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(after) Marc ChagallThe Tribe of Benjamin, from: The Jerusalem Windows - Stained Glass Jewish Tribes1964
1964
$17,500
£13,464.40
€15,386.47
CA$25,046.67
A$27,312.95
CHF 14,348.20
MX$327,362.06
NOK 181,949.33
SEK 169,320.99
DKK 114,920
About the Item
This lithograph is hand signed in pencil by the artist "Marc Chagall" in the lower right margin
It is also hand numbered in pencil from the edition of 150, at the lower left margin.
Additionally, the print is signed in the plate by Marc Chagall at the lower right corner of the image and annotated in the plate "CH Sorlier Grav Lith" in the lower left corner.
This work was printed by Charles Sorlier based on Chagall's last studies for the Jerusalem windows.
It was printed in 1964 in a limited edition of 150 hand signed and Arabic numbered impressions. There were also ten artist’s proofs and 75 signed and numbered impressions with Roman numerals.
The work was printed by Charles Sorlier, Paris and published by Mourlot, Paris. The reverse bears the stamp with the details of the work.
This is the twelfth composition of twelve for the maquettes
Literature: Sorlier, C. (1984). Chagall Lithographs. Vol. V 1974 - 1979. Crown Publishers, Inc.: New York.
Reference: Sorlier 23
Condition: Very good condition. Very pale, unobtrusive time-staining around the image.
- Creator:(after) Marc Chagall (1887 - 1985, French, Russian)
- Creation Year:1964
- Dimensions:Height: 28.15 in (71.5 cm)Width: 20.67 in (52.5 cm)
- More Editions & Sizes:Edition of 150Price: $17,500
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU18016569632
(after) Marc Chagall
Marc Chagall was a renowned Jewish artist born July 7, 1887, in Vitebsk, Russia, who later moved to Paris and gained French citizenship. Chagall studied at the Imperial Society for the Protection of the Arts in Saint Petersburg. He was a member of the Ecole de Paris and was part of the Salon des Indépendants and the Salon d’Automne in the early 1900s. In addition to Paris and St. Petersburg, Chagall traveled and exhibited globally including Amsterdam, Jerusalem, and New York City. Having lived through World War I and World War II, his work was influenced by these events. Chagall’s work is inspired by his Jewish heritage and his hometown of Vitebsk and incorporates elements of Fauvism and Cubism as well as aspects of traditional Russian and Jewish folk art. His work has been exhibited and collected internationally both privately and by institutions including the Guggenheim, the Museum of Modern Art, Centre Pompidou, and Tate Modern.
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This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Benjamin, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andre Sauret, Editeur, Paris, and printed by Mourlot Freres, Paris, June 7, 1962. This vibrant composition embodies Chagall’s unique synthesis of faith, color, and imagination, celebrating the spiritual symbolism of the twelve tribes of Israel as represented in his monumental stained-glass windows for the synagogue of the Hadassah-Hebrew University Medical Center in Jerusalem. Tribe of Benjamin captures the artist’s poetic vision through luminous hues and dreamlike imagery, translating the ancient heritage of Israel into a universal language of beauty, hope, and divine harmony. With its radiant color and lyrical balance, this lithograph stands as one of the finest examples of Chagall’s mastery of the printed medium and his enduring ability to unite spiritual and artistic expression.
Executed as a lithograph on velin paper, this work measures 15 x 11 inches (38.1 x 27.94 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its collaboration with the most important modern artists of the 20th century.
Artwork Details:
Artist: After Marc Chagall (1887–1985)
Title: Tribe of Benjamin, from Marc Chagall, The Jerusalem Windows
Medium: Lithograph on velin paper
Dimensions: 15 x 11 inches (38.1 x 27.94 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1962
Publisher: Andre Sauret, Editeur, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Marc Chagall, The Jerusalem Windows, published by Andre Sauret, Editeur, Paris, June 7, 1962
Notes:
Excerpted from the album, This album, which was compiled by Andre Sauret, was completed on June 7, 1962. The texts by Jean Leymarie were composed by hand in "Romain du roi" and were printed by The Imprimerie Nationale de France. The thirty-six preparatory color designs, some of which are in twenty colors, were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs and the two original lithographs by Marc Chagall were printed by Mourlot Freres. The other reproductions and the binding are by Draeger Freres.
About the Publication:
Marc Chagall, The Jerusalem Windows (Les Vitraux de Jerusalem), published in 1962 by Andre Sauret, Editeur, Paris, stands as one of the artist’s most celebrated illustrated albums and a cornerstone of modern printmaking. The publication documents Chagall’s monumental stained-glass windows created for the synagogue of the Hadassah-Hebrew University Medical Center in Jerusalem—an artistic and spiritual masterpiece dedicated to the twelve tribes of Israel. Conceived in collaboration with master printer Charles Sorlier and the renowned Mourlot Freres atelier, the album compiles the artist’s original color studies through vibrant lithography, achieving a remarkable luminosity that mirrors the glowing transparency of stained glass. The accompanying text by art historian Jean Leymarie offers profound insights into Chagall’s vision, faith, and symbolism. Completed on June 7, 1962, this edition embodies the union of fine art, craftsmanship, and devotion, capturing the transcendent beauty of Chagall’s windows and their universal message of peace and faith.
About the Artist:
Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928).
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