(after) Alexander Calder
Combining abstract surrealism and biomorphic imagery into a distinctive style, Calder has become one of the 20th Century’s most iconic and important artists. Besides sculptures, Calder was also prolific in other art forms. He produced jewelry, tapestry and stage designs, as well as drawings, oil paintings, water colors, etchings, lithographs and serigraphs. Born in Philadelphia in 1898
Alexander Calder (1898 – 1976) was a monumental artist. He invented the mobile, and airy, hanging structure connected by wires that are set in motion by the wind. These mobiles tremendously influenced the art world. Calder’s versions celebrated form and color, with simplicity and profundity. As a trained engineer, began to practice as a freelance artist after attending New York’s Art Students League. Calder was strongly inspired circus spectacle, and thus constructed entertaining mobiles often accompanied by music. Producing dynamic yet playful mobile sculptures, Calder dismissed the formal structures of art and redefined its infinite possibilities.
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View All1960's Alexander Calder lithographic cover Derrière le miroir
By Alexander Calder
Located in NEW YORK, NY
Alexander Calder Lithographic cover c. 1968 from Derrière le miroir:
Lithograph in colors; 11 x 15 inches.
Very good overall vintage condition.
Unsigned from an edition of unknown with crisp bright colors.
Published by: Galerie Maeght, Paris, c. 1968.
Unsigned from an edition of unknown.
Looks fantastic framed.
Derrière le miroir:
In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France.
The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time.
The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies.
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1970's Alexander Calder lithographic cover (Derrière le miroir)
By Alexander Calder
Located in NEW YORK, NY
Alexander Calder Lithographic cover c. 1968 from Derrière le miroir:
Lithographic cover; 11 x 15 inches (folding out to 15x22 inches).
Very good overall vintage condition.
Unsigned from an edition of unknown.
Published Paris, c. 1968.
Looks fantastic framed.
Derrière le miroir:
In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France.
The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time.
The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies.
Related Categories:
Mid century modern. Alexander Calder prints. Calder orange...
Category
1960s Contemporary Figurative Prints
Materials
Lithograph
Alexander Calder Lithograph Derriere le miroir (Calder prints)
By Alexander Calder
Located in NEW YORK, NY
Vintage original Alexander Calder Three Legged Man Lithograph 1975:
Lithograph in colors. 15 x 11 inches.
Very good overall vintage condition.
Unsigned from an edition of unknown.
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Alexander Calder derrière le miroir lithograph (Calder prints)
By Alexander Calder
Located in NEW YORK, NY
Alexander Calder Lithograph c. 1964 from Derrière le miroir:
Lithograph in colors; 15 x 11 inches.
Very good overall vintage condition; well-preserved.
Unsigned from an edition of unknown.
From: Derrière le miroir. Printed in France.
Derrière le miroir:
In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253).
Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions.
Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies.
_
Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York.
Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931.
His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry.
The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London. Related Categories Calder prints. Mid Century Modern. 1970s. Miro. Chagall. Calder lithograph. Figurative art. Alexander Calder Derrière...
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1960s Contemporary Figurative Prints
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